From the World of John Wick: Ballerina

From the World of John Wick: Ballerina is NOT a John Wick movie. Although John Wick (Keanu Reeves) makes his presence known at a key moment of the movie. And while there’s a bit of ballet dancing, there’s not much.

FTWOJW:B is the story of Eve Macarro (Ana de Armas) who, as a young girl, sees her father killed by an assassin. She vows revenge. Under the tutelage of The Director (Angelica Houston), Eve learns to dance and to battle.

As observed with John Wick films, the face-to-face, often hand-to-hand, combat is staged at times much like a ballet. The film’s pace is relentless and so is the cracking of skulls and other body parts. Eve’s battles involve strong physical skills and a variety of weapons including firearms and knives. Even a flamethrower! 

Eve’s goal of avenging her father’s death runs counter to the sort of detente between the Roma Ruska sect and the group led by the Chancellor (Gabriel Byrne). The Director (that is, Houston’s character, not Len Wiseman, the film’s director) tells her to cool it but she does not relent. She takes her revenge mission to a lovely European village where she encounters a knife wielding barista. And has a tense confrontation with The Chancellor.

Armas may be the most beautiful woman to be involved in the nasty business of violence and killing. She employs her skills well and appears to take as much, maybe even more, physical abuse than does Wick himself in his four films. And she knows how to handle a flame thrower!

Also appearing in FTWOJW:B are Wick regulars Ian McShane as Winston and, in his final film appearance, Lance Riddick as Charon. Norman Reedus of Walking Dead fame is introduced as Daniel Pine, a man who, like Eve’s father, hopes to keep his young daughter away from all the nastiness. Could he appear in any future Ballerina films? 

From The World of John Wick: Ballerina is rated R and runs just over two hours but it seems shorter because it moves so quickly. If you could use a good action movie, don’t miss it!

Argylle

Argylle is an action-packed thrill ride. It’s the kind of movie the world needs right now. There’s your pull quote. 

Bryce Dallas Howard is terrific as a spy tale novelist who quickly finds herself doing many of the wild and wooly things her books’ central character Argylle (Henry Cavill) does. 

Argylle is clever, funny, sometimes silly, colorful and, oh yes, violent. But much of that shooting and punching and kicking and exploding is of a comic nature—just as fantastical as the stuff in John Wick films but with a wink from the filmmaker. Argylle doesn’t move nearly as fast as the quick cut preview trailer does, but there are few slowdowns once it kicks off.

Director Matthew Vaughn, whose film Kingsman: The Secret Service (released here nine years ago) was filled with surprises and dekes and feints, brings similar turns and twists to Argylle. Vaughn also directed two Kingsman sequels, an X-men film and the 2007 fantasy Stardust, taken from a Neil Gaiman tale. 

When Elly Conway (Howard) finishes her fifth book, she sends her mom (Catherine O’Hara) the manuscript. When mom offers a critique, Elly takes a train to visit her mother in person. On the train she encounters Aidan (Sam Rockwell) who tells her his occupation is espionage. She notices he’s reading one of her Argylle spy novels. 

In short order, a fracas occurs on the train, starting Elly and Aidan on their adventure that takes them from somewhere in the western U.S. to London and on to the south of France where they visit a vineyard tended by Alfie (Samuel L. Jackson). Ah, but growing grapes is not Alfie’s real mission—he’s guiding spy missions from his man cave. 

Alfie is also the name of Elly’s cat who rides along in her backpack and looks out through the backpack’s round window. He’s not just along for the ride; he gets into the action at a couple of key moments.

Elly and Aidan’s travels take them to an oil tanker where a long battle occurs with a couple of ridiculously creative scenes that scriptwriter Jason Fuchs and Vaughn have crafted to provide some neat visuals.

Also in the film’s cast are Bryan Cranston, John Cena, Dua Lipa and Ariana DeBose. 

You’ve probably noticed a generally tense mood in the nation and the world in recent months. It’s not necessary to list the reasons why in this review. 

But it is necessary to tune out the world occasionally. Argylle provides a healthy dose of escapism with an engaging story, an array of memorable characters, an energetic soundtrack and one cool kitty. If you could benefit from a couple of hours of fun, you might like Argylle. It’s rated PG-13.

In theaters now, coming to Apple TV+ at a yet-to-be-announced date.

John Wick Chapter 4

Is it an orgy of violence? Yes, but it’s not JUST an orgy of violence. It is ballet.

John Wick Chapter 4 has battle scenes you will remember forever. The grace and skill of the actors. The choreography of the stunt teams. The filmmaking techniques and skills that make you wonder what is real and what is the work of special effects crews. 

The result of these talents is one of the greatest action movies ever made. Best not to wonder “how did they do that” but instead just let the tale unfold and enjoy the ride.

Keanu Reeves as the taciturn Wick leads a gallery of memorable characters. Caine (Donnie Yen) is a blind man who leans on his other senses to employ formidable killing skills. An enormous man with gold teeth called Killa (Scott Adkins in a fat suit) deals a fateful poker hand before engaging Wick in a chase through a crowded Paris dance club. Sadistic bad guy the Marquis (Bill Skarsgård) dresses nice but with a wicked smirk sets into motion the mission to eliminate Wick. 

Back from previous Wick films are Winston “the manager” (Ian McShane), Charon (Lance Reddick who, sadly, just died at age 60 on March 17) and the Bowery King (Lawrence Fishburne). 

John Wick Chapter 4 has a story, centered around scads of people looking to kill John Wick. But the real hooks of this film are the one-on-one and one-vs-many battle scenes with combatants using guns, knives, axes, swords, nunchucks, fists, cars and other means of offing opponents. 

Director Chad Stahelski who also helmed the first three Wick flicks is back in the driver’s seat, this time bringing a bigger Wick. Nearly three hours long! (2:49 officially.) But you will not be checking the time once the show kicks off. It opens with a Western flavor as John Wick mounts a sturdy steed and pursues three horsemen across a sandy desert before confronting the Elder (George Georgiou).

The John Wick universe with the High Table and its rules and protocols is an interesting setup. Yes, they try to terminate with extreme prejudice but they have a modicum of respect for one another.

Among the more memorable sequences in this new film is the overhead shot via drone of a battle inside a residence with activity moving from room to room. A chase that runs through traffic on the Arch de Triumph roundabout in Paris is mind-blowing. A battle in the Continental Hotel in Osaka gets Caine into the film’s early action.

Could the action sequences help lead to an Oscar category for the stunt performers? Director Stahleski (who has a stunt background) said in a recent interview: “We (the stunt community) want to be recognized because we’re one of the 11 main departments. We’re in every fucking trailer. Most movies are sold on what we do.”

Is this the final John Wick story? Keanu is only 58 and is in excellent physical shape. To close the door on this iconic character now would be folly. In a year or so, after Chapter 4 has played out its run, keep your ears open for news about more John Wick.