Pressure

Bob Dylan was wrong. Sometimes you DO need a weatherman to know which way the wind blows. Especially if you’re planning a really big event.

We’ve all cancelled outdoor plans because a huge rainstorm was predicted, only to sit at home as the sun shines. And we’ve plowed ahead with plans because the forecast for nice weather was wrong and we got soaked.

If your big event is, say, the Allied invasion of Normandy in 1944, an accurate forecast is vital. But a forecast is just that… an educated guess. Which is why the local TV people with all the modern Doppler radar and satellite images at their disposal are still often dead wrong when they try to answer the simple question “is it gonna rain?”

In the new movie Pressure, Scottish meteorologist James Stagg (Andrew Scott) is charged by General Dwight Eisenhower (Brendan Fraser) with predicting the weather for D-Day, June 5, 1944. 

Wait—June FIFTH? Well, that was the plan but as you likely know the invasion actually occurred on June SIXTH. What happened? Stagg told Ike to hold off because the weather looked iffy for 6/5/44. And here’s where the film’s narrative conflict lies.

Stagg’s arrogance is met with that of a similarly confident American soldier/weatherman Irving Krick (Chris Messina) who looks to weather patterns from years past to inform his D-Day conjecture. They disagree on the outlook but Stagg has final word and because he notes the way the wind blows across the North Atlantic, he calls off a June 5th action.

The buildup to that decision consumes the thoughts of all the key characters including British Field Marshall Montgomery (Damian Lewis) and Ike’s right hand woman Kay Sommersby (Kerry Condon). The nature of her relationship with the American commander is seen in this film as mainly professional—there has, of course, been speculation about the personal nature of their work together.

D-Day has been documented in fiction and non-fiction films for decades. It is a singular moment in twentieth century history. Pressure covers ground that has been well trod but also brings a different wrinkle to last minute preparation for the invasion focusing not on Ike or the troops but instead on the weather forecasters.

The tension is palpable and this film captures the concern shared by all its major players. Yes, there’s more than a bit of melodrama. Brendan Fraser is passable as a chain-smoking Eisenhower but his gravitas doesn’t quite match up to that we’ve seen from other male actors. Part of the pressure Ike is under is the result of a catastrophic rehearsal for D-Day in April 1944, an episode not particularly well-remembered, which is referenced at the beginning of the film.

Pressure is directed by Anthony Maras who co-wrote the script with David Haig who wrote the stage play from which it was adapted. 

Despite depictions of wartime violence, Pressure is rated PG-13. 

F1: The Movie

Pure entertainment!

Brad Pitt’s new film F1: The Movie is a thrill ride filled with drivers-view shots from inside the cabs of these sleek race cars. Which are moving fast. The practice runs and the races look great in F1: The Movie. But is there a story here along with the adrenaline-triggering visuals?

Oh, yes!  A redemption story. A narrative with lots of sports movie clichés but a tale that’s enjoyable and fun nonetheless. 

There’s the grizzled old-timer Sonny Hayes (Brad Pitt). Or should I say “chiseled” old-timer? A few shots of Brad with his shirt off. Rather fit for a 61-year-old. Sonny was a promising driver on the F1 circuit decades ago until a crash took him out of the driver’s seat. He has aches and pains and scars but he’s been working out lately and racing whenever he gets a shot.

Old friend Reuben Cervantes (Javier Bardem), now managing a slumping F1 team, recruits Sonny to come back to Formula One racing, halfway through the current season. Reuben’s team has a talented but raw rookie driver, Joshua Pearce (Damson Idris). There’s instant friction between the two drivers and their conflict is a key element of the movie.

Joshua’s mom Bernadette (Sarah Niles) counsels her son about his career and at a key moment steps into the rivalry between the two teammate drivers.

In F1: The Movie, the racing action moves from the UK to Hungary to Italy to Japan to Vegas to Dubai. Director Joseph Kosinski and crew have done a nice job of integrating Sonny and Joshua and their cars into actual race footage. For blood-thirsty race fans who love crashes, F1: The Movie has plenty.

The film is loud with revving engines, excited crowds, media and track announcers and a killer soundtrack from Hans Zimmer.

F1: The Movie is, like most of auto racing, heavy on testosterone. Kate McKenna (Kerry Condon) is the attractive but seriously savvy technical director for the team. And although she tells Sonny there’ll be no hooking up, well… 

F1: The Movie feels big. Like many such action films, it will be better appreciated on a big screen in a movie house with good sound. At this point it shouldn’t be necessary to say that but consider this a gentle nudge. Sure it’ll be streaming on Apple TV in a few weeks but it’s good to get out of the house when you can.

Worth a mention here also is this: you don’t have to be an Formula One racing fan, nor a fan of any form of auto racing, to enjoy this movie. Also worth mentioning is the full title of the film is F1: The Movie so as not to be confused with F1 racing in general. Another movie that might’ve befitted from a better title for marketing and online search purposes.

F1: The Movie is rated PG-13. It runs 2:35.