From the World of John Wick: Ballerina

From the World of John Wick: Ballerina is NOT a John Wick movie. Although John Wick (Keanu Reeves) makes his presence known at a key moment of the movie. And while there’s a bit of ballet dancing, there’s not much.

FTWOJW:B is the story of Eve Macarro (Ana de Armas) who, as a young girl, sees her father killed by an assassin. She vows revenge. Under the tutelage of The Director (Angelica Houston), Eve learns to dance and to battle.

As observed with John Wick films, the face-to-face, often hand-to-hand, combat is staged at times much like a ballet. The film’s pace is relentless and so is the cracking of skulls and other body parts. Eve’s battles involve strong physical skills and a variety of weapons including firearms and knives. Even a flamethrower! 

Eve’s goal of avenging her father’s death runs counter to the sort of detente between the Roma Ruska sect and the group led by the Chancellor (Gabriel Byrne). The Director (that is, Houston’s character, not Len Wiseman, the film’s director) tells her to cool it but she does not relent. She takes her revenge mission to a lovely European village where she encounters a knife wielding barista. And has a tense confrontation with The Chancellor.

Armas may be the most beautiful woman to be involved in the nasty business of violence and killing. She employs her skills well and appears to take as much, maybe even more, physical abuse than does Wick himself in his four films. And she knows how to handle a flame thrower!

Also appearing in FTWOJW:B are Wick regulars Ian McShane as Winston and, in his final film appearance, Lance Riddick as Charon. Norman Reedus of Walking Dead fame is introduced as Daniel Pine, a man who, like Eve’s father, hopes to keep his young daughter away from all the nastiness. Could he appear in any future Ballerina films? 

From The World of John Wick: Ballerina is rated R and runs just over two hours but it seems shorter because it moves so quickly. If you could use a good action movie, don’t miss it!

Jack, the Giant Slayer

Je ne sais quoi is a famous French phrase meaning “I don’t know what.” It’s used when you know something, but you can’t accurately describe it.

What’s missing from Jack, the Giant Slayer? It’s hard to say. Je ne sais quoi.

Jack, the Giant Slayer has a stellar cast, cool effects and a classic story (with some fresh tweaks). The trailers and TV spots look great. But the movie lacks that certain something—something that would make it a “must see.” Je ne sais quoi.

As it begins, JTGS looks like a family flick for all ages. A bedtime story is shared in separate scenes with a young boy and a young girl. The boy grows up to be Jack. The girl becomes princess Isabelle. Jack goes to town, meets the princess, gets the magic beans and the story takes off. In short order, so does the beanstalk.

Jack is played by Nicholas Hoult, who was tremendous as R in the recent Warm Bodies. Isabelle is played by the gorgeous Eleanor Tomlinson. Ian McShane is the king and Ewan McGregor (good guy) and Stanley Tucci (bad guy) are members of the king’s court. Eddie Marsan, who is becoming one of my favorite character actors, also has a small role.

As the story develops, so does the violence. The reasons for the PG-13 rating become obvious. The battles between the earthbound residents and the giants from the sky are epic. The film’s climax is especially well conceived. The 3-D is good, if not great. Still, there’s something needed to make this film special. Je ne sais quoi.

When you spend $185 million to make a movie, you should deliver a bit more magic to the screen than JTGS does. While the film’s accomplishments do amount to more than, pardon the expression, a hill of beans, I was expecting to be dazzled.

Jack, the Giant Slayer is a good, solid, well-made film. You will not walk out of the theater grumbling that you were ripped off. But it falls short of classic. I wish I could tell you exactly why. But I can’t quite put my finger on it. Je ne sais… oh, you know.