Burnt

The world’s obsession with food and the people who cook creatively has led to the third film in 18 months about a chef seeking acclaim and/or redemption. After last year’s Chef and The Hundred Foot Journey, here comes Burnt.

Liked the 2014 films, Burnt is filled with “food porn,” beautiful images of food that will make you hungry. The story is standard fare about overcoming life challenges, learning to trust others, etc.

Most people, when they hit bottom and then get a new chance, come back humbled and grateful. Adam Jones (Bradley Cooper) is not most people.

After a flameout in Paris, the acclaimed chef returns to Europe clean and sober, yes, but still arrogant. He chastises a rookie cook for being humble and even coaches the kid to get an attitude and say, “F.U.” to his cooking rivals.

He manages to line up a restaurant in London and even puts his name on it, Adam Jones at The Langham. He is a talented tyrant who demands perfection. “If it’s not perfect, throw it out” is his guidance.

Complicating his comeback attempt is a debt Jones owes. A pair of thugs hovering in the wings promise serious damage if Jones doesn’t pay off what he owes for all the drugs he consumed in Paris.

Opening night is a disaster. Slowly, things get better. Is it because of Jones’ intimidation of his kitchen staff or despite it?

After the thugs administer the inevitable beating, Jones bravely heads back to the kitchen. Michelin reps are spotted in the dining room. Their food is so bad it gets sent back. Jones has a breakdown.

Helene (Sienna Miller) is a kitchen staffer who provides Jones’ romantic interest. Their chemistry simmers but rarely reaches the boiling point. (Could it be because of her awful haircut?) Emma Thompson plays a London doctor who Jones visits for drug testing. She dispenses motherly advice along with good cheer. Alicia Vikander is a face from Jones’ Paris past who appears at an opportune moment.

Those of us who love dining at great restaurants rarely go behind the scenes into the kitchens except via TV cooking shows. In Burnt, we get to see Adam Jones in his sparkling clean, beautifully equipped kitchen with plenty of staff to make sure his dishes are perfect. As industry personnel know, when a kitchen is humming smoothly, it’s a beautiful thing.

Burnt challenges audiences to root for Bradley Cooper’s character, whose charm is somewhat muted by his raging ego. If you can embrace Adam Jones and his comeback attempt, you’re more likely to enjoy Burnt.

The Hundred Foot Journey

 

The Hundred-Foot Journey has excellent credentials. Oprah Winfrey and Steven Spielberg are among the film’s producers. The great Helen Mirren is the main star. The film is set in France. It’s based on a popular novel. It promises and delivers gorgeous food images.

But it’s not a particularly good movie.

The Kadam family is forced to leave India. Their ultimate destination is France. They take over a building directly across the street from a Michelin-starred restaurant owned by Madame Mallory (Helen Mirren). The Indians, led by Papa (Om Puri), are boisterous in sharp contrast to Mallory and her refined crew. They are just 100 feet away. (And I’d always thought France was on the metric system!)

One of Mallory’s cooks, the gorgeous Marguerite (Charlotte Le Bon), befriends young Hassan Kadam (Manish Dayal), sharing cookbooks with him and encouraging him to elevate his ambitions. He gets hired by Mallory, passes Marguerite on the kitchen pecking order and, thanks to his spicing up the food just a bit, brings the restaurant up a notch to two Michelin stars.

He then moves on the to big leagues, nabbing a chef gig in Paris. He leads an active social lifestyle, but begins to miss the folks back home.

Why does The Hundred-Foot Journey fall short of greatness? The characters are not particularly compelling. It’s pleasant to watch Hassan and Marguerite’s chaste budding romance, but I wasn’t particularly concerned about their ultimate fates. Meanwhile, it’s not a surprise when Papa and Mallory are shown to have soft spots in their hearts despite their tough exterior personalities. Still, I did not have a soft spot in my own heart for either of them.

Despite my misgivings, here’s why you may want to see The Hundred Foot Journey: It’s rated PG. No language, sex or violence. It’s like a Hallmark Channel movie with a bigger budget. Also, the food looks great. (Although this year’s other foodie movie, Chef, caused me to leave the theater hungrier than THFJ did.)

The film’s message—that different cultures (and cuisines) can combine to deliver great outcomes—is an admirable one. It’s also one that can be observed in dining establishments and other businesses around St. Louis every day.