Tag Archives: Book review

Crime 101

Crime 101 has all the ingredients. Blended together nicely. Overall, a decent, fast-moving caper film set in Los Angeles. However, there’s nothing particularly distinctive or unique here. It’s good but not quite great. Enjoy Crime 101 for what it is!

The players: Davis (Chris Hemsworth), a jewel thief who robs without killing. Lou (Mark Ruffalo), an observant LAPD detective who is rough around the edges. Sharon (Halle Berry), a wellness-obsessed insurance exec who courts high money clients but has yet to make partner at her firm. Ormon (Barry Keoghan), a violent thug who steps in to pull a theft that Davis passes on. 

Also: Maya (Monica Barbaro), Davis’s girlfriend who can’t figure out what he’s hiding. (She was Joan Baez in A Complete Unknown.) Angie (Jennifer Jason Leigh), Lou’s soon to be ex-wife. And Nick Nolte! He plays Davis’s mentor. So… a pretty good cast here!

The story involves jewel thefts that occur nearby to the 101 freeway, hence the title. The “101” designation on a college course connotes that the material to be covered is basic stuff. And since many of the tropes in Crime 101 are those that provide the foundation for many such stories, it’s an appropriate title. (If rather generic for marketing purposes, to be honest.)

A few plot elements are curious. Like why is it necessary for a cache of diamonds to be couriered in from Antwerp to LA for a rich guy’s wedding to his young trophy wife? On the day of their nuptials? (Except, of course, to provide fodder for the film’s climatic scene!) 

Crime 101 is written and directed by Bart Layton. (From a novella by Don Winslow.) Layton’s upside down cityscapes add a different touch to the skyline/freeway transition shots that many films and TV shows use as punctuation. And one scene late in the film with Hemsworth and Ruffalo is written and performed beautifully—what does each of them know about the other? 

Crime 101 is rated R.

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The Housemaid

An ad for the new movie The Housemaid suggests that moviegoers will want to see this film for a second time. Presumably to piece together all the film’s plot elements. 

Once is enough for me. The film’s “bloody violent content” is a smidge over-the-top for my taste. YOU, on the other hand, might be totally okay with it!

The Housemaid is a suspenseful, psychological thriller. The stars are attractive. All are talented. The story is unraveled cleverly. And, along with the tension, The Housemaid even has a few chuckles. Good movie. Just grisly.

There are signals early on in the story that things in this beautiful house are not quite right. Would a suburban housewife like Nina (Amanda Seyfried) actually hire as a housemaid a woman who looks like Minnie (Sydney Sweeney)? Especially when she has a handsome hunky husband, Andrew (Brandon Sklenar) who is a perfectionist?

It’s soon revealed that Minnie is a recently paroled convict who is sleeping in her car. She needs the gig, even if her rather spartan room is at the very top of the house. Minnie works hard to keep Nina pleased with her work, despite her uneasiness with Nina’s erratic behavior.

As the tale unfolds and more is revealed, we learn things about Andrew, his man cave (where he likes to watch of episodes of Family Feud) and his controlling mother (Elizabeth Perkins). And what about the swarthy handyman (Michele Marrone) seen lurking in the yard doing random tasks? And Cece (Indiana Elle), Nina’s daughter from a prior relationship?

NO SPOILERS HERE! What transpires in The Housemaid are events you might have guessed were coming. But you will enjoy it more, I think, if you just allow things to happen and let yourself be surprised/amazed by what unfolds.

The Housemaid is directed by Paul Feig who knows how to assemble a suspenseful movie. Writer is Rebecca Sonnenshine from Freida McFadden’s novel. The Housemaid is rated R for “strong/bloody violent content, sexual assault, sexual content, nudity and language.” 

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