Zootopia

Zootopia looks great and has spectacular voice work, but it lacks the magic that would elevate it to the top rung of Disney animation work. Zootopia’s plot exposition and message causes it to fall short in the pure fun and laughter departments. But don’t let those slight qualms stop you from seeing it.

Judy Hopps (Gennifer Goodwin) is a bunny whose farmer parents (Bonnie Hunt and Don Lake) encourage her to set her personal ambition bar low and settle. Judy, however, wants to move to the city of Zootopia and join the police force.

Zootopia looks like a cross between Shanghai and the Capitol in The Hunger Games. This fauna universe is divided into zones that include a rain forest, a desert and a wintry world, as well as the downtown area. It’s a city where all the animals coexist peacefully because the predators have somehow mellowed out.

After Judy becomes an officer, her boss Chief Bogo (Idris Elba) limits her work to issuing parking citations. She does her best, writing hundreds of tickets each day. On the street, she encounters a nemesis, soon to become an ally, Nick Wilde (Jason Bateman), a fox.

Zootopia has two main messages. #1. Don’t get in a hurry when you visit the license office—especially in Zootopia where the DMV is staffed by sloths. (See trailer at top of this post.) #2. You can overcome stereotypes and be who you want to be. Judy, a bunny, is typically too small to be a cop. And Nick, a fox, turns to a life of deception because, well, foxes are scheming hustlers.

The film’s story centers around a group of predators who have reverted to their violent ways and are being caged on the edge of town. What’s causing them to go back to their instinctive states? Judy goes to work to solve the mystery and Nick pitches in.

Since this animal world is a metaphor for our human society, I wonder who the suddenly-wild-and-dangerous-again predators are supposed to represent. I don’t dare speculate here for fear of offending a particular race or ethnic group.

A few more of the talented voice cast members who populate Zootopia are Tommy Chong, J.K. Simmons, Jenny Slate, Alan Tudyk, Octavia Spencer and, as a singing Gazelle called Gazelle, Shakira.

Zootopia, like the best animation efforts of the past few decades, has fun stuff for adults as well as kids. I suggest you view the film as a light amusement and don’t worry about messages or metaphors. Zootopia is not an all-time great, but it’s pretty good!

 

 

 

 

 

 

Trumbo

Trumbo is one of 2015’s best films. Its amazing story, its serious message and its sense of humor make it a “must see” for lovers of movies and movie history.

Dalton Trumbo (Bryan Cranston) was a real-life screenwriter who wrote scripts for numerous hit movies. He was also a Communist. Along with like-minded members of the movie community such as actor Edward G. Robinson (Michael Stuhlberg) and writers Arlen Hurd (Louis CK) and Ian McLellan Hunter (Alan Tudyk), Trumbo went up against right-wingers like John Wayne (David James Elliott) and gossip queen Hedda Hopper (Helen Mirren) in Hollywood.

In one of the film’s memorable scenes, Hurd questions Trumbo about an apparent contradiction: he earns riches and enjoys the fruits of his labors while supporting the socialist philosophy of Communism. Another favorite scene features a confrontation between Trumbo and Wayne, in which Trumbo asks Wayne to let him remove his glasses first in case the Duke plans to punch him.

After World War II, Trumbo and other Hollywood figures are summoned to testify before Congress. Trumbo is held in contempt and incarcerated. Upon his return to L.A., because he is blacklisted, he has to work under assumed names. Much of that work is on “B-movies” for Frank King (John Goodman). Another favorite scene has King grabbing a baseball bat and menacing a right-winger who threatens to lead a boycott of King’s movies. Trumbo’s script for Roman Holiday (written under an alias) earned a screenwriting Oscar.

With love and support from his family, including wife Cleo (Diane Lane) and daughter Niki (Elle Fanning), Trumbo gradually edges back into the mainstream. Courageously, actor Kirk Douglas (Dean O’Gorman) and director Otto Preminger (Christian Berkel) step up and hire Trumbo to script Spartacus.

Trumbo deals with a serious topic but has many good laughs. Cranston plays the role with sincerity but a bit of bemusement at the way his career careens. The director is Jay Roach who directed the hilarious Austin Powers and Fockers movies.The script is by John McNamara.

Trumbo concludes with a heartfelt speech at an awards ceremony that allows Dalton Trumbo to say how he feels about what happened to him. In postwar America, just three decades after Russia’s revolution, there was serious concern about the threat of Communism. It is easy to look back now and see how the response to Trumbo’s activism was an gross overreaction.

Wreck-It Ralph

“Wreck-It Ralph” is big fun for gamers of all ages. Gen-Xers, Gen-Y, boomers & little kids will find much to love in this Pixar-like animated feature.

Ralph, voiced by John C. Reilly, is the guy who wrecks things in an arcade game called Fix-It Felix. After 30 years, he’s tired of being the bad guy. Felix, voiced by Jack McBrayer, is the one who gets all the love and, at the end of each successful play of the game, a medal.

Ralph wants a medal and seeks one in a neighboring game in the arcade called Hero’s Duty where he encounters Calhoun, a violent babe with a killer bod, voiced by Jane Lynch. Once he gets the medal he escapes to another game called Sugar Rush, where he meets up with an extremely cute kid, Vanellope, voiced by Sarah Silverman. This is where the film’s plot really takes off.

“Wreck-It Ralph” is inspired by and has references to most of the great video games of the last three decades. Some of the film’s elements call to mind “Monsters, Inc.” Ralph is similar to Sully from that 2001 Pixar classic. Vanellope is not unlike any the three “Powerpuff Girls,” a Cartoon Network hit series from a decade or so ago.

“Wreck-It Ralph” is almost a Pixar film. It looks like a Pixar film. Executive producer is Pixar’s John Lasseter. There’s a memorable short cartoon before the movie. The credits mention help from the “Pixar brain trust.” And, as with Pixar films, the credits contain a list of “production babies.” Really, the only thing that keeps it from being a Pixar film is the absence of the bouncing desk lamp.

As with most Pixar films, the performances of the voice actors are uniformly excellent. The four mentioned previously, along with Alan Tudyk as King Candy, form one of the best voice ensembles in recent memory.

Among my favorite visual jokes in the film: the cops in Sugar Rush (a world populated by sweet treats) are doughnuts.

“Wreck-It Ralph” is both nostalgic and fresh, at the same time. It gets the high score for this weekend.