Verity

Verity means truth. But in the new movie Verity, what’s true and what’s not true is not always easy to discern. 

Verity Crawford (Anne Hathaway) is a successful novelist. She suffers a debilitating injury. Her husband Jeremy (Josh Harnett) recruits writer Lowen Ashleigh (Dakota Johnson) to take Verity’s notes and outlines and write the novels that Verity had planned. He tells Lowen that Verity was a fan of Lowen’s work. 

Jeremy even invites Lowen to move into the family’s home deep in the woods of Vermont to use Verity’s office and to bunk in the master bedroom. Verity is in another part of the house in a hospital bed with a nurse nearby. Verity does not speak and while she IS alive she appears to be catatonic. 

As Lowen gets to work, she finds a thumb drive that has Verity’s autobiography, written sometime before her disability. She is stunned by what she reads. An added layer to the story: Verity and Jeremy’s young daughter was killed in a boating accident. Their young son survived.

Will there be sparks between Jeremy and this younger woman who, like his wife, is beautiful and has long black hair? And will this younger woman manage to suppress her thoughts about this handsome young husband who is always in close proximity? And what about the suspicion Lowen has that Verity is possibly not as completely out of it as she seems?

The mysterious happenings in the story and the relationships between the characters develop a bit clumsily in the film. Verity is adapted from a book by the prolific Coleen Hoover. One assumes that those developments play out more smoothly on the printed page. 

Hoover is a pop novelist whose sales figures are beyond impressive. At one point in the movie, a disparaging remark is made about “books that are sold in airport bookstores.” Presumably that’s a joke as Hoover likely records huge sales to folks who want something to occupy their minds on a long flight.

It’s not a spoiler to mention that things are not always what they appear to be in Verity. The long and winding road leading up to the house in the woods could be judged to be symbolic of the directions the narrative takes. Or maybe not. Verity is rated R for some sexual content and a bit of nudity. 

Project Hail Mary

I have qualms.

I’d expected that I might be jumping up and down, waving my arms and telling one and all that the new movie Project Hail Mary is a MUST-SEE film. Its clever story comes from a best-selling book. It has a cute, non-threatening alien. It stars Ryan Gosling. The visuals are stunning.

But I have qualms about anointing Project Hail Mary an all-time great movie. Others will and that’s their opinion.

Why do I have these qualms?

The book is better than the movie. Yes, they are two different things. Most people who see the movie will not have read the book. Good for them or you!

The narrative is similar to those we’ve seen in other space/sci-fi movies: mission underway, problems/peril, tension, resolution. Just check ‘em off as you go. PHM does have distinctive features including some trippy images and, presumably, the science, while over my head, is legit or close to it.

The mixture of tension and humor seems unnatural, contrived. Well, it IS contrived—it’s fiction! But still, those two elements could’ve been blended better. Does PHM want to be a serious movie or a lightweight movie?

The depiction of the alien Rocky, to my eye, is a bit hokey. Like a Jim Henson Muppet reject. Is that the best they could come up with?

The German gal Eva (Sandra Huller) is just a bit TOO German. Rather off-putting.

The effects are quite good but I’ve seen better.

Is my lack of passion and zeal for PHM because I’ve seen so many of these films and I’ve become weary about yet another one? Maybe. But this genre has given us numerous true classics from 2001 to Apollo 13. (I do admit to disagreeing with the high IMDB user rating for Interstellar. #18? Seriously?)

On the upside, Ryan Gosling as middle school teacher turned astronaut Ryland Grave is excellent as usual. He never fails to deliver. The novelist Andy Weir has given Gosling a cool character to work with.

And the depiction of the alien Rocky’s subjective visions—sort of like a fuzzy pre-cable UHF signal—is impressive.

Also in the cast in minor roles are Lionel Boyce who plays Marcus on The Bear. And Milana Vayntrub who did those AT&T Wireless TV spots for years.

Project Hail Mary is a good, well-made, entertaining movie. Go see it and enjoy it. You might have your mind blown. Or not. Rated PG-13. First showings are set for Thursday, March 19.

Project Hail Mary is directed by Phil Lord and Christopher Miller.