The Boss

Melissa McCarthy is a likable, funny woman. Unfortunately, not all of her movies are likable and funny. The Boss is hard to like and not particularly funny. And while storylines for comedies are often dumb, this one is particularly so.

Michelle Darnell (McCarthy) is a self-made financial success who screwed over a lot of people on her way up the ladder. One of them is former boyfriend Renault (Peter Dinklage) who leads investigators to nab her for insider trading.

After her jail time, she crashes with her former assistant Claire (Kristen Bell) and Claire’s daughter Rachel (Ella Anderson). Michelle tags along to a Dandelion meeting (a Girl Scouts sort of group) and takes over. When Claire agrees to mass produce brownies, Michelle recruits Dandelions to jump ship and help sell the brownies.

The street fight between the Dandelions and the Darnell’s Darlings is a funny highlight, well-staged by director Ben Falcone (McCarthy’s real life husband). But the rest of the film leaves much to be desired.

Michelle takes the production of the brownies to a much larger scale and sells the company to Renault. Later, she and Claire attempt to steal back the brownie recipe from Renault, leading to the film’s resolution.

The Boss is a mess. Not nearly as funny as it should be. And while crude humor is fine with me if it’s funny, crude humor for the sake of shocking an audience, as in The Boss, is embarrassing. And I was disappointed that appearances by the usually strong Kristen Schaal and Kathy Bates’s were essentially wasted.

Unless you’re a member of the Melissa McCarthy fan club and you thought Tammy was a decent film, take a pass on The Boss.

McCarthy’s got talent and charm and she can make you laugh until you cry. But those big laughs and tears will have to wait for another Melissa McCarthy movie.

 

 

 

Tammy

 

Melissa McCarthy is funny. She was hilarious in 2011’s Bridesmaids and in last year’s The Heat. And she brings some laughs in Tammy.

But this movie doesn’t fly. It falls short in the hilarity department. It lacks memorable scenes. And, sadly, McCarthy’s act becomes tiring.

Also, this is another comedy that reveals some of its best stuff in the trailer. (Nonetheless, the trailer is posted above.)

Essentially a road trip movie with Tammy and her grandma Pearl (Susan Sarandon), Tammy is blessed with a talented cast. Tammy’s mom Deb (Allison Janney), her dad Don (Dan Aykroyd), Pearl’s cousin Lenore (Kathy Bates), Lenore’s partner Susanne (Sandra Oh), Pearl’s hookup Earl (Gary Cole) comprise a strong crew. Toni Collette plays a mostly silent woman who shacks up with Tammy’s husband (Nat Faxon).

When Tammy catches her husband cheating (after her car hits a deer and she gets fired from her job), she escapes with Pearl on their adventure. After they end up in jail, Pearl uses her remaining cash to bail out Tammy. Tammy then robs a fast food joint to then bail out Pearl.

The robbery is slightly funny. It tries to be one of those “spontaneous” bits with some ad-libs—like the one McCarthy had in 2012’s This Is 40—but it doesn’t quite score a knockout.

McCarthy co-wrote the script with her husband Ben Falcone, who directed. Falcone (who played the air marshall in Bridesmaids) also plays the boss who fires her early in the movie.

Tammy is the kind of movie to watch on cable or Netflix sometime next year. You’ll be somewhat amused but not overwhelmed.

 

 

 

Bad Words

Bad Words is one of those funny little movies that is definitely not for everyone. It has a ridiculous concept, an obnoxious lead character and a charming kid.

Guy Trilby (Jason Bateman) is a 40-year-old proofreader with an encyclopedic knowledge of words. He finds a loophole in the rules and enters a spelling bee in Columbus, Ohio, which he wins. He moves on to the national finals where the story picks up steam.

On the plane ride to LA, Guy meets and immediately disses a young boy of Indian descent (Rohan Chand) who ignores the putdowns and maintains his upbeat attitude.

Dr. Bernice Deagan (Allison Janney) runs the spelling bee. She is just as upset at Guy’s participation as are the parents of the kids in the bee. Dr. Bowman (the 82-year-old Philip Baker Hall) is the emeritus leader of the bee. He co-hosts the national telecast of the finals with Pete Fowler (Ben Falcone).

Jenny (Kathryn Hahn) is Guy’s sponsor and occasional lover. She has an online news outlet for which she is covering him and his wacky mission. She works to discover his reasons for crashing this party to which he is not welcome.

Other than his talent for spelling, Guy has no obvious redeeming social values. He is an absolute dick. He is rude to everyone: the kids, their parents, Jenny, the hotel staff, etc.

Eventually Guy becomes a friend to the young boy with the perky spirit. He takes him out for a night of totally inappropriate debauchery. Is sabotage his ulterior motive?

Bad Words delivers a few big laughs and several chuckles. Guy’s bad behavior, especially the terrible things he says to people, is often shockingly impolite. An actor less likeable than Jason Bateman would offend greatly. Guy is a total jerk but because it’s Bateman in the role, audiences are more likely to cut him a break.

Bad Words is Bateman’s competent debut as a director. The script is by rookie Andrew Dodge.

Viewers who appreciate its outrageous story and its mean-spirited humor have already championed this film. There are critic blurbs galore. But Bad Words is a movie with a central character who is hard to embrace and cheer for. That, for me, makes this movie hard to like. See Bad Words at your own risk.

Enough Said

Here is an excellent movie for grownups. Two extremely likeable characters fall in love in a movie that has a message for all couples.

Eva (Julia Louis-Dreyfus) is a divorced woman who goes to a party at the urging of her unhappily married friend Sarah (Toni Collette). At the party, Eva meets Albert (James Gandolfini), a divorced man. Eva also meets Marianne (Catherine Keener) who becomes a massage client and, in short order, a friend and confidante.

Albert and Eva go out on a date. Neither expects anything special, but they enjoy each other’s company and soon are sleeping over. They have one big thing in common: both have daughters who are about to finish high school and go away to college. This circumstance requires that they interact with their exes.

The message for couples in Enough Said is not to let little things become deal breakers. Those of us who’ve been married for a while know that both partners have to tolerate their mates’ imperfections. For instance, dirty underwear left on the bedroom floor may be an annoyance but not grounds for divorce. On the other hand, when one partner is aware of his/her annoying behavior and makes zero effort to change, that can be a problem.

Eva has scenes with Sarah and her husband Will (Ben Falcone). They nitpick and bicker but manage to stay together.

Julia Louis-Dreyfus is totally charming as Eva. She frequently flashes the great smile that her often snarky Elaine (on Seinfeld) shared minimally or, often, sarcastically.

James Gandolfini is just a big, sweet teddy bear as Albert. I had a melancholy feeling watching Enough Said because I knew that it was one of his last roles before his sudden death last June. His performances during the past year in Zero Dark Thirty, Not Fade Away and The Incredible Burt Wonderstone showed promise of a hugely successful post-Sopranos film career. Sadly, that will not happen.

Let me offer a huge hat tip to the woman who wrote and directed Enough Said, Nicole Holofcener. Her dialogue is clever, funny and believable. Her directing is efficient and never overbearing. Honestly, the only thing I dislike about Enough Said is its rather generic title.

If you’re looking for a movie for grownups without violence and peril, escape to the movie house to check out Enough Said.