Mutiny

For a film director, a cat and mouse game on a large container ship presents a world of opportunities. Such a ship has all sorts of nooks and crannies, ladders and stairs to climb up or down, corners to lurk behind or spring from. Not to mention the containers and what might be inside them.

Intrigue in the innards of a ship (or above on various decks) has been a movie staple for decades, most famously maybe in Titanic.

Director Jean-François Richet has exploited these possibilities well in his new film Mutiny. It helps that he has the excellent action-adventure actor Jason Statham in the lead role. 

Cole Reed (Statham) is the security guy and driver for a Bangkok billionaire Tibu Campallo (Ramon Tikaram) who is selling his shipping empire. On the evening of the event marking his stepping away from the business, the billionaire is murdered and Reed is blamed. Reed, needing to disappear, manages to stow away on a cargo ship, the Artemis, that he discovers is involved in human trafficking.

In an early scene aboard the Artemis, captain Marko Madsen (Roland Moller) fondles a necklace in what may be a reverential nod to The Caine Mutiny in which Caine (Humphrey Bogart) nervously rolls steel balls around in his hands.

Angie Ellis (Annabelle Wallis) is a last-minute addition to the ship’s crew. She quickly sniffs out that something is not quite right. She soon becomes Reed’s ally in the effort to control the ship. She and he are the mice, moving throughout the ship to avoid being caught by the cats, the captain and his henchmen. She also adds sex appeal to a male-dominated cast. 

You might guess what some of the key elements of this drawn out battle are. Gunplay for sure. Knives and other weapons get their turn too. 

After Reed departs the Artemis, there’s more revenge to be taken before the film ends. Run time is just over 90 minutes. The film is tight. Never drags. Yes, it is filled with action-adventure clichés, but it satisfies. Director Richet and star Statham accomplish exactly what this sort of film sets out to do. Kudos to all!

Mutiny is rated R. No sex or nudity but violence galore.

Captain Phillips

I agree with the blurb on the TV spots—Captain Phillips IS one of 2013’s best films. Tom Hanks turns in his usual strong portrayal, but it’s the guys who play the Somali pirates who help give the film its realism.

Captain Phillips has the three elements that make a good movie: a compelling story, compelling characters and an interesting way of telling of that story.

Captain Phillips is based on a true story, though some of the actual crew members claim that they didn’t get the love they deserved and blame the real-life Captain Phillips. Also: a movie, even one based on real events, takes liberties with characters, timelines and minor details in its storytelling.

Having issued those disclaimers, I can assure you that Captain Phillips sometimes feels like TV news coverage. (Although, unlike many films based on recent real-life occurrences, we do not see clips of TV news reports of the incident.) With many handheld camera shots, plus scenes filmed in close quarters, Captain Phillips has an air of reality that many similar films do not have.

Phillips (Tom Hanks) is a regular guy from Vermont who happens to have a job as a sea captain. As the film opens, we see him riding to the airport with his wife (Catherine Keener) who sends him off to his next trip. He runs a cargo vessel that has to sail in open waters near Somalia. Hanks has great range as an actor, but playing everyman is his sweet spot.

Admirably, director Paul Greengrass also shares the Somali pirates’ backstory. He shows them gathering on the beach, choosing a team and constructing a longer ladder to enable them to board large vessels. During their takeover of the ship and all that follows, the audience comes to know these guys and their motivations. They are not sympathetic characters, but they are not just a bunch of faceless thugs.

Native Somali Barkhad Abdi (now a U.S. resident) plays Muse, the rail-thin leader of the pirate takeover. His machine gun allows him to display some swagger, but his cool helps him calm dissension within his gang of four. Could this unknown be 2013’s version of Quvenzhané Wallis, last year’s awards season darling?

Although you as a moviegoer know in advance that Phillips made it out alive, as with Titanic and Apollo 13, discovering the outcome is not the reason to see Captain Phillips. It’s the journey that each of the characters takes that keeps the tension building right up to the film’s climax. Also, it’s rather cool to see the way U.S. military involvement in the event is depicted.

Sometimes a big star promotes a movie with maximum gusto to generate a decent opening weekend, before ticket buyers figure out that it is not a very good movie. Hanks has been flogging Captain Phillips like crazy in recent weeks. In this case, it is not to salvage a mediocre film but to generate long-term box office. The guess here is that Captain Phillips will have “legs” and that Tom Hanks is in line to get a large percentage of those ticket sales.

In mid-summer, I had only a couple of films on my 2013 “must see” list. Happily, the list has grown in recent weeks. My latest “must see” movie is Captain Phillips.