What Men Want

WHAT MEN WANT

What Men Want takes the 2000 movie What Women Want and casts it with black lead actors, moves it from Chicago to Atlanta and rides with an R rating. (The Mel Gibson-Helen Hunt romcom was PG-13.) The R is mainly for language but there’s also a bit of sex. However the sex is comedic, not erotic.

Taraji P. Henson as sports agent Ali Davis has tons of charisma. And talent. Her smile lights up the screen. Richard Roundtree of Shaft fame plays her dad. Tracy Morgan shows no signs of damage from the wreck a few years back that nearly killed him. Morgan plays the father of a college basketball star who the agency is trying to sign.

Ali’s romantic interest is bartender Will (Aldis Hodge). In a well-worn Hallmark Channel trope, he is a single dad, a widower with a cute kid.

Ali has a group of girlfriends (Phoebe Robinson, Wendy McClendon-Covey and Tamala Jones) who hire a psychic (Erykah Badu) for a party. The seer offers Ali a cup of tea, which Ali thinks is the cause of her new ability to read men’s minds. Ali’s friends are key figures in a wedding ceremony where Ali can’t keep her thoughts to herself. (Badu returns for a coda during the film’s closing credits.)

What Men Want plays for laughs but it is also a story of a black woman trying to achieve success in a man’s (mainly white guys) world. A script that with a few more laughs might’ve made What Me Want a slam-dunk smash. It’s a fun film but one that maybe should’ve been just a bit funnier.

As the setting is a sports agency, a handful of sports personalities have cameos: Shaq, Grant Hill, Mark Cuban, Adam Silver and Devonta Freeman. Also in the cast are Max Greenfield and Jason Jones as Ali’s agency co-workers.

 

Advertisements

Trainwreck

Amy Schumer homers in her first major league at-bat. Trainwreck is funny and she is the movie’s title star. Just as importantly, she also gets the lone credit on the “written by” card.

Amy Townsend (Schumer) is not a loser. It’s her love life that’s a trainwreck. She’s a woman who men pursue. But most of her hookups are just one-night stands, a few of which are hilariously depicted in the film.

She’s a writer for a Maxim-like men’s magazine called S’Nuff. Her editor Dianna (Tilda Swinton) assigns her to write a profile of a sports medicine doctor, Aaron Conners (Bill Hader), whose patients include several big name pro jocks. Among them is LeBron James (played by, in a casting coup, LeBron James, who turns out to be an excellent performer).

Following her first visit with Aaron, he takes her to dinner. They spend the night together and begin a normal relationship, which is not Amy’s normal M.O. The inevitable bumps in the road occur leading to a happy resolution and solid laughter along the way. Along with the raunch, there’s some real sweetness.

The cast also includes Brie Larson as Amy’s sister Kim and Mike Birbiglia as Kim’s husband Tom. Colin Quinn is wonderful as Amy and Kim’s cantankerous, ailing father. Daniel Radcliffe and Marisa Tomei appear in an art house film that Amy attends with one of her less refined boyfriends (WWE wrestler John Cena). Ezra Miller and SNL vet Vanessa Bayer appear as Amy’s co-workers.

Director Judd Apatow has delivered raunchy romantic comedies with a heart before. He has nurtured talented actor/writers before. (See Seth Rogen.) Apatow’s a pro who knows where the good/bad taste line lies and dances all around both sides of it. Schumer’s script (which he acknowledges he tweaked) has some holes, but is fresh and funny.

Amy Schumer is riding high on a positive wave generated by a successful Comedy Central TV series and tons of good media publicity for Trainwreck. The horrible comments made earlier this year by internet trolls regarding her physical appearance—she’s not the traditionally glamorous babe seen in most rom-coms—have led to backlash in her favor.

Trainwreck would be a respectable effort if it came from a veteran. Coming from a rookie writer/actor, it’s damned impressive.

Aloha

Writer/director Cameron Crowe’s movies, whether good or not so good, are always interesting and always have entertaining soundtracks. Aloha his both those marks and turns out to be an enjoyable film with characters who are hard not to like. It may not be as quotable or memorable or funny as some other Crowe films, but Aloha has a number of good things going for it.

Brian Gilcrest (Bradley Cooper) is ex-military, now a civilian, returning to Hawaii on a private sector gig. Upon landing he runs into ex-girlfriend Tracy (Rachel McAdams) and finds she’s married with two kids. Gilcrest’s Air Force liaison is Captain Allison Ng (Emma Stone), a hardcore type-A.

Among Gilchrist’s objectives is to work out a deal with local natives to acquire land. He and Ng meet with the native leader. Gilchrist is the tough negotiator but Ng charms the natives with her personality and appreciation of Hawaiian culture.

As Gilchrist and Ng continue a low boil flirtation, Tracy and husband Woody (John Krasinski) invite Gilchrist and Ng over for dinner. Though they are not quite as intense as Rick and Ilsa from Casablanca, in a kitchen conversation, it becomes clear that Tracy and Gilchrist still have strong feelings for one another, even though she’s spoken for.

Other players in Aloha include Bill Murray as rich guy Carson Welch who provides private rocket launches for anyone with money, but with support from the military. Alec Baldwin is General Dixon, Gilcrest’s former commander, who’s on hand to help foster the deal making. It is always encouraging to see a strong younger actor who has great screen presence—Danielle Rose Russell is impressive playing Tracy and Woody’s daughter Grace.

Crowe has handed Cooper a character with a good backstory and an appropriate level of self-disgust. Stone is at her charmingly perkiest as Ng, a woman with loads of drive and ambition. McAdams’ Tracy is happy and but also frightened by the return of her ex. Krasinksi’s Woody is a quiet man who’s not oblivious to what’s happening. I like these characters.

Gilcrest’s interactions with these two women are the heart of the movie but Crowe does a neat job of stitching the private space mission story into the fabric. Aloha’s touching final scene may cause tears.

In the Cameron Crowe oeuvre, Aloha is no Jerry McGuire but it beats the heck out of Vanilla Sky.