The movie Mercy moves fast. As it must. 

In Mercy court in a lawless near future Los Angeles, a defendant—who is presumed guilty—has 90 minutes to prove his/her innocence before an AI judge. Failure to do so results in swift execution. 

Alcoholic LA policeman Chris Raven (Chris Pratt), an early supporter of the Mercy court system, is accused of murdering his wife. Circumstantial evidence makes it look like he did it.

Ah, but in this scenario, he has access to multiple digital platforms as the courtroom clock counts down. 

As in a couple of current TV shows, High Potential and Tracker, the access to cell phone data, CCTV footage, emails, financial transactions, criminal records, etc. is quicker and easier than in real life. In Mercy, from his well-connected courtroom, Raven is able to get that digital info at lightning speed.

How realistic or even imaginable is all that? Not very. But when you consider that twenty years ago iPhones didn’t exist and in a few weeks you will be able to watch this movie on your iPhone, what the near future holds… well, who knows? 

Judge Maddox (Rebecca Ferguson) is the AI judge. Like some of our real life AI, she doesn’t handle nuance well. 

Jaq Diallo (Kali Reis) is Raven’s LAPD partner who provides a link to his investigation in the real world. (Reis co-starred with Jodie Foster in that Alaska-based season of True Detective.)

While the main part of Mercy is set in the Mercy courtroom, the videos and phone calls and surveillance footage take the story into the outside world. And, yes, there is even that classic element of thriller films… a chase scene on LA’s freeways!

The main virtue of the film Mercy is its breakneck pace. Nary a slow moment. And like Chris Raven’s trial, it’s over and done in just over ninety minutes. Also, Chris Pratt is a likable actor. So he’s a good choice for this lead role.

Mercy is a juicy chunk of escapism. Directed by Timur Bekmanbetov. Written by Marco van Belle. Rated PG-13.