Mid 90s

mid90s

Jonah Hill is a good actor. Two Oscar nominations! His directorial debut Mid 90s, however, is a tedious slog. Run time is a mere 80 minutes; it just seems longer.

Mid 90s is a coming of age story centered on Stevie (Sunny Suljic), a 13-year-old who is physically abused by his older brother (Lucas Hedges) and mostly ignored by his single mom (Katherine Waterston).

Stevie is small and shy. He finds acceptance by a group of older teens who hang out at a skateboard shop. They become a sort of surrogate family for Steve. Stevie becomes a more skillful skateboarder. The older boys introduce Stevie to tobacco, weed, booze, sex and other temptations.

The aftermath of a climactic event reveals the gang’s true feelings for their younger friend. And that’s about it.

For some reason the film is shot in a 4:3 aspect ratio. Narrow screen. Like certain old TV clips look on Youtube. Original music is by Trent Reznor and Atticus Ross.

Jonah Hill also wrote the script. A meatier story line might’ve made Mid 90s a more memorable movie. The characters Hill has created are good. They deserve a better narrative.

Here’s hoping Jonah Hill polishes his directing talent and his next effort achieves some of the heights he’s reached with his acting ability.

 

 

 

 

 

 

 

 

 

 

 

Gone Girl

 

Gone Girl is one of the year’s best films. Unexpectedly strong performances from the leads Ben Affleck and Rosamund Pike are the centerpiece of the latest from consistently adept storyteller, director David Fincher.

Gillian Flynn adapted her own massively successful novel into a screenplay that reveals plot points gradually while giving shape and form to the complex personalities of Nick Dunne (Affleck) and his wife Amy (Pike).

Nick and Amy live in the river town of North Carthage, Missouri. (The film was shot on location in Cape Girardeau.) They moved from New York to Nick’s hometown to be with his mother as she faced breast cancer. Nick co-owns a bar in the town with his twin sister Margo (Carrie Coon).

On their anniversary, Amy disappears. Police find clues—including signs of a struggle–in the couples’ home, but no body. Because the home is a crime scene, Nick moves in with Margo. As often happens when a wife disappears, speculation about the husband’s guilt spreads. In Gone Girl, it ignites discussion on a Nancy Grace type TV show.

As the investigation proceeds, detective Boney (Kim Dickens) plays by the book to build a case but her sidekick officer Gilpin (Patrick Fugit) is eager to arrest Nick. When public opinion turns against him, Nick brings in attorney Tanner Bolt (Tyler Perry) to advise him. Meanwhile, as the search continues, Amy’s old boyfriend Desi (Neil Patrick Harris) moves from the background to the foreground.

Among the supporting cast, Coon and Perry are strongest. Dickens delivers her dialogue in a truly authentic Southern accent. Harris is low key and coolly straightforward, almost distractingly so.

Apart from being a police procedural that causes a viewer to wonder about the outcome, Gone Girl paints a telling picture of a troubled marriage. Both husband and wife are shown to have character flaws. Their courtship and the early days of their marriage are shown via flashback. Amy’s diary entries, which she reads in voiceover, provide the audience with her takes on married life.

The soundtrack from Trent Reznor and Atticus Ross is genius. Early on, the sounds are ethereal, dreamily romantic. But as things get serious, the music turns darker.

Clearly, Fincher has not only assembled talented individuals on and off camera, but also has obtained supreme efforts from all involved. The result is an excellent movie which, despite its nearly 2-and-a-half hour run time, never drags. See it and be careful what you say afterward. No spoilers.