From the World of John Wick: Ballerina

From the World of John Wick: Ballerina is NOT a John Wick movie. Although John Wick (Keanu Reeves) makes his presence known at a key moment of the movie. And while there’s a bit of ballet dancing, there’s not much.

FTWOJW:B is the story of Eve Macarro (Ana de Armas) who, as a young girl, sees her father killed by an assassin. She vows revenge. Under the tutelage of The Director (Angelica Houston), Eve learns to dance and to battle.

As observed with John Wick films, the face-to-face, often hand-to-hand, combat is staged at times much like a ballet. The film’s pace is relentless and so is the cracking of skulls and other body parts. Eve’s battles involve strong physical skills and a variety of weapons including firearms and knives. Even a flamethrower! 

Eve’s goal of avenging her father’s death runs counter to the sort of detente between the Roma Ruska sect and the group led by the Chancellor (Gabriel Byrne). The Director (that is, Houston’s character, not Len Wiseman, the film’s director) tells her to cool it but she does not relent. She takes her revenge mission to a lovely European village where she encounters a knife wielding barista. And has a tense confrontation with The Chancellor.

Armas may be the most beautiful woman to be involved in the nasty business of violence and killing. She employs her skills well and appears to take as much, maybe even more, physical abuse than does Wick himself in his four films. And she knows how to handle a flame thrower!

Also appearing in FTWOJW:B are Wick regulars Ian McShane as Winston and, in his final film appearance, Lance Riddick as Charon. Norman Reedus of Walking Dead fame is introduced as Daniel Pine, a man who, like Eve’s father, hopes to keep his young daughter away from all the nastiness. Could he appear in any future Ballerina films? 

From The World of John Wick: Ballerina is rated R and runs just over two hours but it seems shorter because it moves so quickly. If you could use a good action movie, don’t miss it!

Mission Impossible: The Final Reckoning

Reviewing Mission Impossible: The Final Reckoning (MI:TFR) via some Q & A…

Does Tom Cruise do his own stunts? 

Yes. So we are told. The new film’s money shot is an aerial chase involving century old technology… biplanes, like the one Lindy flew to Paris 98 years ago. My concern while watching the scene was not the welfare of Ethan Hunt (Tom Cruise) but instead… how did they do it? How much time was spent digitally erasing the tethers? Where were the cameras placed on the planes and copters and drones? Did Tom realize he looked like Moe Howard when the wind pushed his hair down over his face?

Is it necessary to have seen 2023’s Mission Impossible: Dead Reckoning (Part One) (MI:DR) to enjoy the new movie? 

No. There’s a voice over at the beginning of MI:TFR that goes over much of the activity and set up from the earlier film. And MI:DR is available for streaming on Prime Video if you’re interested. Watching it can help provide context for the new film. (My review of MI:DR from July 2023: https://davidcraigmovies.com/2023/07/11/mission-impossible-dead-reckoning-part-one/)

Are there other amazing stunts beside the biplane chase? 

Oh, yes! The submarine dive which comes in the middle of the movie offers big thrills and tension as Ethan goes into the sunken Russian sub to retrieve a vital element of “the entity.” His ingenuity as he escapes via a torpedo tube and the clever way the scene is resolved are true highlights of MI:TFR.

What is “the entity?” 

It’s a rogue software program that threatens to destroy everything that is online throughout the world. Or selectively, if a person or a nation has control of the entity. MI:DR’s plot was pursuing the two pieces of a key that can unlock the entity. MI:TFR’s plot is gaining access to the other elements that can enable or disable the entity.

Is there actually a server farm that contains all of humanity’s knowledge hidden deep underground somewhere? 

Who knows? But the image of the one seen is MI:TFR may provide a clue to digital storage capabilities that Amazon and Microsoft (and others in foreign lands) have now and are constantly expanding to accommodate AI.

Could a woman be our president? A Black woman? 

Well, maybe. (One such real life person did get 75 million votes last November.) Angela Bassett brings an even-tempered level of gravitas to her role as POTUS in MI:TFR

Can Nick Offerman play a heavy? 

Yes. He’s a general, one of the president’s key advisers. The question of destroying a U.S. city in a weird defensive strategy is debated among the POTUS and her inner circle. 

Do the other members of the Impossible Mission Force play important roles in aiding Ethan in his mission? 

You betcha! Benji (Simon Pegg) and Luther (Ving Rames) provide the hacking and other assistance needed at key junctures. The newest member of the IMF, Grace (Hayley Atwell), demonstrates physical abilities beyond picking pockets in a violent fight scene early in the film.

Is Gabriel (Esai Morales) a capable villain? 

Yes, if you like your villains handsome and swarthy with a bit of charm. 

Anybody else of note in the cast? 

Yes. Henry Czerny is back as CIA chief Kittridge. Also supporting are Hannah Waddington, Janet McTier and, as the curious character Paris, Pom Klementieff.

Is MI:TFR too long? 

No. Not at all. Except for a few sections of exposition, the film moves quickly from locale to locale, from task to task, from peril to peril. Just under two hours and fifty minutes.

Should I get the large popcorn? 

Absolutely, yes. The mondo bucket size.

When will Mission Impossible: The Final Reckoning be available on streaming platforms?

In a few months. But do yourself a favor and see this one in a theater. IMAX if you can swing it.

Monkey Man

Revenge! It’s a strong motivator. For Dev Patel’s character Kid AKA Bobby AKA Monkey Man, the thoughts of revenge fuel his very being. In this ultra violent new movie, directed and co-written by Patel, getting even is a slow and painful process.

Patel, best known for his role in the 2008 film Slumdog Millionaire, is in almost every scene in Monkey Man. The title comes from the Hindu monkey-god Hanuman who is referenced throughout the film AND from the persona Patel’s character Kid adopts in bare-knuckle fist fights. In the ring his head is covered by a monkey mask which hides his identity.

Kid manages to finagle his way into a job at an upscale Mumbai club, starting in the kitchen, moving up to become a server in the dining room and eventually in the VIP room. A strongman Rana (Sikandar Kher) who was responsible for Kid’s mother’s torture and death provides security for the establishment. 

After a scuffle leads to a classic chase with Kid getting shot and landing in the drink, he is rescued and rehabbed by a religious group led by a trans woman named Alpha (Vipin Sharman). This respite sets him up for his final confrontation. 

Monkey Man is already being compared to the John Wick films for its level of physical violence. But the violence in Monkey Man is more visceral and realistic. Whereas the Wick face-offs feel more like choreographed dance. A couple of scenes recalled the violent climax of Quentin Tarantino’s Once Upon A Time In Hollywood. (Though no flame-throwers like the one Leo used in that QT film were noticed.)

Patel’s facial expressions throughout the film communicate the gritty nature of these fights. There are a handful of light moments in Monkey Man. And the flashbacks to Kid’s childhood are sweet.

The cast includes Sharlto Copley who starred in the 2009 South African sci-fi film District 9. He is Tiger, the promoter and ring announcer for those underground bare-knuckle boxing matches.

Can a film that is imbued with the culture of India and its religions succeed in Western markets? Well, Slumdog Millionaire won eight Academy Awards (though none in acting categories) and was a financial success. Jordan Peele thought enough of Monkey Man to acquire the movie from Netflix and bring it to theaters via Universal. It’s rated R.