Fantastic Four

 

Sorry, but Fantastic Four is hokey and actually a bit boring. It’s an origin story, telling the world how the Fantastic Four came to be.

Some of the scenes and even some of the effects reminded me of low-budget mid-century sci-fi, the kind often lampooned by Mystery Science Theater 3000. The script is workmanlike, advancing the thin story, but gives the cast few chances to shine.

The beginning of the film shows promise. The setup is good, beginning with grade school and high school versions of Reed (Miles Teller) and Ben (Jamie Bell) leading to their being recruited by Dr. Franklin Storm (Reg E. Cathey) to work with his kids Johnny (Michael B. Jordan) and Sue (Kate Mara) at Baxter on teleportation projects.

Convincing Victor Von Doom (Toby Kebbell) to cross over from his dark side and join the team is a dicey move.

By teleporting themselves to an alternate universe, the team members undergo the physical changes that make them the superheroes they become. Teleportation issues and confrontations with Doom form much of the (yawn) latter part of the film.

Hardcore fans of the Marvel Cinematic Universe will feel an obligation to see Fantastic Four, out of a sense of loyalty and duty. And to see if it is, indeed, as disappointing as was predicted and is now revealed to be.

Those of us who are not Marvel fanboys but enjoy a good Marvel film may want to stick with Ant-Man and Avengers: Age of Ultron for 2015 viewing pleasure.

(Sidebar note: Reg E. Cathey has an incredible deep voice. He might want to shoot for some of the voiceover work that currently goes to Morgan Freeman by default.)

 

 

 

Ant-Man

Another Marvel Comics character comes to life in Ant-Man and has apparently birthed a new movie franchise.

Paul Rudd is a pretty boy actor from rom-coms and buddy movies—not your typical action hero. Rudd plays Scott Lang, just sprung from San Quentin where he did time for burglary.

When he can’t keep a job at Baskin-Robbins because of his felon past, his friend Luis (Michael Pena) guides him to a break-in gig. It turns out to have been a setup, arranged by Hank Pym (Michael Douglas). When Pym sees that Scott is crafty enough to have busted into his safe, he drafts Scott to put the technology he developed into play and become Ant-Man.

With a press of one button he becomes ant size, with the press of another, he returns to full size. Ant-Man has a mission: to derail the work being done by Pym’s successor, Darren Cross (Corey Stoll). Pym developed the tech that made Ant-Man work. Now Cross is working to perfect his version of that tech to deliver a similar shrinking man he calls Yellowjacket, which he promises would allow its owner to control the world.

Hope Van Dyne (Evangeline Lilly) is Pym’s daughter who continues to work with Cross. As the film begins, it’s not exactly clear whose side she’s on, but it soon becomes clear that she’s daddy’s girl. Her sparring with Scott creates some low boil sexual tension.

Ant-Man takes its time getting to the real action while Scott’s family situation is examined. He’s a divorced dad who wants to see his young daughter Cassie (Abby Ryder Fortson). His ex-wife Maggie (Judy Greer) and her boyfriend Jim (Bobby Cannavale) want him to stay away until he becomes solvent.

When Scott begins training as Ant-Man, the fun begins. He learns to run and leap through keyholes, timing his shrink/expand buttons to allow smooth passage. The film’s climax takes place in and around the lab that produced the technology and at the home where daughter Cassie lives.

Ant-Man is a fun film, thanks to script revisions by Adam McKay and Rudd. Ant-Man is notably lighter, less serious than your typical Marvel film. A highlight is a brief encounter with another character from the Marvel universe. Ant-Man is directed by Peyton Reed.

(FYI, Should a shot or two in Ant-Man trigger a memory of the 1989 film Honey I Shrunk The Kids, take note that Ant-Man first appeared in Marvel comic books in 1962.)