Wicked

Wicked… there’s a lot to like here!

Ariana Grande. She’s cute, she’s funny, she can sing and dance and now she’s blonde. She lights up the screen in her role as Galinda in the new film Wicked. She’s made great music and music videos for years. Done some cool things on SNL. And now she gets her big star turn in this big movie and she nails it.

Also delivering a killer performance is Cynthia Erivo in the title role. She’s Elphaba and as Kermit proclaimed decades ago, it’s not easy being green. Hers is the less likable role but she’s the necessary spice to make the movie fly. She and Galinda are roomies at Shiz University and their many contrasts are the crux of the narrative.

Erivo, too, can sing a bit. Her excellent rendition of the song Defying Gravity puts a capper on the film’s proceedings in Emerald City and sets up the next act of the Wicked story. Part 2 comes next November after a yearlong intermission.

Michelle Yeoh as Madame Morrible is another highlight. She’s the one who instructs Elfaba in sorcery. Hers is a role that she handles with a cool, understated delivery. 

Jeff Goldblum as the Wizard is, well, he’s Jeff Goldblum with his trademark mid-sentence pauses and his often bemused expressions. 

Many of the film’s dance numbers are stunning. With dozens of dancers and more space and depth than a theater stage allows, Wicked matches many of the best dance sequences you’ve ever seen on film. The dance bit in the library with its clever cylindrical bookshelves is classic.

One scene with Elphaba singing while running appears to be an homage to a classic movie musical scene from the 1960s. IYKYK, as they say.

Great to see and hear Kristin Chenowith and Idina Menzel, the women who starred as Galinda and Elphaba in the original Broadway production, get a bit more than a momentary cameo in the film. They show up when the new Elphaba and Galinda travel to the Emerald City.

Other cast members worth a mention: Jonathan Bailey as hunky romantic interest Fiyero, Marissa Bode as Elphaba’s sister Nessarose, SNL’s Bowen Yang as Pfannee and Peter Dinklage as the voice of the goat Professor Dillamond. 

A few questions that need to be answered:

Is the film too long? No. It clocks in at two hours and forty minutes. But there’s a lot of stuff going on here! Could it have been more tightly edited? Maybe, but you can say that about most any long movie. (Would Titanic have been better as a two-hour movie instead of a three-hour film?)

Does one need to have seen Wicked on stage to appreciate the movie? Absolutely not. You may want to sample some of the show’s songs on Spotify or Youtube before you go to the theater. But it’s also possible that you’ll be humming a song like the catchy tune Popular afterward even if you’ve never heard it before.

Is Wicked too much of a girlie movie for a guy to enjoy it? There’s no denying its female appeal but Wicked is a fun movie that a male can dig as well and still hang on to his man card.

When will Wicked be available to stream? Not soon. The guess here is that Wicked fandom will generate multiple repeat viewings of the film on the big screen, delaying its appearance until deep into 2025. (Unless Universal gets desperate for a Peacock subscriber bump.)

Is Wicked okay for little kids? Ah, that’s where the parental guidance comes into play! There are a couple of intense bits that may be rough for the youngest.

As for awards, expect several for costuming, art direction and other tech categories. Director John Chu is likely to receive serious consideration for his vision and guidance.

The decision was made months ago to slot Cynthia Erivo in the Best Actress category and Ariana Grande in the Best Supporting Actress category. The guess here is that Grande is more of a sure bet for a nomination. (FWIW, she goes by Ariana Grande-Butera in the closing credits.)

Sometimes a film comes with huge hype and huge expectations and falls short. The tedious Deadpool and Wolverine movie last summer, for instance. Wicked lives up to its expectations and it delivers… with a big wallop!

Conclave

Conclave is an excellent movie, one of the year’s best. Compelling story, stellar cast, deft directing. It’s a winner, a “must see.” But… be careful!

There are people who will reveal certain key plot points. And not just on social media platforms. Because Conclave is a story about the election of a pope, some Catholics—church leaders and church members—may not care for the less-than-flattering depictions of certain cardinals.

Conclave is fiction but it considers the real life conflicts within the Catholic religion between its progressive and conservative elements. The election of a new pope is a political process with similarities to governmental elections: divisions into factions, surprise disclosures, accusations and denials, downright dishonesty. 

Cardinal Lawrence (Ralph Fiennes) is tasked with leading the election process. It’s a portrayal that will net him awards. Fiennes was Oscar nominated for The English Patient and Schindler’s List. This may be the one that gets him the trophy.

His speech to his fellow cardinals at the conclave just before the first balloting is a classic scene that he nails beautifully. As revealed in the trailer, he says, “If there was only certainty, and no doubt, there would be no mystery. And, therefore, no need for faith.” Not sure if the source of this monologue is the screenwriter Peter Staughan or book author Robert Harris but it is impactful.

Others who play key roles are Cardinal Bellini (Stanley Tucci), Cardinal Tremblay (John Lithgow), Italian Cardinal Tedesco (Sergio Castellito), African Cardinal Adeyemi (Lucian Msamati), Cardinal Benitez (Carlos Diehz), and Sister Agnes (Isabelli Rossellini). Also, as Lawrence’s assistant O’Malley, Brian F. O’Byrne. Quite a lineup and they all get to shine.

Conclave is in some ways an old-fashioned movie. No nudity, no sex. No profanity. No superheroes. A story that unfolds in chronological order without flashbacks. A killer soundtrack from Volker Bertelmann that amplifies the tension and suspense. And multiple memorable visuals from director Edward Berger and his crew.

The warning posted at the top of this review bears repeating. Beware of spoilers. Conclave will generate conversation and beans are likely to be spilled. Be cautious where you click.

How will Conclave play among Catholics? My guess is that reactions will cover a wide spectrum from warm embrace to dismissive putdown. On one hand, it’s a deep and illuminating dive into the pope choosing process that may be appreciated by some church members. On the other hand, it deals with backstage maneuvers in church headquarters that some folks just don’t care to know about. The responses could get interesting. Stay tuned.

Conclave is rated PG.

Piece By Piece

Hey, gang, here’s a way to spice up a tired storytelling format: Go Lego!

The new film Piece By Piece has those familiar elements seen time after time in documentary biopics: archival footage plus soundbites from associates/family/observers, tied together with narration and/or onscreen text. But this story of musical polymath Pharrell Williams has that big difference. It is told… via Legos!

The movie is colorful, musical, kinetic and full of cool images that would not be seen had the story been told in the traditional way.

Does the Lego innovation/gimmick work? Yes, to an extent. But after a while, it gets a bit tedious. And it is a bit dishonest. Do the projects in Virginia Beach where Pharrell grew up look like they’re presented in this film? Is his high school where he met many of his first musical chums similar to its cartoon representation here? 

Among the people who contribute soundbites to Piece By Piece are Pharrell’s parents. After about their third appearance onscreen—as Legos—I wanted to see what his folks really look like, not just their cartoon images. Also, I wonder if all the musical folk who contributed comments are pleased with their Lego depictions? 

Interestingly, when Pharrell’s story gets to 2013, one of the three gigantic hit songs he was involved in that year gets just a brief mention. Blurred Lines, performed with Robin Thicke and rapper T.I., has since been cancelled in popular culture because of its lyrical content. To have ignored the song, a monster hit, would’ve left fans wondering WTF. But acknowledgement of the tune, set between more screen time for the two others, is appropriate.

Pharrell’s part in Daft Punk’s Get Lucky was his first 2013 mega hit. Then, in summer, as Blurred Lines was ruling the charts, his song Happy was heard as the closing theme of the film Despicable Me 2. Toward the end of the year, the song began ascending the charts and in early 2014 the song and its video were making people everywhere… happy! Positive responses from the song’s fans get good play in this new movie.

For those who know Pharrell Williams mainly for his time as a judge on The Voice or from his song Happy, Piece By Piece delivers a good opportunity to learn more about the man. His love of music from childhood when he was a Stevie Wonder fan. His involvement with many of music’s giants including Justin Timberlake, Snoop Dogg, Gwen Stefani, Jay-Z. His family life including not just his parents but also his wife and his grandmother. 

The Lego innovation/gimmick offers parents a reason to bring their kids along to the theater. Even if they don’t care for the story, the Lego images and the creative animation should keep them amused. Or even, as the song title says, happy.

Piece By Piece runs just over 90 minutes. Rated PG.

The Lion King

Screen Shot 2019-07-17 at 7.54.07 AM

Cute cubs and cool tech. That’s what’s most impressive about the new version of The Lion King. And the voice work, particularly Seth Rogen and John Oliver.

The Lion King has been a gold mine for Disney. The original film in 1994 was that year’s 2nd biggest film behind Forrest Gump and the stage productions on Broadway and elsewhere have run for decades will still be performed when you and I are long gone.

So don’t ask why this new version was made. It was made because computer animators are ridiculously adept with natural-looking renderings. It was made because director Jon Favreau and crew did such a good job with 2016’s The Jungle Book remake. And it was made to allow a more contemporary cast of voices.

The 1994 version remains a classic. But the new telling of the same story provides a fresh take for fans of the original with new versions of The Lion King’s classic songs. For a new generation, this is their version.

The appearances and the movements of all the animals are stunningly realistic. At some points, this film resembles a Disney nature film. The baby lions Simba and Nala are cuter than your own cute kitty at her/his cutest. If they sold plush toys at the theater, you’d want to get one on your way out.

Regarding the voices: I missed Robert Guillaume’s wonderful work as Rafiki the mandrill from the original and Jeremy Irons’s menacing voice as Scar. Other than those characters, the new voice acting crew is does a nice job.

Donald Glover and Beyonce Knowles-Carter are the voices of the mature Simba and Nala. John Oliver is Zazu, a bird. (If you watch his Sunday night HBO show, it’s weird to hear him without an occasional F-bomb.) Seth Rogen is Pumba the warthog. Billy Eichner as Timon the meerkat is just a strong as Nathan Lane was in the ’94 TLK. Hakuna Matata, indeed.

The great James Earl Jones is Mufasa in both versions. Couldn’t find anybody to replace him!

If the first version hadn’t been made in 1994, would this new version have the impact in 2019 that the original had? I think probably not. But that’s a discussion you can have in the car on the way home from the movie.

Then have it again in 20 years when the hologram version is presented in your family room with a whole new cast of voice actors. The Lion King, you see, has its own Circle Of Life.

 

 

 

 

 

 

 

 

Dumbo

Dumbo poster

Where’s the magic? Where’s the delight? Where’s the fun? It’s not here.

Tim Burton’s live action remake of Disney’s 1941 animated film Dumbo is lacking in the qualities that have made Disney films special. Burton’s Dumbo is just okay, not special.

Yes, the CGI version of the baby elephant with big ears looks real. When he flies, the depiction looks good. The technical aspects of Dumbo are solid.

Yes, the cast is star-studded. Max Medici (Danny Devito) is the owner of a struggling circus that plays small towns a century ago. Holt Farrier (Colin Farrell) is the circus performer returning from WWI minus a left arm. V.A. Vandevere (Michael Keaton) is the Barnum-like showman who brings Medici’s circus to New York. Colette (Eva Green) is Vandevere’s girlfriend and star acrobat.

Yes, there are cute kids. Nico Parker is a charmer as Millie Farrier, Holt’s daughter. Son Joe Farrier is played by Finley Hobbins. (Mrs. Farrier is deceased—yet another Disney dead mom!)

Yes, there is a message about turning a perceived handicap into an advantage: Dumbo’s deformity gives him the ability to fly.

Yes, there is spectacle. The Medici circus, with its variegated cast of performers (animal and human), works hard to entertain in its tent and on the midway. When Dumbo’s extraordinary talent is revealed, the circus goes big time to Dreamland, a giant amusement area like Coney Island.

Yes, all the pieces are there. And yet, something’s missing. As one who grew up with Disney films and TV shows, I recall being emotionally invested in so many of their stories and characters. It didn’t happen for me with this newest version of Dumbo.

Interestingly, in the film’s production notes there is a quote from director Tim Burton in which he admits that as a kid he did not like the circus. To his credit, Burton’s Dumbo is not as gratuitously weird as his films sometimes are.

With live action versions of Aladdin (May 24) and The Lion King (July 19) in the pipeline, one can only wonder if they will recapture the Disney magic that the animated versions from the early 90s had.

 

 

 

 

The LEGO Movie 2: The Second Part

Lego 2

As surprisingly great as the first The LEGO Movie was, the latest LEGO movie, by comparison, is a bit of a disappointment. It’s not bad. It just lacks the magic that the first film delivered with its story, its songs, its characters and its surprises.

The story in The LEGO Movie 2: The Second Part is less coherent than in its 2014 predecessor. The songs, while amusing, don’t come close to those in the earlier film. The characters Emmet (Chris Pratt), Lucy (Elizabeth Banks) and Batman (Will Arnett) are back as the focus of the meandering tale.

Other voices you may know include Tiffany Haddish, Nick Offerman, Channing Tatum, Jonah Hill, Cobie Smulders, Jason Mamoa (Aquaman!), Ralph Fiennes and Bruce Willis, among many more.

The interaction between the imaginary LEGO world and the real world is not quite as emotional as the live action bit in the first movie. (That segment with Will Ferrell was truly touching.) Maya Rudolph is the real-life mother as the narrative shifts back and forth between the two settings in this newest film.

The LEGO Movie 2: The Second Part is colorful and the animation is impressive. It will make you chuckle and it will make you happy. Just don’t expect to be blown away like many of us were by the first The LEGO Movie.

 

 

 

 

Mary Poppins Returns

Mary Poppins Returns

You need this movie. Mary Poppins Returns will make you smile. It will make you happy.

Unless you’re a hard-edged grouch. Or a person who thinks nothing could ever capture the magic of the original Mary Poppins. Hey, the new version brings some new and different magic.

They don’t make ‘em like this anymore. Well, not often. Director Rob Marshall successfully brought Chicago and Into The Woods to the screen in this century, but the big movie musical is a rare bird these days. He was a natural choice to bring Mary back.

Mary Poppins Returns has trippy visuals, catchy songs and a pair of lead actors who are perfect. Emily Blunt in the title role blends the prim and proper Poppins temperament with a touch of whimsy. Lin-Manuel Miranda as lamplighter Jack delivers a thousand-watt smile and big time charisma.

Set in early 20th century London, the Banks kids from the original Mary Poppins are grown now. Michael Banks (Ben Whishaw) is a widower with three kids. (“Dead mom,” you know, has become a Disney trademark.) The children are cute but not sickeningly so. Jane Banks (Emily Mortimer), Michael’s sister, is unmarried and provides a vague romantic possibility for Jack.

The family is about to lose their house during an economic “slump” because Michael took out a loan and failed to pay it back. Banker Wilkins (Colin Firth) is foreclosing on as many homes as he can. Something has to be done to save the home! Of course, the nanny who mysteriously reappears plays a big role in getting the mission accomplished.

The film’s highlights are the fantasy segments and the songs. Blunt’s “Can You Imagine That” is an earworm. Miranda’s performance (with a company of dancers) of “Trip A Little Light Fantastic” is a showstopper. It’s the song that will likely lead into intermission when the inevitable stage version appears. (Although the sight of all the lamplighters marching down the street carrying lit torches triggered a Charlottesville flashback for a brief second.)

The film has just enough of Dick Van Dyke to satisfy fans of the 1964 original Poppins film. Julie Andrews chose not to do a cameo. Her spot was taken by Angela Lansbury. Nonagenarians rock!

Meryl Streep’s turn as Mary’s cousin Topsy and the song she shares with the cast are less than great but her wacky upside down curiosity shop has strong possibilities as a future attraction at Disney parks. Topsy’s over-the-top Russian accent elicits a comment from Jack which may be an inside joke about Meryl’s proclivity to employ accents in her many roles.

Mary Poppins Returns is an upbeat film for the whole family. (Rated PG.) If you can stand a little bit of goodness and light and joy and fun in your life, don’t miss it.

The LEGO Batman Movie

In a movie that’s more fun than funny, The LEGO Batman Movie centers around Batman’s (Will Arnett) relationships: With longtime villain The Joker (Zach Galifianakis), with Robin (Michael Cera), with Commissioner Barbara Gordon (Rosario Dawson) and with Albert (Ralph Fiennes).

From all the live action Batman movies, particularly those directed by Christopher Nolan, we know that Batman/Bruce Wayne has an austere personality. Despite his wealth and luxurious surroundings, he is a private individual whose innermost thoughts are known to few.

The LEGO Batman Movie takes viewers inside Wayne Manor for a peek at Batman’s private life which includes an affinity for romcoms—one in particular. You may be interested to learn Batman enjoys eating Lobster Thermidor.

The film also touches on the rivalry between Batman and Superman (Channing Tatum) and a device Superman has that transports evildoers to the “Phantom Zone.”

The LEGO Batman Movie is ever kinetic with an abundance of energy and over-the-top effects including many explosions. As with 2014’s The Lego Movie, the depiction of characters both well known and unknown via Legos is exceedingly clever.

And, as with its predecessor, you don’t have to have spent time playing with Legos to appreciate The LEGO Batman Movie. Although, having watched my two sons and my grandson play with Legos for hours, I have a warm spot in my soul for these wonderful building blocks (and their accessories).

Whereas the earlier film ended with a heartwarming live action father/son interaction, the new release does not contain such warm and fuzzy emotion wrangling. The 2014 film exceeded expectations and delivered surprise after surprise. The LEGO Batman Movie does not outpace expectations but comes close to fulfilling them. As noted at the top, it’s fun if not overwhelmingly funny. (Although the four 12-year-old girls sitting behind me at my screening—and giggling often—might beg to differ.)

The Jungle Book

Is it possible for a movie to feel like a classic, but also seem fresh and original? Even though that may seem like a contradiction, director Jon Favreau’s new version of The Jungle Book has both qualities.

This is classic Disney stuff. Well, yes, it’s a remake of the 1967 animated Disney film.

It has the elements we’ve seen in numerous Disney films and TV shows. Animals interacting with humans, angrily and peacefully. Cute kids (human and animal). Benevolent adults and threatening adults (animal and human). Absent parents (human and animal). Moments of peril—some a bit frightening—and moments of sweetness. A manipulative—in a good way– soundtrack that plays almost constantly.

And a wise voice-over narration. On the Wonderful World of Disney TV show, it was generally the folksy Rex Allen Jr. Here it’s Ben Kingsley, who also voices the Panther, Bagheera, a good guy who helps guide the young man-cub Mowgli (the amazing Neel Sethi) through his upbringing in the jungle. (Sethi is an Indian-American, born in New York City, and he is brimming with charm and acting talent.)

The animals look realistic and move believably, thanks to actors wearing motion-capture gear and rapidly advancing CGI technology. There’s a reason the credits say the movie was made “in downtown Los Angeles” and that’s the outstanding work of the tech crews based there.

Along with Sethi’s charm and athletic skill, the highlights of the movie are two of the characters Mowgli meets in his quest. Baloo, the bear, is voiced by Bill Murray (who sings Bare Necessities) and King Louie, a monster gorilla, voiced by Christopher Walken (who sings I Wanna Be Like You). They are big characters, physically, and they make a huge impact on the story.

Other voice talents who shine are Idris Elba as Shere Khan, the menacing tiger; Lupita Nyong’o as Raksha, the wolf mother; Scarlett Johansson as Kaa, the snake; and Garry Shandling as Ikki, the porcupine.

Clocking in at 1:45, The Jungle Book moves at a fast pace that will keep kids of all ages engaged. For those who might say, “Why did they need to remake this movie?—the first one was just fine,” let me suggest you go SEE the new version and you’ll understand why. The Jungle Book is not flawless, but it is an impressive, entertaining movie. (Spring for the IMAX 3D screening if you can.)

 

 

 

 

 

 

 

 

 

 

 

 

 

The Walk

The Walk is a technical marvel. The reality created onscreen—that the Twin Towers of the World Trade Center are standing and a man is walking between them—is awe-inspiring.

Viewed on the IMAX screen in 3D—the recommend way to see this one—watching the recreation of Phillipe Petit (Joseph Gordon-Levitt) completing this real-life high wire walk is thrilling.

Back in the 60’s, Cinerama (with its 3-screens surrounding the viewer) was an immersive experience that caused some moviegoers to have slight motion sickness. Dramamine may not be necessary for The Walk, but if your acrophobia is acute, be prepared to be just a bit uneasy.

Surprisingly, The Walk also touches emotions. There’s the exhilaration of Petit and his crew successfully pulling off the stunt. There’s also the shared anguish we all feel for the buildings and their destruction on 9/11/01. Seeing the buildings standing tall in the distance during Petit’s narrations delivered from the Statue of Liberty recalls their prominence in the New York City skyline. It feels good to see the World Trade Center as it was before the attack.

Director and co-writer Robert Zameckis tells the story of a driven young Frenchman who plans and executes his amazing 1974 walk between the two buildings. Petit is a street performer who, at a young age, sees circus performers on high wires. He seeks guidance from Papa Rudy (Ben Kingsley) a veteran of the high wire. His team of “accomplices” includes romantic interest Annie (Charlotte LeBon), Jean-Pierre (James Badge Dale) and Jean-Louis (Cesar Domboy).

The best “true story” movies are the ones that create tension, anticipation and yes, suspense, even when the moviegoer already knows the outcome. A prime example is Apollo 13. The Walk is similarly successful in building up for 90 minutes to the big event, revealing the intense preparation and the recon work to scope out the buildings. In his 1974 walk, Petit was on the wire for 45 minutes. In The Walk, he is on for 15-20 minutes, but each moment, each step is fraught with perceived danger.

Go for the visual thrills, stay for the emotions. I dined at Windows on the World in the North Tower four months before the 9/11 attacks. I visited Ground Zero in Summer 2002. But even if you’ve never been to New York City, you felt the kick in the gut that the U.S. suffered that day. The computer-generated depictions of the towers in the film moved me.

Joseph Gordon-Levitt is the star of The Walk. But the World Trade Center plays a major supporting role.