The Lion King

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Cute cubs and cool tech. That’s what’s most impressive about the new version of The Lion King. And the voice work, particularly Seth Rogen and John Oliver.

The Lion King has been a gold mine for Disney. The original film in 1994 was that year’s 2nd biggest film behind Forrest Gump and the stage productions on Broadway and elsewhere have run for decades will still be performed when you and I are long gone.

So don’t ask why this new version was made. It was made because computer animators are ridiculously adept with natural-looking renderings. It was made because director Jon Favreau and crew did such a good job with 2016’s The Jungle Book remake. And it was made to allow a more contemporary cast of voices.

The 1994 version remains a classic. But the new telling of the same story provides a fresh take for fans of the original with new versions of The Lion King’s classic songs. For a new generation, this is their version.

The appearances and the movements of all the animals are stunningly realistic. At some points, this film resembles a Disney nature film. The baby lions Simba and Nala are cuter than your own cute kitty at her/his cutest. If they sold plush toys at the theater, you’d want to get one on your way out.

Regarding the voices: I missed Robert Guillaume’s wonderful work as Rafiki the mandrill from the original and Jeremy Irons’s menacing voice as Scar. Other than those characters, the new voice acting crew is does a nice job.

Donald Glover and Beyonce Knowles-Carter are the voices of the mature Simba and Nala. John Oliver is Zazu, a bird. (If you watch his Sunday night HBO show, it’s weird to hear him without an occasional F-bomb.) Seth Rogen is Pumba the warthog. Billy Eichner as Timon the meerkat is just a strong as Nathan Lane was in the ’94 TLK. Hakuna Matata, indeed.

The great James Earl Jones is Mufasa in both versions. Couldn’t find anybody to replace him!

If the first version hadn’t been made in 1994, would this new version have the impact in 2019 that the original had? I think probably not. But that’s a discussion you can have in the car on the way home from the movie.

Then have it again in 20 years when the hologram version is presented in your family room with a whole new cast of voice actors. The Lion King, you see, has its own Circle Of Life.

 

 

 

 

 

 

 

 

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Dumbo

Dumbo poster

Where’s the magic? Where’s the delight? Where’s the fun? It’s not here.

Tim Burton’s live action remake of Disney’s 1941 animated film Dumbo is lacking in the qualities that have made Disney films special. Burton’s Dumbo is just okay, not special.

Yes, the CGI version of the baby elephant with big ears looks real. When he flies, the depiction looks good. The technical aspects of Dumbo are solid.

Yes, the cast is star-studded. Max Medici (Danny Devito) is the owner of a struggling circus that plays small towns a century ago. Holt Farrier (Colin Farrell) is the circus performer returning from WWI minus a left arm. V.A. Vandevere (Michael Keaton) is the Barnum-like showman who brings Medici’s circus to New York. Colette (Eva Green) is Vandevere’s girlfriend and star acrobat.

Yes, there are cute kids. Nico Parker is a charmer as Millie Farrier, Holt’s daughter. Son Joe Farrier is played by Finley Hobbins. (Mrs. Farrier is deceased—yet another Disney dead mom!)

Yes, there is a message about turning a perceived handicap into an advantage: Dumbo’s deformity gives him the ability to fly.

Yes, there is spectacle. The Medici circus, with its variegated cast of performers (animal and human), works hard to entertain in its tent and on the midway. When Dumbo’s extraordinary talent is revealed, the circus goes big time to Dreamland, a giant amusement area like Coney Island.

Yes, all the pieces are there. And yet, something’s missing. As one who grew up with Disney films and TV shows, I recall being emotionally invested in so many of their stories and characters. It didn’t happen for me with this newest version of Dumbo.

Interestingly, in the film’s production notes there is a quote from director Tim Burton in which he admits that as a kid he did not like the circus. To his credit, Burton’s Dumbo is not as gratuitously weird as his films sometimes are.

With live action versions of Aladdin (May 24) and The Lion King (July 19) in the pipeline, one can only wonder if they will recapture the Disney magic that the animated versions from the early 90s had.