The Good Dinosaur

 

Pixar’s winning streak continues! The Good Dinosaur is loaded with cute. It will make kids happy and parents can love it, too.

TGD asks: “What if the asteroids that many claim decimated the earth’s dino population millions of year ago… had missed?” Dinosaurs would have co-existed with early man.

The plant-eating dinosaur family in the story features parents voiced by Jeffrey Wright and Frances McDormand. Of their three offspring, Arlo (Raymond Ochoa) is the runt of the litter. He’s the movie’s central character.

Arlo catches a “critter” in the family’s silo, rustling food. The critter is a small human boy. Arlo and the boy fall into the river and are swept away on a journey of adventure. They face a variety of challenges and peril, including from other animals, as they struggle to return home.

One ally they meet is a dino voiced by Sam Elliott who tells the pair a story about how he got a scar on his face from a battle with crocodiles.

Peter Sohn, who has been a part of the Pixar team for several movies, is the director. This is his first time directing a feature.

The landscapes of an unspoiled world where the story takes place recall parts of the western U.S. The thrilling soundtrack stirs memories of The Magnificent Seven theme and certain Aaron Copland compositions. The old cinematic trick of making pretty pictures with fireflies (as seen in Fantasia and Avatar) is employed beautifully here.

The Good Dinosaur lacks the adult appeal of last summer’s Pixar hit Inside Out. But for adults bringing kids and grandkids, TGD is solid entertainment that you will not find tedious.

The Pixar short that precedes TGD is a trippy thing involving, interestingly, Eastern religion—not the normal subject matter for animated entertainment.

 

 

Guardians Of The Galaxy

 

Guardians of the Galaxy is a big ol’ chunk of sci-fi fantasy fun. Because of its characters, the film resembles a cartoon. But it’s all live action, with some help from computer-generated images. St. Louis native James Gunn directed and co-wrote the script.

Earthling Peter Quill (Chris Pratt) AKA Star-Lord is a child of the 80’s who grooves on music from the 70’s. (Come And Get Your Love by Redbone is the film’s opening theme.) He’s the quasi-leader of this motley crew, similar to Han Solo, but with more flaws and funnier.

Rocket Raccoon is a CGI figure that could pass for real. He’s voiced by Bradley Cooper and has a sardonic smart-ass attitude and several good laugh lines.

Another CGI guy is Groot, voiced by Vin Diesel. Groot—who resembles a big tree—is not particularly graceful but he gets to play a vital role as the 5 guardians try to save the galaxy.

Rounding out the team are Gamora (Zoe Saldana), an alien assassin with bad attitude and Drax (Dave Bautista). You saw Saldana as a blue character in Avatar; here she’s green. Drax is an enormous hulk of a creature with a violent streak.

The film’s plot centers around a mysterious orb that Quill has stolen. Bad guy Ronan (Lee Pace) and his henchmen and women want it back.

The story is not why you want to see GOTG. You want to meet and enjoy these characters, especially Quill. This role appears to be a star-making turn for Chris Pratt. (He also was a key player in another of the year’s better films, The Lego Movie. He voiced lead character Emmet Brickowski.)

Another reason to embrace Guardians of the Galaxy is its cool oldies soundtrack. From Go All The Way by Raspberries to It Takes Two by Marvin Gaye and Tammi Terrell. Good stuff!

Is GOTG suitable for younger kids? It’s rated PG-13, so this is where moms and dads will have to exercise real parental guidance. Today’s 8 and 10 year olds may have been exposed to more violent images than Millenials born just a few years earlier, so recommending a minimum age is dicey. But the content has huge kid appeal.

Presuming that your age is well into double digits, I have no qualms about recommending Guardians of the Galaxy to everyone. Big fun!

 

 

 

 

Life of Pi

“”Life of Pi” is visually stunning and tells an incredible story. But it is not the next “Avatar.”

Director Ang Lee shares many gorgeous images in this movie. From the opening credits with animals galore, to the blendings of sea and sky, to the amazing enchanted island, to the luminous fish—shot after shot is memorable. And the story is pretty good, too.

A clever young man in India shortens his embarrassing first name to “Pi.” He covers his bases with God. He’s a Christian, a Muslim and a Hindu. His family, which owns a zoo, moves to Canada, traveling with their menagerie via freighter. A monster wave sinks the ship and Pi finds himself in a lifeboat with four zoo animals: a zebra, a hyena, an orangutan and a fearsome tiger. The story is related to a writer by an adult Pi, so we know from the outset that he survived the ordeal.

Most of the movie is set at sea, in and around the lifeboat. The survival instincts of this teenager, along with guidance from a book found in the lifeboat, keep him going through numerous frightening episodes. His “relationship” with the tiger fuels the story’s progress to its conclusion.

Suraj Sharma is the Indian actor who portrays the teenage Pi. His performance is a good one for a movie rookie who is charged with carrying the bulk of the movie’s story. Like Tom Hanks in “Cast Away,” he is the only human on screen for most of the movie.

This is a movie to see in 3-D on a big screen. It is, as they say, “a feast for the eyes.” There is peril and a few scenes that frighten, but “Life of Pi” (rated PG) will thrill kids just as much as it does adult viewers.

Early marketing for “Life of Pi” contained a critic quote that compared it to “Avatar.” Both are pretty to look at and both have compelling stories, but “Life of Pi” doesn’t have the heft of “Avatar.” Enjoy “Life of Pi” for what it is… a solidly entertaining movie. A classic? That’s still to be determined.

John Carter—\Meh\

Disney spent a ridiculous amount of money on the production and marketing of “John Carter.” Sorry to respond with general indifference. This movie is not horrible, but it reeks of ordinariness.

The things I like about “John Carter”:

  1. The flying machines. Their “steampunk” era design fascinated me. They don’t look like they would be airworthy, but they do look really cool.
  2. The domestic pet creatures on Barsoom (Mars). They have faces and bodies like Jabba the Hutt, but they are extremely fast. They act like dogs, even if they don’t look quite like them.
  3. The language difficulties that result in John Carter repeatedly being called “Virginia.” (Silly, but mildly amusing.)

Things I do not like about “John Carter”:

  1. A lack of charisma by the title character. I had a hard time really caring about him. Not that Taylor Kitsch is a bad actor, but the engagement was not there.
  2. The creatures on Barsoom that are a cross between the Na’vi in “Avatar” and JarJar Binks. The best word to describe them is “derivative.”
  3. A setting and CGI effects that repeatedly make me think of the three recent “Star Wars” movies (Episodes I, II and III).
  4. Lynn Collins as Dejah Thoris as the movie’s designated “babe” is gorgeous, but brings nothing new to the table.
  5. 3-D. Yes, there are a handful of scenes that are enhanced by 3-D, but overall it’s not necessary. (Except to add to box office figures.)

For a movie that had such a huge budget, one would expect something special. For a movie that Disney apparently wants to turn into a franchise, one would expect something mind-blowing.

Expectations are not met with “John Carter.”