The Invisible Man

Liz Invisible

Have you ever thought you were losing your sanity? Have other people ever wondered if you were losing your mind? Have you ever been in a toxic relationship that led you to take desperate measures?

Cecelia Kass (Elizabeth Moss) answers yes to all three questions in the highly entertaining suspense thriller The Invisible Man.

In the film’s terrific opening sequence, Cecelia executes an escape from her abusive husband Adrian (Oliver Jackson-Cohen) with help from her sister Emily (Harriet Dyer).

Two weeks later, after taking refuge at the home of her friend James (Aldis Hodge), Cecelia is informed that her husband has died by suicide. Her husband’s attorney Tom (Michael Dorman), who is also her husband’s brother, informs her that a generous inheritance will come her way.

Soon after, weird things begin occurring in Cecelia’s life that lead her to question her own sanity. When she shares her suspicions about what is happening, others are dubious about her claims.

Revealing more about this setup and the story that follows might include spoilers or near spoilers. It is okay, I think, to mention that the film is likely to keep you guessing about what’s going to happen next and what will be the ultimate resolution. That pretty much defines suspense, does it not?

But a few words about the production shouldn’t spoil anything. The film’s writer/director Leigh Whannell, co-creator of the Saw movie series, uses shots of doors and hallways effectively to create subjective views of places where trouble may lurk. His use of shadows and low light situations adds to the creepiness. The sound design featuring loud, low-pitched ominous notes creates just as much tension as the violin-dominated Psycho soundtrack did sixty years ago.

The modern house that Cecelia and Adrian share is large and spectacular and provides a great setting for the film’s opening shots. It’s even cooler than the Park family’s home in Parasite.

Big applause is due for the performance of Elizabeth Moss. Her character refers to herself as “just a suburban girl” who met her husband at a party. But she is resilient and tough. Moss can play gorgeous and also rugged (as in, no makeup and dirty hair) in the same film and do both believably.

The Invisible Man is rated R because of blood, gore and violence. Tread lightly on the interwebs before you see it… spoilers are likely to abound.

The Call Of The Wild

Call poster

If you see The Call Of The Wild, you will understand why it’s better that the filmmakers used a computer animated- dog instead of a real dog. Stunts and fights might’ve put a real dog in peril.

Buck, the big galoot of a dog, looks almost real. He does things Rudd Weatherwax could only imagine his dogs doing. (Look him up if you need to.)

But the reason you want to see The Call Of The Wild is not just to see how the animals are rendered. You want to experience the story of Buck, a 140-pound St. Bernard-Collie mix, and how he copes with dognapping, cruel mistreatment, work on a sled team and a fight to be top dog.

Buck also discovers his connection to the wolves he sees, hears and imagines during his time in Alaska.

His human benefactor is John Thornton (Harrison Ford) who takes up for Buck and ultimately takes him in. Their interspecies bond is heartwarming. The communication between the two reveals a closeness many of us aim to have with our pets. (Although most of us might not care to have our dog monitor and police our drinking habits.)

Harrison Ford, who turns 78 this summer (a smidge older that Joe Biden, a smidge younger than Bernie Sanders and Michael Bloomberg), sounds older but looks amazingly spry for an old guy. He, of course, remains a favorite of many movie fans. Much of that fandom likely has as much to do with his many iconic roles as with his personal charisma and talent. It’s almost always good to see him onscreen and it is good to see him in this role.

The Call Of The Wild film, based on the classic Jack London novel, is not a “must see” movie. It entertains but lacks elements to elevate it to the beloved status of the book. Does it have the appeal of, say, the classic Disney dog movie Old Yeller? Not hardly.

Disney spent a ton of money to create many cool visuals in The Call Of The Wild—not just the CGI animals—and will likely recoup some of that budget when the film trudges over to the new Disney+ streaming service in a few months, resulting in more signups.

The Call Of The Wild is rated PG.









The Photograph

Photograph poster

The Photograph strongly resembles a Hallmark Channel movie, but with an African-American cast. And, instead of that one chaste kiss at the end of many Hallmark movies, The Photograph has just enough mild sexual content to merit a PG-13 rating.

Here are a few Hallmark Channel movie tropes that appear in The Photograph:

  1. One of the characters is a journalist. Michael (LaKeith Stanfield) is a writer for a New York based magazine.
  2. One of the characters leaves her small hometown for the big city, but comes back home to visit. Christina (Chanté Adams) is a photographer who leaves Louisiana for New York.
  3. One of the characters spends a lot of time reading a letter left by a person who is no longer around. Mae (Issa Rae) reads and rereads the letter left by her mother who is recently deceased.
  4. One of the characters has a parent die. (See #3.)
  5. One of the characters stays in the small town and has a reunion with one who comes back. Isaac (Rob Morgan) is one who is left behind.
  6. A surprising revelation occurs. Although some might say, “I saw that coming!” (Sorry, no spoiler here.)
  7. A number of coincidences move the plot along. (No spoilers here either.)
  8. Several conversations include glasses of wine.
  9. Romantic attraction for the two main characters, Michael and Mae, is obvious to the audience if not to the characters.
  10. Family members caution against moving too fast into a serious relationship. Michael’s brother Kyle (Lil Rey Howery) shares his thoughts over wine and beer.
  11. A sad goodbye.
  12. A happy ending. (Well, duh.)

Stanfield and Rae each have lots of charisma and they have great onscreen chemistry. The parallel tales of the two generations are presented with a bit of melodrama—but that’s a good thing.

The Photograph is a romantic movie for grownups. Yes, the film was written and directed by a woman, Stella Meghie.

Like many Hallmark Channel movies it touches emotional buttons, it has some contrived plot elements and most of the situations get resolved in satisfying ways.








If you’re looking for a romantic comedy starring two popular stars to make you feel all warm inside this Valentine’s Day weekend, Downhill is NOT it.

If you’re looking for a disappointing movie that will make you feel uncomfortable, maybe then Downhill IS for you.

One might think that married couple Pete (Will Ferrell) and Billie (Julia Louis-Dreyfus) would have some madcap adventures on the ski runs that would result in loads of laughs. One would be wrong. Downhill is a “drama/comedy” with the emphasis on family drama.

On a positive note, the scenery in Downhill is gorgeous. The Alpine slopes glisten in the Austrian sun. The action shots make skiing look like more fun than it really is.

Another positive note: the film is mercifully short, clocking in at a mere 85 minutes.

Pete and Billie and their two young sons head to Europe ostensibly to ease the pain brought on by Pete’s dad’s recent passing. But when a “controlled” avalanche goes out of control, it becomes apparent that Pete and Billie have other issues beside Pete’s ongoing grief.

Some of the side characters add a bit of spice to the show. The horny hotel manager Charlotte (Miranda Otto) is fun but also a bit off-putting. The cocky ski patrol leader (Kristofer Hivju) throws more cold water on the anticipated good times. Billie’s ski instructor Guglielmo (Giulio Berruti) has some success trying to perk up her spirits.

Pete’s co-worker Zach (Zach Woods) and his girlfriend Rosie (Zoe Chao) are unwitting witnesses to Pete and Billie’s big blow up—not much fun there.

Downhill was inspired by a 2014 French film Force Majeure, which has a similar plot. Force Majeure‘s IMDB rating is 7.3.

Downhill has an IMDB rating of 4.0. Downhill is the kind of movie you might watch a year or two from now on cable or Netflix when there’s nothing else on. Rated R.