- The Dark Knight Rises—The story, the soundtrack, the villains, the heroes, the emotion. TDKR is satisfyingly stunning on so many levels.
- Argo—An amazing true story (with Hollywood embellishment) that fires up our American pride, from a period when our country was humbled. Efficient storytelling at its best.
- Silver Linings Playbook—An adult son with a mental illness moves back in with his sixty-something parents, following his court-ordered hospitalization. It’s funny and heartbreaking, often within the same scene.
- Moonrise Kingdom—From the wild imagination of Wes Anderson comes a story of very young love. Luckily for him (and for us), the two rookie actors who star in the key roles are fantastic.
- Django Unchained—Quentin Tarantino rewrites history again with a visit to the antebellum South where he fearlessly takes on the topic of slavery. Inspired performances from an impressive cast take this over-the-top story to spectacular heights.
- The Hobbit—This fantasy has a perfect mix of humor and peril. Martin Freeman brings a proper bemusement to Bilbo. The 48 frames per second technology takes cinema to a new level.
- The Hunger Games—The novelist’s compelling story is brought to life by a talented filmmaker and an excellent cast. Much of our modern culture is reflected in the film’s characters and events.
- Skyfall—The best and most memorable Bond movie in years, if not decades. To breathe this much new life into a 50-year-old franchise is an impressive feat. A toast (martini, of course) to all involved.
- Life of Pi—One of the most gorgeous films ever made. The story is good, but the images will endure. To borrow a cliché, this movie truly is “a feast for the eyes.”
- Hope Springs—One of the many good movies for older audiences in 2012. A couple played by two of our best actors, Tommy Lee Jones and Meryl Streep, visit a counselor who helps them communicate again. After a four-year sex drought, their clumsy efforts to reconnect are funny and poignant.
My Top Ten Movies for 2012 list does not include those that will not be released in St. Louis before year’s end, such as Zero Dark Thirty or Amour. And, while Daniel Day-Lewis as Lincoln was one of the year’s best acting performances, the movie itself was flawed: too long, too ponderous and too theatrical.