The early Planet of the Apes movies had a cheesy look about them. Because the apes looked like guys with bad masks or prosthetics, it was hard to buy into the stories.
This is not the case in 2014. The apes in Dawn of the Planet of the Apes look like real apes. This makes the story easier to appreciate and enjoy. The entire team led by director Matt Reeves is to be congratulated for turning out a movie that has a great look.
In the future world depicted in DOTPOTA, following disease that has wiped out most of the human population, the apes have it together. Their ability to communicate is highly developed. Their community structure allows them to enjoy a relatively civil society. And they can still swing through trees!
Shortly after one ape wonders about the fate of humans, a small group of humans shows up in the apes’ domain, just north of a devastated San Francisco. The humans, led by Malcolm (Jason Clarke) and Ellie (Keri Russell), want to repair a hydroelectric dam to provide juice to SF. (The settings, including the sad future vision of the city by the bay, also look great.)
Initially, the two sides co-exist. But factions cause discord within each group and, ultimately, distrust between humans and apes diminishes.
Ape leader Caesar (Andy Serkis) has a beef with ape Koba (Toby Kebbell) who tries to kill Caesar. And a leader of the surviving humans, Dreyfus (Gary Oldman) has disagreements with other humans. These internal problems provoke some elements of the faceoff between the two main groups.
Whether you view the apes-versus-humans conflict as a metaphor for racial or religious differences in current society or as just a cool sci-fi future vision, you will be impressed. First, by the best depiction yet of the highly evolved apes of the future. And, second, by the overall look of Dawn of the Planet of the Apes.
Why can’t we all just get along? Because our differences overwhelm what we have in common. As in real life, so things are and ever will be on the planet of the apes.