American Sniper

American Sniper is a red, white and blue story of a Texas cowboy who serves four tours of duty in Iraq. He is real life Navy Seal Chris Kyle (Bradley Cooper), a man with a deadly aim.

Kyle’s story, unlike those told in Lone Survivor, Zero Dark Thirty and The Hurt Locker includes significant amounts of time spent stateside between tours and after his final tour. Wife Taya (Sienna Miller) is supportive and understanding of the fact that he can’t dial things back when he’s at home. Kyle loves his family but keeps feeling the need to go back for more action.

And what action it is! Director Clint Eastwood brings a taste of what combat must be like in the Mideast, where you never know if a civilian has a bomb strapped to his or her body. The engagements Kyle and his crew have with the enemy reveal the peril that troops must constantly be aware of. (Some of the combat scenes were filmed in Morocco.)

Cooper’s not the guy I might’ve cast in this role, but he is excellent here. (Although his Texas accent tends to come and go.) He manages to bring both the hard edge of the warrior and a softer side as a husband and father. Cooper does have good range.

American Sniper enjoyed excellent buzz last year but failed to win significant love from year-end critics awards. Lately, though, buzz has trended up again and the film received 6 Oscar nominations including Best Film and Best Actor.

The Chris Kyle story has a sad ending. But Americans looking for a hero will find one in American Sniper.

 

 

 

 

 

 

Ain’t Them Bodies Saints

The look, the sound, the mood, the time and the place of Ain’t Them Bodies Saints are classic. The cast is brilliant. The story, though somewhat predictable, has enough layers to keep moviegoers entranced from start to finish.

Ruth (Rooney Mara) and Bob (Casey Affleck) are young lovers in a small Texas town. They steal. They are chased. In a shootout, Ruth shoots a deputy in the shoulder but Bob takes the fall and goes to jail. The scene where Ruth and Bob are being led away from the shootout is one of the year’s best as they hold hands, whisper to one another, then are pulled apart.

Four years later, after Ruth has given birth to their child, Bob escapes. Deputy Wheeler (Ben Foster) breaks the news to Ruth and we see that he has feelings for her. (The deputy does not know that Ruth was the shooter who took him down.) Foster embellishes his performance with a distinctive cop swagger.

Keith Carradine plays a local shopkeeper whose son was an accomplice to the robbery and was killed in the shootout. While he befriends Ruth, he maintains a grudge against Bob. Escapee Bob visits his store and he tells Bob to stay away from Ruth and the girl. Fat chance.

Nate Parker is a local bar owner who provides a place for his old friend Bob to crash while he is on the lam. When deputy Wheeler comes looking for Bob, Parker’s character diverts attention while Bob jumps out a window.

Ain’t Them Bodies Saints is set sometime in mid-twentieth century. The gas guzzler sheriff’s cars appear to be mid-60’s vintage. The film recalls the 1973 movie Badlands with a young Martin Sheen and Sissy Spacek as violent heartland killers. But Ruth and Bob are not so heartless.

Director David Lowery (who also wrote the script) has crafted a film with muted colors, frequent use of sepia tones and many almost monochromatic shots. The toned-down color, combined with some of the wardrobes, gives Ain’t Them Bodies Saints the feel of a Western movie in many of its scenes.

Though set in Texas (and filmed in Louisiana), ATBS looks like it could be anywhere in flyover country. Despite its chases and gunplay, much of the film has a relaxed pace. With its classic feel and strong acting performances, expect Ain’t Them Bodies Saints to show up on a few Top Ten lists at year’s end. Festival prizes already scored may be echoed in a few months by other awards groups.

Top cast members are Rooney Mara as the seemingly weak young woman who manages to gain strength and raise her daughter and Ben Porter as the deputy who finally gets the courage to express his feelings for Ruth. Casey Affleck’s mumbling may play against his chances for awards noms. Keith Carradine’s performance as a man with many motivations could also earn some awards love.

Ain’t Them Bodies Saints is one of the best movies I’ve seen this year. It has a good story told well and good characters acted well.