Tag Archives: Jennifer Lawrence

Joy

David O. Russell’s best films are the ones that touch you emotionally, like Joy does. It is not always easy to cheer for a movie character, but Joy (Jennifer Lawrence) inspires audience hopes and dreams. She is an empowered woman.

The characters who populate Joy’s world add life and humanity to Joy. Her father Rudy (Robert DeNiro) moves in with Joy when his second wife dumps him. Joy puts him in her basement where he has to share digs with Joy’s ex-husband Tony (Edgar Ramirez). Her mother (Virginia Madsen) spends most of each day perched in her bed watching soap operas. Grandma Mimi (Diane Ladd) is the film’s narrator.

Rudy finds a new girlfriend, Trudy (Isabella Rossellini). When Joy mops up spilled wine on her Trudy’s boat, she gets glass shards in her hands. This leads the clever Joy to make her own mop that she can wring out without touching it. Soon, she is making the “Miracle Mops” in dad’s garage and selling them wherever she can.

Trudy, a widow whose husband left money behind, helps Joy fund her company so she can make the mops. Joy’s big break comes when the fledgling QVC channel agrees to sell the mops. QVC honcho Neil Walker (Bradley Cooper) tells Joy to prepare to deliver 50-thousand mops. But the segment is a mop flop.

She convinces Walker to let her do the segments herself. A friend conspires to call in and tout the product. Sales skyrocket.

But more trouble awaits as suppliers try to take advantage of her. And a man who claims to have registered a similar product wants royalties for each sale. Joy faces the challenges head on and emerges triumphant.

The only thing about the story that’s baffling is Joy’s lack of romance as she takes care of business. Her ex is in the picture, but as a friend, not a lover.

Jennifer Lawrence is at her best in portraying this woman who accomplishes what she needs to get done, while others around her seem to be going through the motions of life. At the young age of 25, J-Law is more convincing as a mature woman in Joy than she is as a young warrior in the Hunger Games films.

Joy is a feel good movie for grownups. And, after the year that some of us have experienced, this upbeat story is exactly what many of us need. Big thanks to writer/Director David O. Russell and well as to Jennifer Lawrence for Joy!

 

 

 

 

 

 

 

 

 

 

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The Hunger Games: Mockingjay Part 2

 

Panem’s long national nightmare is over. The Hunger Games: Mockingjay Part 2 brings the saga to a resolution, at last. The film starts slowly, but soon things get real and things go boom.

The first three Hunger Games movies have seen the beginnings of the revolution against President Snow (Donald Sutherland). It’s time for Katniss (Jennifer Lawrence), Peeta (Josh Hutcherson), Finnick (Sam Claflin), Gale (Liam Hemsworth) and the others to lead the assault on the Capitol.

After dodging bullets from huge mounted machine guns, then escaping a rising black tide that threatens to drown the rebel advance squad, a challenge to Katniss’s leadership is thwarted. A decision to cross the Capitol underground leads to a violent encounter in the sewers with creepy creatures.

As the rebels close in on Snow’s HQ, the final battle feels like an anticlimax. After the surrender and her meeting with Snow, Katniss, prepares to publicly execute him with a well-targeted arrow. A coda that ties things up will make hardcore THG fans happy.

This final film shows again how derivative The Hunger Games saga is. Of course, the game itself is TV reality competition taken to a new, fatal level. The Panem palace guards look amazingly like the Empire’s storm troopers in the Star War films. The sewer creatures resemble Valdemort from the Harry Potter films. The depiction of a structure breaking up recalls similar scenes from Inception. A feline-costumed woman who provides momentary refuge to the rebels could’ve stepped out of the cast of Cats or an Anime convention.

The movies, overall, have been vastly entertaining, thanks to strong casting and brilliant costuming. Considering the billions this franchise has generated, it seems odd to say a final goodbye. Should we be surprised if, in five years maybe, someone floats a possible new movie idea with a story rooted in this universe? I will not be.

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The Hunger Games: Mockingjay Part 1

 

The Hunger Games: Mockingjay, Part 1 is more than just a bridge to next year’s finale. Things happen. Characters grow.

Having rebuked President Snow (Donald Sutherland), Katniss (Jennifer Lawrence) becomes an ally of the rebels. Realizing her power, she agrees to be a voice for those opposing Snow. President Coin (Julianne Moore) leads the opposition with key advisor Plutarch Heavensbee (Philip Seymour Hoffman).

Heavensbee drafts Katniss for a series of videos, directed by Cressida (Natalie Dormer from Game of Thrones). Cressida has a Skrillex haircut and a long vine tattoo on her left side—it’s a distinctive look. (Heavensbee’s guidance reminded me about Hoffman’s role as another crafty political consultant in The Ides of March.)

After scripted attempts at a propaganda clip fall short, Katniss and crew go on location for passionate, ad-libbed speeches that rip the Capitol crew to shreds. There’s also an action segment where Katniss takes down a fighter jet attacking District 8 with a well-directed arrow (with an explosive tip).

All the while, Peeta (Josh Hutcherson) is ensconced in the Capitol with several other survivors from the most recent Hunger Games. Like Katniss, Peeta is a media tool. Every time he appears on the Capitol’s TV feed, she watches intently.

The Hunger Games: Mockingjay Part 1 brings new versions of certain series characters. Haymitch Abernathy (Woody Harrelson) is now sober and not happy about it, thanks to Coin’s prohibition of booze. Effie Trinket (Elizabeth Banks) has doffed her outrageous wigs and dresses for a do rag and olive drab jumpsuit. Hunky Gale (Liam Hemsworth) is still more like a big brother to Katniss, but there appears to be something stronger between them this time.

Among the questions unanswered in THG: M1… Is Peeta’s call for the rebels to stand down sincere or is he just saying these things to save his skin? Is Snow being overly cocky as he plays mind games with Katniss and the rebels? Do the rebels have necessary firepower to take down the Snow regime? Will Coin turn out to benevolent or will power corrupt? And will Katniss and Peeta ever be a real couple? Stay tuned—Part 2 comes your way in exactly one year!

 

 

 

 

 

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X-Men: DayS of Future Past

Remember when Nixon killed the Sentinel program that would’ve rid the world of mutants? No? I guess that got lost amongst coverage of Watergate, Vietnam, etc.

Time travel is such a gimmicky plot device. But without it, we wouldn’t have X-Men: Days of Future Past, a film with incredibly good special effects. X-Men: Days of Future Past has its flaws, but I’m guessing most X-Men fans will forgive director Bryan Singer for those sins (as well as for his alleged personal sins).

After robotic Sentinels threaten to wipe out all mutants—even those with strong supernatural abilities—as well as normal humans, desperate measures must be taken. Charles Xavier (Patrick Stewart) sends Logan/Wolverine (Hugh Jackman) back to 1973 derail the program.

Kitty Pryde (Ellen Page) guides Logan in his time travel, conjuring up memories of Inception. After arriving back in the day and gracing the screen with his naked backside, Logan meets up with Xavier’s younger self (James McAvoy). They work to spring the younger Magneto (Michael Fassbender) from his prison beneath the Pentagon.

The facts that McAvoy does not look a bit like Patrick Stewart and Fassbender only vaguely resembles the present day Magneto (Ian McKellan) must be overlooked. Also, if the Sentinel program had been authorized in 1973, wouldn’t it have decimated the mutant population way before now?

Meanwhile, Dr. Bolivar Trask (Peter Dinklage) pushes to have the US produce Sentinels to eliminate the world’s mutants. In a ceremony on the White House lawn, Tricky Dick is about to give thumbs up to the program. When Magneto uses his powers to move RFK Stadium and set it down surrounding the White House, the ceremony is halted and the climactic battle ensues. (Apparently, RFK was moved back in time for the Redskins’ 1973 season.)

While certain of the mutants get limited screen time, here are key players among those featured. As Mystique/Raven, Jennifer Lawrence shows that she is without a doubt the most versatile actor/actress in movies today. And as Hank/Beast, Nicholas Hoult shows his fine acting range. As Peter/Quicksilver, Evan Peters thrills with incredible speed (and a sense of humor).

Also worth mentioning is the mutant Blink, if only because of the actress’s wonderful name, Bingbing Fan. President Nixon is played by Mark Comacho, who actually resembles the Trickster, but is a bit heavier.

With a good balance of exposition/character development versus battles/awesome effects, X-Men: Days of Future Past, adds another winner to the Marvel movie list. Grab your 3-D glasses and get in line now!

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American Hustle

Director David O. Russell doesn’t really have a repertory company, but all four of his lead actors in American Hustle have worked for him in either 2010’s The Fighter or 2012’s Silver Linings Playbook. They all perform at a high level in American Hustle, working from a script that gives each of the four opportunities to shine. On January 16, expect a name or two or three from this ensemble to receive Oscar noms.

The root word of con, as in con man or con game, is confidence. In American Hustle, Irving Rosenfeld (Christian Bale) gains the confidence of marks who believe that he can get them loans for 50K. But first, they have to give him negotiable checks for 5-thousand to get the ball rolling.

After Irving meets Sydney Prosser (Amy Adams) at a party and discovers they share a love of Duke Ellington, they become lovers and partners in crime. Sydney joins him in his con game. She fakes a British accent and implies that she can get money from friends in high places in the UK banking world.

When the con man and woman are caught by the feds, they are enlisted to aid the FBI in scamming politicians. American Hustle is not the story of the Abscam sting, which saw politicians accepting bribes. But true-life events inform much of what happens in AH.

Richie DiMaso (Bradley Cooper) is the agent who runs the sting and becomes enamored with Sydney. Irving’s wife Rosalyn (Jennifer Lawrence) seems at first to be a shallow, unaware housewife but later is revealed to be more clever than initially revealed.

Carmen Polito (Jeremy Renner with a pompadour Conway Twitty would’ve envied) is the mayor of Camden, New Jersey who wants to help his state get the money to help develop Atlantic City. While setting him up for the sting, Irving finds that he actually likes Carmen—which makes things interesting.

Another Russell alum (who appeared in Silver Linings Playbook), Robert DeNiro, plays a Miami mobster gets involved when a fake Arab sheik is presented as the deep pockets money man. Louis CK has a small role as agent DiMaso’s boss.

American Hustle has all the elements a movie needs to succeed: a compelling story, interesting characters and a clever telling of that story. It’s not the best movie of 2013, but it will show up on numerous top ten lists for the year, as it should.

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The Hunger Games: Catching Fire

In The Hunger Games: Catching Fire everything is amped up. Everything is more, compared to 2012’s The Hunger Games.

Katniss Everdeen (Jennifer Lawrence) is more skillful, more passionate, more political, more focused. Peeta Mellark (Josh Hutcherson) is more mature, more confident, more clever. President Snow (Donald Sutherland) is more calculating and more concerned about the power and influence Katniss and Peeta are able to command.

After emerging as co-victors of the Hunger Games, the pair are presented to the nation of Panem as a romantic couple. They are heroes. Snow wants them to use their personal appearance tour to trump up support for his political system. When that backfires, he and advisor Plutarch Heavensbee (Phillip Seymour Hoffman) hatch a plan to kill them off: a new Hunger Games featuring previous winners.

As for the actual kill-or-be-killed game, the competition again closely resembles TV’s Survivor. The game is closely monitored and every element is subject to being reset and reordered. The events of THG:CF deliver a satisfying outcome but leave much unresolved. This film, of course, is designed to set up the next two films.

Two over-the-top characters are even more outrageous in THG:CF. Effie Trinket (Elizabeth Banks) wears more eye makeup and her costumes are more ridiculous. Caesar Flickerman (Stanley Tucci) as host of the Hunger Games TV show is smarmier this time around. He almost seems in his announcing style to be channeling Michael “Let’s get ready to rumble!” Buffer.

Director Francis Lawrence, whose credits include Constantine, I Am Legend and Water For Elephants, brings amazing visuals and near perfect pacing. Happily, he did not feel compelled to resort to 3D.

It was wonderful at last year’s MTV Movie Awards to hear The Hunger Games actors thank novelist Susan Collins for providing the story that has fascinated millions of readers and moviegoers. Her narrative, her characters and her vision of Panem society are entertaining and thoughtful. I can’t wait for installments 3 and 4.

 

 

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Silver Linings Playbook

“Silver Linings Playbook” has it all: love, laughter, tears, mental illness, football, dancing and gambling. It more than lives up to its advance buzz. The story, the characters and the telling of the story are all compelling. Go see this movie!

Bradley Cooper plays Patrick, a man who’s just spent several months in a mental health treatment center after severely injuring his wife’s lover. For now, he’s staying with his folks. He still loves his wife but can’t see her, due to a restraining order. A friend invites him over for dinner where he meets a young widow, Tiffany, played by Jennifer Lawrence.

Tiffany also has mental health issues. Following her husband’s death, she received therapy and medications. She and Patrick become friends and she asks him to be her partner in a dance competition.

Meanwhile, Patrick’s dad, played by Robert DeNiro, is revealed to have anger issues of his own—he’s been permanently banned from Philadelphia Eagles home games for fighting in the stands. Dad is a guy who’s lost his job and has turned to bookmaking to get by.

The interaction between these characters and others in the film will break your heart one minute and make you laugh out loud the next. David O. Russell wrote the script and directed the movie. He directed 2010’s wonderful “The Fighter,” which was notable for similar family dynamics. (“SLP” is set in suburban Philly, while “The Fighter” was set in Lowell, Massachusetts.)

The resolution of “Silver Linings Playbook” is satisfying for many reasons, which I dare not reveal here. Just go see this movie!

Sadly, a TV spot for the movie reveals one of the film’s key turning points. I hate when that happens. I encourage you to avoid any TV ads or online trailers before you see “SLP.”

“Silver Linings Playbook” is among this year’s best. Expect award nominations for Cooper and Lawrence and maybe DeNiro. Russell should get a nom for best adapted script and, possibly, best director. Best picture? It should make that list, too.

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“The Hunger Games”—(Reality TV Bites)

It’s a reality TV show producer’s fantasy/nightmare: a televised competition in which those eliminated are not merely voted off the island. Instead, in “The Hunger Games,’ they die.

Could society devolve enough to allow a televised spectacle in which 24 youthful contestants fight to the death, until there is only one left standing? Check back in 50 years and see. In THG, the competition is an annual punishment meted out to each of 12 political districts for a failed rebellion in this near future state/nation, Panem.

The best player in “The Hunger Games,” is Katniss Everdeen. Or is she? Katniss, played wonderfully by Jennifer Lawrence, is a strong young woman whose sister is chosen in a random drawing to be part of this annual death match. Knowing that her weak sister would quickly be killed, Katniss volunteers to take her place.

As preparations for the games begin, Katniss becomes a favorite: A favorite of those who watch and wager on the games. A favorite of TV host Caesar Flickerman, played by Stanley Tucci (who sports some very weird hair). A favorite of mentor Haymitch Abernathy, played by Woody Harrelson.  A favorite of fellow “tribute” Peeta Mellark, played by Josh Hutcherson. But not a favorite of President Snow, played by Donald Sutherland.

Having watched reality shows on TV for many years now, I have often suspected producers of manipulating outcomes via physical competitions that favor certain players, vote totals that appear questionable and judges who keep less-talented but more attractive players. It happened in the early days of TV when quiz show contestants who audiences liked were given answers so they would stay on week after week.

Manipulation by the TV producer and his crew occurs often during “The Hunger Games.” Rules are changed. Fires are set. Wild animals are unleashed. Medical supplies are shared from beyond the game area. But even as producers are working their trickery on contestants, so do Katniss and Peeta work theirs on the producers.

THG delivers a compelling screen character in Katniss along with a story that keeps the viewer totally engaged. (The only time I checked my watch during the screening was to note that the actual competition begins at the movie’s halfway point, about 70 minutes in.) Whether this is “the movie event of the year” is debatable, but “The Hunger Games” is a well-crafted movie. Director Gary Ross tells the story clearly without calling attention to himself via cinematic stunts.

“The Hunger Games” presents a chilling vision of a future not too far removed from 2012. Moviegoers who have watched TV shows like “Survivor,” “The Real World,” “American Idol,” “The Bachelor” and “Big Brother” will see elements of those shows and others in “The Hunger Games.”

Because “The Hunger Games” is based on a “young adult” novel which has been embraced by teens, adults may fear that THG has some Twilight-like tendencies. Nope. If you are a grownup, you can see and enjoy this movie. And you should.

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