Oppenheimer

It’s too early to pencil in Oscar winners’ names but it’s easy to imagine Oppenheimer pulling down a few next March. Starting with Christopher Nolan who wrote and directed this epic film. Is it his best film to date? Maybe. Among his top three, for sure.

Two weird trends this summer: baseball games have gotten shorter and movies have gotten longer. Oppenheimer is a three hour movie but screenwriter Nolan delivers huge amounts of narrative in those 180 minutes. And director Nolan maintains a fierce pace with multiple time jumps to tell that story. A clever device he employs is purposeful shifts between color and black-and-white sequences.

What about Cillian Murphy as Robert Oppenheimer? He’s been great in smaller movie roles and in the TV series Peaky Blinders. Although Murphy’s is not a household name, Nolan made a wise choice in giving Murphy the mantle of carrying this film. Not unlike the way the U.S. Army’s Leslie Groves (Matt Damon) chooses Oppenheimer to run the Manhattan Project despite the physicist’s baggage. 

Part of that baggage is his alcoholic wife Kitty (Emily Blunt) who is a Communist. As is Robert’s brother Frank (Dylan Arnold). A needy lover, Jean Tatlock (Florence Pugh), also has red connections. Is Oppenheimer himself a Communist sympathizer? He contributed to revolutionaries in Spain. He tried to organize a faculty union at Cal. But his work as a physicist makes him the right man to head the development of the atomic bomb at Los Alamos.

The role of Lewis Strauss includes some of the best Oscar-bait dialogue since Jack Nicholson took the trophy with his “you can’t handle the truth” speech in A Few Good Men (which took Best Picture in 1992.) Robert Downey Jr. is up to the task of portraying a complex individual who is less well-known than the film’s title character. 

Much of Strauss’s screen time revolves around hearings for his nomination to be U.S. Commerce Secretary during Ike’s second term. He also recruited Oppenheimer at Princeton and later was head of the Atomic Energy Commission. 

Jason Clarke as AEC attorney Roger Robb has another role that  allows for some scenery chewing. His confrontations with Oppenheimer and others during an inquiry into Oppenheimer’s fitness for continued security clearance are forceful and direct.

Among the films large cast, players include Kenneth Branagh, Alden Ehrenreich, James D’Arcy, Matthew Modine, Josh Hartnett, Casey Affleck, Dean DeHaan and Rami Malek. Tom Conti appears as Albert Einstein and Gary Oldman portrays Harry Truman.

Sound plays a major role in Oppenheimer. The dynamic range between ear-splitting loudness and calming silence is finessed beautifully by Nolan and the film’s sound crew. Expect a few awards nods to the craftspersons who make the movie sound good. Ludwig Goransson’s music provides momentum and adds to the intensity of numerous scenes. 

Because of Vladimir Putin’s invasion of Ukraine and saber rattling by both the U.S. and Russia, Oppenheimer is not just entertainment but also a timely movie. Although the film is a dramatization of real events, there’s a foundation of truth here that provides useful information for all Americans, especially younger citizens. 

Twenty-first century perspectives have revised our views of much of our nation’s history including our participation in wars. The paradox of the atom bomb’s being a good thing (ending hostilities with Japan) and a horrible thing (killing thousands of civilians) is one that has been and will be constantly examined. Oppenheimer is now part of that discussion. 

The movie is likely to make Cillian Murphy a genuine star for his strong performance. If you’re going to be onscreen for that much of a movie, you’d better be good. He is. Will he receive awards consideration? Bet on it.

Oppenheimer will bring fresh individual accolades to Nolan and Downey, among others. And the film itself is a likely Best Picture nominee. It is, as they say, a MAJOR motion picture!

Jack Ryan: Shadow Recruit

Jack Ryan: Shadow Recruit is similar to other spy caper films you’ve seen, with a few interesting exceptions. Ryan (Chris Pine) is not just an ex-Marine in the CIA, he’s also an economist. And the caper centers on world market trading dirty tricks by devious Russians—particularly Viktor Cherevin (Kenneth Branagh)—designed to destroy the US economy.

US Navy Commander Thomas Harper (Kevin Costner) recruits Ryan for the CIA. He discovers him at Walter Reed Hospital as Ryan is rehabbing from injuries suffered in a copter crash in Afghanistan. Ryan finishes school, joins the CIA and goes to work on Wall Street to monitor economic terrorism.

Upon detecting suspicious activity in accounts run by Cherevin, Ryan chooses to go to Moscow to confront him. Ryan’s fiancé Dr. Cathy Muller (Keira Knightley) decides to follow along and gets caught up in the effort to fend off the Russian assault on world markets.

Because economic intrigue is not quite enough to sustain an “action” film, a corresponding plot has a van filled with explosives, driven by a man intent on destroying Wall Street physically (even as the wicked Ruskies are planning to beat us down financially).

Okay, there’s a lot going on here and some of it works and some of it does not work. It’s good to see an older Costner in this leadership role. (Seeing him in Navy dress blues briefly recalls that 1987 film No Way Out.) Branagh, who directs the film, is surprisingly good as the Russian bad guy.

Knightley is gorgeous and has shown great acting skills in the past. But in JR:SR, she’s of little value beyond eye candy. Her chemistry with Pine is almost non-existent. Pine is good and, after becoming a star via the Trek movies, has the stature to take on the Ryan role. He defines “rugged good looks.” Guys can appreciate his derring-do and ladies can get lost in those blue eyes.

A couple of plot holes and quick resolutions of complicated business may cause one to say, “Huh?” But if you just play along you’ll enjoy the ride.

Jack Ryan: Shadow Recruit is okay for a January release. But that’s what it is, a January release. (Note of interest: it’s rated PG-13, so you can send you mom who hated Wolf of Wall Street to see this one.)