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The Words

A  good story told well and a memorable performance by Jeremy Irons make “The Words” a movie I recommend.

This is a story of plagiarism. It’s the story of the person who copied the words, the person whose words were copied and the person who shares the story with the world.

When Mike Brewer borrowed my freshman English term paper about a Nathaniel Hawthorne short story (“I just want to see how you did it, Dave”) and then copied it word for word, I was upset. But I got over it. When, in “The Words,” a misplaced manuscript becomes a best seller, the results have significant, long-term ramifications.

The stories in “The Words” are of three men played by Dennis Quaid, Bradley Cooper and Jeremy Irons and how the words they write affects them. Three women played by Olivia Wilde, Zoe Saldana and Nora Arnezeder are also affected by those words.

Among the talented cast, Irons is especially effective as a grizzled old man who looks older than 64 (Irons’ age). Irons’ deliberate, low key recounting of things he lost in his younger days produces a performance that’s sure to nab award nominations. His voice—one of the most compelling this side of Morgan Freeman—is one that commands our rapt attention.

Brian Klugman and Lee Sternthal co-wrote and co-directed “The Words.” They’ve assembled a movie that unfolds its story in a clever manner and gives a bit of depth to its three lead male characters. “The Words” is not a perfect movie, but it entertains nicely and has a structure that keeps the moviegoer involved throughout. Really, go see it.

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