Quentin Tarantino’s new film The Hateful Eight is not among his best. It has QT trademarks including over-the-top violence, a quirky mix of characters and the great Samuel L. Jackson. The Hateful Eight has an excellent original soundtrack by Ennio Morricone. The film even has an overture and an intermission! But the pacing is off.
Have you ever had someone tell you a joke that has a long set up before you finally get to the punchline? And then the joketeller repeats the punchline for emphasis? That’s what The Hateful Eight reminds me of.
Let’s meet the eight who end up in Minnie’s Haberdashery, a roadhouse in a desolate area of Wyoming, during a blizzard. The time is a few years after the Civil War. Bounty hunter John Ruth (Kurt Russell) is bringing in murderer Daisy Domergue (Jennifer Jason Leigh) for a reward. (Ruth, with his overgrown moustache and boisterous manner reminds one of a taller Yosemite Sam.)
The stagecoach he’s chartered picks up bounty hunter Major Marquis Warren (Samuel L. Jackson), a Civil War veteran (Union side) who hears the N-word many times during TH8. Another passenger who begs a ride is Chris Mannix (Walton Goggins) who claims he’s to be the new sheriff of nearby Red Rock.
Already at the roadhouse are four more individuals: British dandy Oswaldo Mobray (Tim Roth), cowboy Joe Gage (Michael Madsden), “The Mexican” Bob (Demian Bichir) and former Confederate General Smithers (Bruce Dern).
The Hateful Eight meanders a full hour and 45-minutes before intermission. The long-awaited plot resolution after the break is violent but often funny in that QT way.
Tarantino has said that TH8’s story was modeled after certain plots on old TV westerns with episodes that took their time in revealing whether a stranger was a good or bad guy. Maybe QT just wanted his audience to become more familiar with the eight, but the first chapters of TH8 slog along at turtle speed. Don’t nod off.
The Hateful Eight is being shown screened in selects theaters (including Ronnie’s in St. Louis) in a 70mm wide-screen format using film instead of a digital system. (The digital version I saw showcased the film in a wider-than-usual aspect ratio.)
Don’t get me wrong. It’s great to have a Tarantino film back on movie house screens. But after his successes with Inglourious Basterds and Django Unchained, TH8 falls short.