Conclave

Conclave is an excellent movie, one of the year’s best. Compelling story, stellar cast, deft directing. It’s a winner, a “must see.” But… be careful!

There are people who will reveal certain key plot points. And not just on social media platforms. Because Conclave is a story about the election of a pope, some Catholics—church leaders and church members—may not care for the less-than-flattering depictions of certain cardinals.

Conclave is fiction but it considers the real life conflicts within the Catholic religion between its progressive and conservative elements. The election of a new pope is a political process with similarities to governmental elections: divisions into factions, surprise disclosures, accusations and denials, downright dishonesty. 

Cardinal Lawrence (Ralph Fiennes) is tasked with leading the election process. It’s a portrayal that will net him awards. Fiennes was Oscar nominated for The English Patient and Schindler’s List. This may be the one that gets him the trophy.

His speech to his fellow cardinals at the conclave just before the first balloting is a classic scene that he nails beautifully. As revealed in the trailer, he says, “If there was only certainty, and no doubt, there would be no mystery. And, therefore, no need for faith.” Not sure if the source of this monologue is the screenwriter Peter Staughan or book author Robert Harris but it is impactful.

Others who play key roles are Cardinal Bellini (Stanley Tucci), Cardinal Tremblay (John Lithgow), Italian Cardinal Tedesco (Sergio Castellito), African Cardinal Adeyemi (Lucian Msamati), Cardinal Benitez (Carlos Diehz), and Sister Agnes (Isabelli Rossellini). Also, as Lawrence’s assistant O’Malley, Brian F. O’Byrne. Quite a lineup and they all get to shine.

Conclave is in some ways an old-fashioned movie. No nudity, no sex. No profanity. No superheroes. A story that unfolds in chronological order without flashbacks. A killer soundtrack from Volker Bertelmann that amplifies the tension and suspense. And multiple memorable visuals from director Edward Berger and his crew.

The warning posted at the top of this review bears repeating. Beware of spoilers. Conclave will generate conversation and beans are likely to be spilled. Be cautious where you click.

How will Conclave play among Catholics? My guess is that reactions will cover a wide spectrum from warm embrace to dismissive putdown. On one hand, it’s a deep and illuminating dive into the pope choosing process that may be appreciated by some church members. On the other hand, it deals with backstage maneuvers in church headquarters that some folks just don’t care to know about. The responses could get interesting. Stay tuned.

Conclave is rated PG.

Joy

David O. Russell’s best films are the ones that touch you emotionally, like Joy does. It is not always easy to cheer for a movie character, but Joy (Jennifer Lawrence) inspires audience hopes and dreams. She is an empowered woman.

The characters who populate Joy’s world add life and humanity to Joy. Her father Rudy (Robert DeNiro) moves in with Joy when his second wife dumps him. Joy puts him in her basement where he has to share digs with Joy’s ex-husband Tony (Edgar Ramirez). Her mother (Virginia Madsen) spends most of each day perched in her bed watching soap operas. Grandma Mimi (Diane Ladd) is the film’s narrator.

Rudy finds a new girlfriend, Trudy (Isabella Rossellini). When Joy mops up spilled wine on her Trudy’s boat, she gets glass shards in her hands. This leads the clever Joy to make her own mop that she can wring out without touching it. Soon, she is making the “Miracle Mops” in dad’s garage and selling them wherever she can.

Trudy, a widow whose husband left money behind, helps Joy fund her company so she can make the mops. Joy’s big break comes when the fledgling QVC channel agrees to sell the mops. QVC honcho Neil Walker (Bradley Cooper) tells Joy to prepare to deliver 50-thousand mops. But the segment is a mop flop.

She convinces Walker to let her do the segments herself. A friend conspires to call in and tout the product. Sales skyrocket.

But more trouble awaits as suppliers try to take advantage of her. And a man who claims to have registered a similar product wants royalties for each sale. Joy faces the challenges head on and emerges triumphant.

The only thing about the story that’s baffling is Joy’s lack of romance as she takes care of business. Her ex is in the picture, but as a friend, not a lover.

Jennifer Lawrence is at her best in portraying this woman who accomplishes what she needs to get done, while others around her seem to be going through the motions of life. At the young age of 25, J-Law is more convincing as a mature woman in Joy than she is as a young warrior in the Hunger Games films.

Joy is a feel good movie for grownups. And, after the year that some of us have experienced, this upbeat story is exactly what many of us need. Big thanks to writer/Director David O. Russell and well as to Jennifer Lawrence for Joy!