David Crosby: Remember My Name

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David Crosby has lived a charmed life. Born with singing talent and a baby face (which he disguised with abundant facial hair), he was part of two legendary rock groups and has enjoyed success as a solo performer.

The new documentary film David Crosby: Remember My Name examines his career and his life and reveals flaws and shortcomings along with fame and fortune.

Crosby was a member of the Byrds, the band for whom the term “folk/rock” was coined in the 60s. He later joined Stephen Stills and Graham Nash to form Crosby, Stills and Nash. (They soon added Neil Young to the group.)

Unlike much of the media coverage of Crosby in the last decade or two, the film does not overemphasize his health challenges. Yes, it does mention them and he and his wife Jan both acknowledge that he’s getting on in years, but the film reveals Crosby to be alive and feisty as ever.

With fewer talking head shots than are often seen in similar films, DC:RMN presents the expected archival images of Crosby’s milestones along with recent performance footage that demonstrates he can still sing.

Crosby himself has a good deal of on-camera face time, sharing memories. And opinions. Praise for Joni Mitchell. Dislike for Jim Morrison. Awareness of reasons why his former bandmates don’t speak to him.

Roger McGuinn tells why David Crosby was kicked out of the Byrds. Graham Nash gives his take on his recent sour relationship with Crosby. Photographer Henry Diltz talks about his recollections and takes some new pics of Crosby.

A memorable segment shows Crosby examining a large photo of the 1970 Kent State shootings and suggesting that he provided key impetus for Neil Young and the band to write and record the song Ohio.

David Crosby: Remember My Name will entertain and inform baby boomers. But will younger viewers care? I think yes, based on the success of recent rock-oriented films (dramatic and documentary).

Current media reminiscences of the Woodstock festival may also generate some interest in Crosby and others who enjoyed their greatest acclaim in the 60s and 70s. No, it’s not a coincidence that the film is being released on the 50th anniversary of that iconic event of modern pop culture.

 

 

 

 

 

 

Ricki And The Flash

Relationships between parents and their adult children can be difficult. Particularly if a parent is in California playing in a bar band while her kids are in the Midwest where they rarely hear from their mother.

Ricki, real name Linda (Meryl Streep), is long divorced from Paul (Kevin Kline). Their daughter Julie (Mamie Gummer, Streep’s real life daughter) is having a breakdown because her husband has left her. Ricki comes back home to provide motherly support.

The contrast between Ricki’s life and that of her ex is stark. She lives in a modest apartment in the San Fernando Valley; he lives in an upscale, gated community in Indianapolis. She has a boyfriend who’s in the band, Greg (Rick Springfield). Paul has a second wife, Maureen (Audra McDonald) who’s been a responsible, loving stepmother during Ricki/Linda’s absence.

The visit to help her daughter through her crisis is somewhat successful. There’s a funny but sadly awkward family dinner at a restaurant where Ricki/Linda reconnects with her two sons and revisits old family emotional wounds. Before she heads back to California, Maureen vents about Ricki/Linda’s abandonment of motherly responsibilities.

Back in the Valley, Ricki keeps rocking while she works on her relationship with Greg. Maureen makes a peace offering to Ricki and an opportunity for redemption. Screenwriter Diablo Cody of Juno and Young Adult script fame brings a too neat but acceptable ending.

Director Jonathan Demme, who directed entertaining concert films Stop Making Sense (Talking Heads) and Heart of Gold (Neil Young), devotes too much of the movie’s runtime to musical performances. Meryl Streep is a passable bar band singer but the performances are merely okay, not special.

The acting performances are better. Kline and McDonald (both of whom did not sing in RATF despite solid cred) are excellent. Streep, obviously enjoying working with her daughter, is having fun in a less-serious-than-the-usual-Meryl-role role. Gummer is good as a woman with more issues than impending divorce. Rick Springfield rocks a guitar but his acting abilities are on a lower plain than those of his cast mates.

Ricki and The Flash is an okay movie that will resonate with Streep’s boomer fans. This is a movie that could’ve/should’ve been better.