Tony

A 19-year-old college student spends his summer break in a strange town far away from his school and his family home. He sees and hears new things, has new experiences. The summer for the young man is… LIFE CHANGING!

That’s MY story. That summer happened for me when I was 19. 

And it happened to Anthony Bourdain when he was 19. The new movie Tony is his story. To a small degree, I can relate.

In his 2000 book Kitchen Confidential, Anthony Bourdain writes about his culinary experiences, starting with the summer he spent in the resort town of Provincetown, Massachusetts working in a restaurant. This film is fictional, based on (inspired by? Adapted from? What’s the legal term here?) Bourdain’s recollections he shares in the book. 

Tony (Dominic Sessa) takes a bus to Cape Cod mainly because Nancy (Emilia Jones), a girl he likes, tells him she’s spending her summer there. Sessa, who was excellent in his rookie outing in The Holdovers, is convincing as the smart ass who keeps telling people he’s a writer. His first restaurant gig is washing dishes. Meanwhile, his pursuit of the girl moves along slowly.

Here are the real Anthony Bourdain’s words that appear on screen at the beginning of the film: “I was—to be frank—a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass-kicking.”

Sessa is good. He looks a bit like Bourdain, tall and lanky. But it’s the supporting cast that makes this movie better. 

The restaurant owner (Antonio Banderas) provides Tony with a gig and a place to stay. But it’s his guidance and tolerance in the kitchen that makes this fictional portrayal so appealing. When it’s time to hand out awards in a few months, Banderas should be in the mix.

Kitchen crew mate Sal (Leo Woodall) turns young Tony on to various vices including cocaine. Sal is a lady killer who, when a wedding party celebrates at the restaurant, has his way with the bride.

Tony, the movie, and Sessa, the actor, demonstrate palpable changes in the young future media giant. Does a person grow up that much over one summer? As noted, this is a fictional depiction and there’s been embellishment. Then again, was Bourdain’s book, the source material,  fact-checked? Should we take his words in the book at face value? Hmmm.

For Tony Bourdain, at the start of the summer he turns 19, he wanted to be a writer. At the end of his summer, he wanted to pursue a culinary career. He learned a lot about the industry and about himself. Of course he had a restaurant career and then went on to hone his talent as a writer years later.

Tony is one of my favorite movies of the year. And not just because it has led me to recall a similar summer in my life. It has an enjoyable story and an overall good vibe, not to mention a few big laughs.

Tony is directed by Matt Johnson who is a co-writer of the script with three others. Tony is rated R.

The Big Short

The Big Short is one of the more clever, creative and different films to come down the mainstream movie track in a long time. It contains one of the year’s best acting performances. It is, unfortunately, a failure.

Why? Because it is too cute. Because it tries to explain arcane financial information in silly ways. Because it attempts to assign white hats and black hats where many hats should be gray. Because, ultimately, it is hard to cheer for these few winners when there were so many losers.

We all know what happened in 2007-2008. Okay, we don’t know exactly what happened but we know how the nation’s economic collapse affected each of us individually. The Big Short, based on Michael Lewis’s book, tries to tell part of that story with humor.

Jared Vennett (Ryan Gosling) is a Deutsche Bank employee on Wall Street who serves as narrator, occasionally turning directly to the camera in the middle of a scene to share a point of exposition. He drips smugness.

Michael Burry (Christian Bale) is a California doctor who leads an investment group. Burry, a man with tons of nervous energy (the real life Burry has Asperger’s), guesses that the housing market will collapse in ’07 when many subprime mortgages are scheduled to adjust significantly higher. He makes huge bets (using his investors’ money) that the mortgage banking industry will suffer defaults on home loans. Bale’s performance as this quirky but self-assured gambler is among his best.

Mark Baum (Steve Carrell) is part of a New York-based investment consortium which receives much of its funding from Morgan Stanley, a major Wall Street institution. Baum has a strong moral compass. He is concerned about right and wrong, yet he proceeds with betting against the banks—including Morgan Stanley.

Jamie Shipley (Finn Wittrock) is a Boulder-based investor who wants to get in on “shorting” the mortgage market but his capitalization is too low. With help from Ben Rickert (Brad Pitt), a former banker who has cashed out and retired, he gets in on the action.

Director Adam McKay (who co-wrote) includes clever quick montages of timely images to reflect the times. They include a Britney Spears clip to represent 2000 and a 1st generation iPhone to indicate 2007. The segments with Margot Robbie, Anthony Bourdain and Selena Gomez (alongside a real economist) attempting to simplify some of the complexity of finance are funny. Are they informative? A little.

McKay gets an “A” for ambition and a gold star for trying to relate the stories in Lewis’s book in a lighthearted manner. But The Big Short fails to accomplish its mission. I am betting against it.