Into The Woods

 

Into The Woods is a pure delight. The performances are fun and funny. And what a cast!

Wonderful Stephen Sondheim songs bring together characters from favorite fairy tales. (The script is by James Lapine.) The songs have clever lyrics that you can understand. The songs have those Sondheim melodies that don’t always go where you expect them to go.

Into The Woods is directed by Rob Marshall who hit it out of the park with his Oscar-nominated direction of Chicago in 2002. (His 2009 film version of the musical Nine was more like a bloop single.)

The story begins with The Baker (James Corden) and his wife (Emily Blunt) who want a baby. The witch (Meryl Streep) says she will lift her curse on the baker’s family if the couple accomplish three specific tasks. They must go into the woods to get things done.

The large cast of characters also includes Little Red Riding Hood (Lilla Crawford), The Wolf (Johnny Depp), Cinderella (Anna Kendrick), Cinderella’s Stepmother (Christine Baranski), The Prince (Chris Pine), Jack (Daniel Huttlestone), Jack’s mother (Tracy Ullman), The Giant (Francis La Tour), Rapunzel (Mackenzie Mauzy) and more.

The story that weaves all these characters together is ingenious. Though these are children’s stories, the movie is made for adults. Disney toned down some of the more grownup content from the stage version of Into The Woods to make the film more family friendly. Yes, you can take your kids—it’s rated PG—but younger children are likely to become fatigued.

The film’s strongest performances come from Meryl Streep, Emily Blunt and (surprise) Chris Pine. On the down side, the movie seems longer than it is. Run time is 2 hours, 4 minutes. Resolving multiple story lines takes a while. The pace of the film, just perfect at the start, seems to bog down a bit in the end.

But there are joys aplenty in Into The Woods. If you like musicals, you need to experience and enjoy it.

 

 

 

 

 

 

 

 

 

 

 

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The 10 Best Films of 2014

Birdman red Again this year, the 3 things that make a film great—a fresh story, indelible characters and clever story telling—have come together beautifully in several movies. Beyond those on my “Best Of” list are a few that simply made me feel good (which signifies a different kind of greatness). The Best of 2014:

  1. Birdman. Creativity unleashed. A fantastic story with a memorable lead character who elicits a variety of responses from his incredibly strong cast as well as from audience members. And what an ending! Excellent use of the film medium.
  2. Boyhood. Richard Linklater’s idea of telling the story of a young man growing up, using the same actor from start to finish, was risky. So many things could have gone wrong, but, based on what is on the screen, they mostly went right. Ellar Coltrane was a perfect choice for the lead role.
  3. The Grand Budapest Hotel. Wes Anderson’s masterpiece is zany, madcap, silly fun. Anderson’s attention to little details and inspired performances from a large cast of stars make this his best yet.
  4. Whiplash. The concept doesn’t sound that exciting: a music instructor who’s an abusive bully meets up with a cocky young drummer. But the story, the music and the over-the-top character that J.K. Simmons inhabits combine for a movie that sizzles.
  5. The Lego Movie. Filled with fun and surprises. This film doesn’t just use Lego pieces as characters, it captures the way kids use Legos. The live action postscript was a beautiful touch.
  6. Snowpiercer. Praise begins with love for the French guys who did the graphic novel. And to the publisher who chose to sell the book in Korea, where the director/co-writer discovered it. Strong multinational cast. Dystopian class warfare at its best.
  7. Gone Girl. Everything works here. Acting, directing, scriptwriting. The most meaningful soundtrack of the year. Gone Girl satisfies on so many levels. Thanks to (most) everybody who resisted spoiling.
  8. The Theory of Everything. A British genius tries to channel his immense brilliance into something useful, while dealing with a challenge that could torpedo his efforts. For Stephen Hawking, it’s ALS. Multiple Oscar noms on the way for this one.
  9. The Imitation Game. A British genius tries to channel his immense brilliance into something useful, while dealing with a challenge that could torpedo his efforts. For Alan Turing, it’s closeted homosexuality—a crime in the UK in the 40s. Cumberbatch shows again why he’s the “go to” guy for so many movie makers.
  10. Nightcrawler. Jake Gyllenhaal is, as they say, a revelation as a free-lance videographer who crawls throughout the underbelly of L.A. for sleazy TV news footage. His story is well-crafted and his performance is maybe his finest ever.

My “feel good” list for 2014:

  1. Guardians of the Galaxy. Characters, soundtrack, story, effects—wow!
  2. Chef. Beautiful food, wonderful music. And it gets social media right. Thank you, Jon Favreau!
  3. Big Hero 6. Appealed to my inner 12-year-old boy. I loved lovable robot Baymax and the film’s cool blending of U.S. and Japanese culture.
  4. St. Vincent. Bill Murray is loathsome, pathetic, hilarious, generous and sweet all in one movie. Good supporting cast, especially the kid.
  5. Get On Up. The James Brown biopic may have been too raw to be a big hit but it made me feel good. (I knew that it would.)
  6. Life Itself. The talented Mr. Ebert had a wonderful life.
  7. Glen Campbell: I’ll Be Me. I met Glen Campbell and am a longtime fan. His good humor in dealing with Alzheimer’s plus the love shown by all his family was what made me feel good.
  8. Edge Of Tomorrow. The structure of this movie, similar to Groundhog Day, could’ve come off as dumb. Happily, it’s clever and fun.
  9. Draft Day. As an NFL fan, I enjoyed the football parts of the movie. The flyover shots of the stadiums were beautiful.
  10. Into The Woods. Sondheim songs and a mighty cast. A pure delight.