Verity

Verity means truth. But in the new movie Verity, what’s true and what’s not true is not always easy to discern. 

Verity Crawford (Anne Hathaway) is a successful novelist. She suffers a debilitating injury. Her husband Jeremy (Josh Harnett) recruits writer Lowen Ashleigh (Dakota Johnson) to take Verity’s notes and outlines and write the novels that Verity had planned. He tells Lowen that Verity was a fan of Lowen’s work. 

Jeremy even invites Lowen to move into the family’s home deep in the woods of Vermont to use Verity’s office and to bunk in the master bedroom. Verity is in another part of the house in a hospital bed with a nurse nearby. Verity does not speak and while she IS alive she appears to be catatonic. 

As Lowen gets to work, she finds a thumb drive that has Verity’s autobiography, written sometime before her disability. She is stunned by what she reads. An added layer to the story: Verity and Jeremy’s young daughter was killed in a boating accident. Their young son survived.

Will there be sparks between Jeremy and this younger woman who, like his wife, is beautiful and has long black hair? And will this younger woman manage to suppress her thoughts about this handsome young husband who is always in close proximity? And what about the suspicion Lowen has that Verity is possibly not as completely out of it as she seems?

The mysterious happenings in the story and the relationships between the characters develop a bit clumsily in the film. Verity is adapted from a book by the prolific Coleen Hoover. One assumes that those developments play out more smoothly on the printed page. 

Hoover is a pop novelist whose sales figures are beyond impressive. At one point in the movie, a disparaging remark is made about “books that are sold in airport bookstores.” Presumably that’s a joke as Hoover likely records huge sales to folks who want something to occupy their minds on a long flight.

It’s not a spoiler to mention that things are not always what they appear to be in Verity. The long and winding road leading up to the house in the woods could be judged to be symbolic of the directions the narrative takes. Or maybe not. Verity is rated R for some sexual content and a bit of nudity. 

Materialists

Tell me what you’re looking for in a ROM-COM. Let’s see if we can find a match! Romance? Comedy? Yes, of course. Those are non-negotiables!

Attractive stars playing cool characters? How about Dakota Johnson, Pedro Pescal and Chris Evans? (As Lucy, a professional matchmaker;  Harry, a financier; and John, a struggling actor, respectively.)

A “meet cute”? For sure. At a wedding reception, no less!

A reunion with a lost love? Yep! At that same wedding reception.

A damsel in distress? Well, one of Lucy’s clients, Sophie (Zoe Winters.)

A clever script with memorable declarations and observations about love and dating and marriage and money? We may have a match here!

Are you willing to overlook a horrible title and occasionally slow pacing? Materialists? Really? Couldn’t writer/director Celine Song have come up with a catchier title for her movie than that? Hey, you can’t have everything!

Surprises? Shhhhh! No spoilers!

Sexual content? A smidge. No nudity. Mostly post-coital chat and some F-bombs. Ergo, an R rating.

Seriously, Materialists is several notches above the average ROM-COM. 

The film has fun presenting a few of the candidates for matchmaking and their very specific qualifications about whom they’d consider for dating. 

Dakota Johnson is excellent as a 30-something woman who is smart and successful in her work matching up couples but has low self esteem regarding her own value as a mate.

The characters that Pascal and Evans portray are both honorable, likable men. Neither is the “bad guy” or the less-than-adequate guy who often appears in ROM-COMs to add to the tension.

Would Materialists be a good date film? I say yes. It would likely generate conversation for couples who are either casually dating or getting serious. 

The final shot of Materialists is pure genius. It comes as the end credits roll and the new Japanese Breakfast theme song My Baby (Got Nothing At All) plays. Followed by the hilarious John Prine and Iris DeMent duet In Spite of Ourselves.

Materialists runs just under two hours.

Black Mass

If you’ve seen the ads on TV, in print and on the web for Black Mass, you’ve seen Johnny Depp’s latest look. When he appears on the movie screen, with his blue/green eyes, thinning hair and bad front tooth, even if you’ve seen the ads, it’s still a stunning transformation.

Depp gives a mighty performance as James “Whitey” Bulger, a real-life notorious Boston criminal who committed numerous murders, many in a particularly violent manner, along with lesser felonies. For Depp, the role redeems him after several recent misfires. Award nominations will be forthcoming.

But Black Mass is more than just Depp. Director Scott Cooper deftly relates a complex narrative in two hours. The brooding soundtrack by Tom Holkenborg (AKA Junkie XL) complements perfectly the dark story and its gloomy look. The tight script is by Mark Mallouk and Jez Butterworth from the book by Boston Globe reporters Dick Lehr and Gerald O’Neill.

(Side note: Is it always cloudy in Boston? Based on this film, Mystic River, The Departed, The Town and others, it seems that the city is constantly under overcast skies.)

The story is told in flashbacks, framed by investigator interviews with Bulger lieutenants Steve Flemmi (Rory Cochrane) and Kevin Weeks (Jesse Plemons). In 1975, Bulger is a small-time hood. Soon, he forms an “alliance” with FBI agent and fellow “Southie” John Connolly (Joel Edgerton). They trade information. The deal helps the FBI take down Mafia interests in Boston, but also opens up those crime areas to Bulger and his cohorts.

The cast includes Benedict Cumberbatch as Whitey’s brother Billy Bulger, an elected official who somehow escapes being directly connected to his brother’s treachery. Dakota (Fifty Shades of Gray) Johnson plays Bulger’s girlfriend Lindsey, who is mother of Whitey Bulger’s son. The FBI crew includes Kevin Bacon, Adam Scott and David Harbour. Corey Stoll is a take charge U.S. attorney who is baffled by the FBI’s coddling of Bulger.

Black Mass has already generated controversy in Boston. Family members of those killed by Bulger are upset that the movie shows his humanity. This week, Depp said of the character: “There’s a man who loves. There’s a man who cries. There’s a lot to the man.” (Yes, and John Wayne Gacy gave great clown shows for the kids.)

Just as there are many sides to Whitey Bulger, there are many aspects of Black Mass beyond its central character. Depp is excellent. So is the rest of the movie.