Truth

Truth is one version of the truth. The story comes via CBS producer Mary Mapes (Cate Blanchett) who was fired in 2004 for her role in a Sixty Minutes report that the network later admitted was inaccurate. The incident also took down longtime CBS anchorman Dan Rather (Robert Redford).

The film has a message for all journalists: Even if you have a great story, even if the story is true, you must do a good job of confirming your facts.

Did George W. Bush skip out on his Air National Guard duties in the early 70s? Mapes had information that he did. In Truth, she and her team (including Topher Grace, Dennis Quaid and Elisabeth Moss) work to find people who will go on the record about Bush’s alleged malfeasance.

When retired Lieutenant Colonel Bill Burkett (a sickly looking Stacy Keach) produces memos from back-in-the-day and another military man confirms their validity in a phone call, Mapes and Rather decide the story is ready for air.

In short order there are accusations that the memos are not legit. First, it is right wing bloggers who challenge them. Later, ABC News expresses doubts that they are authentic.

The CBS eye blinks at the rancor and Dan Rather issues an on-air apology for having aired the story. After a CBS internal investigation, Mapes is canned and Rather is allowed to resign.

Cate Blanchett’s Mapes is a conflicted woman. She wants to defend her team’s story, despite the holes in the reporting. Yet she also wants to keep her job. She is passionate when chasing the story and angry when the story implodes. Redford delivers a robust performance and captures Rather’s TV charisma. (After his lackluster work in A Walk In The Woods, it is nice to see Redford back on his game.)

But there is a major deceit in Truth. It is implied that Mapes and Rather had no political motive in airing the story. If you believe that they were not looking to knock the incumbent down a notch just two months before the 2004 election, I can get you a great deal on the Poplar Street Bridge.

The cozy relationship between CBS parent Viacom and government gets called out in an impassioned speech by Grace’s character. It is not news that the feds have regulated the airwaves since the beginning of commercial broadcasting. The speech purports to shed light but comes off as sour grapes from a person about to be escorted from the building.

Truth is a well-made bit of storytelling and an entertaining chronicle of how NOT to do journalism. Any good reporter knows that a film that names itself Truth must be viewed with a healthy dose of skepticism. The fact that the production company for Truth is Mythology Entertainment (true) is only appropriate.

Everest

Everest is big. Appropriately so. It’s a big story with a big cast of characters and, of course, a big mountain. The biggest mountain, actually. The film is best viewed on a big screen.

In 1996, Rob Hall (Jason Clarke) and Scott Fischer (Jake Gyllenhaal) led expeditions to Mount Everest. Other groups were also at base camp, all set to make a final ascent on May 10. Everest shows Hall to be a conscientious, detail-oriented leader, a “hand holder” as Fischer calls him. Fischer is a more casual leader with his climbers.

Among those in Hall’s group are Beck Weathers (Josh Brolin), a big, boisterous Texan; Doug Hansen (John Hawkes), a mailman of more modest means than most climbers; Yasuko Namba (Naoko Mori), a quiet Japanese woman; and Jon Krakauer (Michael Kelly), a journalist who plans to do a cover story on the trek for Outside magazine.

Emily Watson and Elizabeth Debicki are Hall’s base camp support team. Hall’s pregnant wife Jan (Kiera Knightley), who had climbed Everest with him in ‘93, is at home in New Zealand where she communicates with him by phone. Robin Wright plays Weathers’ wife, back home in Texas.

If you are unfamiliar with the story you may want to avoid plot synopses and remain unaware of the challenges the climbers encountered on May 10, 1996.

Though the story of the May 1996 expedition to Everest has been told before, most notably in Krakauer’s book Into Thin Air, this new movie provides thrilling visuals and recreates the real-life peril of an Everest climb. Director Baltasar Kormakur brings the tale to life with realistic location shots in hazardous weather conditions. The cast and crew are to be congratulated for what one would presume to have been a tough shoot.

For those who have read Krakauer’s book (which I, incidentally, consider to be the best non-fiction book I’ve ever read), there are slight differences in the story told in the film. Most significantly, the logjam that occurs at the Hillary Step just below the summit plays a bigger role in the book than in the movie.

Last year’s Wild has led to more traffic on the Pacific Crest Trail this year and the recent A Walk In The Woods is expected to send more hikers to the Appalachian Trail in 2016. Will Everest result in even more climbers attempting to ascend to the top of the world? Probably, even though the danger of an Everest climb far outweighs than that of a trail hike. The difficulties chronicled in Everest will, for many, likely be outweighed by the lust for adventure and the glory of reaching the summit.

If you prefer to experience an Everest climb vicariously (as do I) and enjoy a good story about people who climb, the best way is to see Everest. And remember, this is one to see on a big movie screen.