Toy Story 4

Toy Story 4

“Tell me a story.” Mission accomplished again by Pixar. Toy Story 4 shows that you can go to the sequel well over and over if you keep delivering compelling stories.

Oh, and it helps to have characters who are, by now, not just familiar but also beloved. Cowboy Woody (Tom Hanks) gets the main spotlight in TS4. He’s one of many toys in the closet of young Bonnie (Madeleine McGraw) and he is NOT one of her favorites. But he’s the one who is most concerned about Bonnie’s ability to cope with the pressures of kindergarten orientation.

A handmade toy that Bonnie assembles from a plastic spork and a pipe cleaner becomes her primary concern. “Forky” (Tony Hale) becomes a member of Bonnie’s toy menagerie but he has little self-respect. Woody steps in to help him focus.

Bonnie’s family takes an RV trip to a town with an antique store. The store and its wares provide an intriguing setting for toy adventures.

Woody reconnects with Bo Peep (Annie Potts) and meets new characters Gabby Gabby (Christina Hendricks) and Duke Caboom (Keanu Reaves). The latter two are inspired by Mattel’s Chatty Cathy and the Evel Knievel motorcycle toy that never performed quite as well in real life as on the TV spot.

Buzz Lightyear (Tim Allen) keeps showing up and continues to push a button on his chest that generates a recorded soundbite. He considers this his “inner voice” and takes guidance from those brief gems.

Among the film’s most entertaining voice actors are Keegan-Michael Key and Jordan Peele as a pair of stuffed animals who escape from a carnival game prize wall.

Toy Story 4 is filled with delight and fun surprises from beginning to end. There are a couple of scary situations but the peril is less intense than that seen in Toy Story 3.

Pixar’s animation and tech skills have been a given for a quarter century. Other studios have also turned out impressive images and effects. But it is Pixar’s storytelling ability makes most of their films special.

Toy Story 4 is yet another Pixar winner.

(Note: In a change from the usual Pixar format, there is no animated short running before TS4.)

 

Us

us-movie-poster

Weird things can happen on vacation. Many of us have stories we could tell.

None as weird though as the tale of the Wilsons, a typical American family on a typical getaway to a cabin in the woods. Their vacation is interrupted by an odd quartet of dead ringers for each of them, in red jumpsuits. These menacing dopplegangers unleash a night of terror and violence.

Writer/director Jordan Peele has crafted another winning film. Us is a suspense thriller with plot elements that will have you thinking and rethinking about the story well after you leave the theater.

Us has laughs as well. Nothing as gutbustingly funny as the best Key and Peele bits on Comedy Central, but enough to take a bit of the edge off at timely intervals.

The mom, Adelaide Wilson (Lupita Nyong’o), has a backstory which is told in the film’s opening segment. Her memory of a scary time in a funhouse from childhood causes her to have qualms about going to Santa Cruz beach with the family. But her husband Gabe (Winston Duke) cajoles her and the kids Zora (Shahadi Wright Joseph) and Jason (Evan Alex) into a day at the shore.

At the beach, they hang with family friends the Tylers (Elizabeth Moss, Tim Heidecker and Cali and Noelle Sheldon). The dads have a cordial visit, but Adelaide’s nervousness inhibits any meaningful mom talk with Mrs. Tyler. When Jason briefly disappears, Adelaide freaks out until he is found. Then when the Wilsons get home that the real horror begins.

Nyong’o is the key player among the talented cast. As Adelaide’s doppleganger, she is the only one among that crew who can speak coherently, although in an unpleasant, distorted voice.

The Us soundtrack features the haunting opening song “Anthem” from composer Michael Abels as well as several tunes by pop artists ranging from Janelle Monae to the Beach Boys.

Yes, the film’s title is the name of our country: U.S. And when asked “who are you” Adelaide’s doppelganger replies, “We’re Americans!” So you may impose whatever political message you wish. Or you can just choose to be entertained by a well-made film!

Interestingly, among those receiving special on-screen thanks at the end of the movie is Steven Spielberg. In a way, Us recalls stories Spielberg told in films like E.T. (director) and Poltergeist (story/script) of normal families facing extraordinary occurrences.

A recommendation: see this film sooner rather than later when spoilers are more likely to be freely shared online and in conversations with friends and family.