Wicked

Wicked… there’s a lot to like here!

Ariana Grande. She’s cute, she’s funny, she can sing and dance and now she’s blonde. She lights up the screen in her role as Galinda in the new film Wicked. She’s made great music and music videos for years. Done some cool things on SNL. And now she gets her big star turn in this big movie and she nails it.

Also delivering a killer performance is Cynthia Erivo in the title role. She’s Elphaba and as Kermit proclaimed decades ago, it’s not easy being green. Hers is the less likable role but she’s the necessary spice to make the movie fly. She and Galinda are roomies at Shiz University and their many contrasts are the crux of the narrative.

Erivo, too, can sing a bit. Her excellent rendition of the song Defying Gravity puts a capper on the film’s proceedings in Emerald City and sets up the next act of the Wicked story. Part 2 comes next November after a yearlong intermission.

Michelle Yeoh as Madame Morrible is another highlight. She’s the one who instructs Elfaba in sorcery. Hers is a role that she handles with a cool, understated delivery. 

Jeff Goldblum as the Wizard is, well, he’s Jeff Goldblum with his trademark mid-sentence pauses and his often bemused expressions. 

Many of the film’s dance numbers are stunning. With dozens of dancers and more space and depth than a theater stage allows, Wicked matches many of the best dance sequences you’ve ever seen on film. The dance bit in the library with its clever cylindrical bookshelves is classic.

One scene with Elphaba singing while running appears to be an homage to a classic movie musical scene from the 1960s. IYKYK, as they say.

Great to see and hear Kristin Chenowith and Idina Menzel, the women who starred as Galinda and Elphaba in the original Broadway production, get a bit more than a momentary cameo in the film. They show up when the new Elphaba and Galinda travel to the Emerald City.

Other cast members worth a mention: Jonathan Bailey as hunky romantic interest Fiyero, Marissa Bode as Elphaba’s sister Nessarose, SNL’s Bowen Yang as Pfannee and Peter Dinklage as the voice of the goat Professor Dillamond. 

A few questions that need to be answered:

Is the film too long? No. It clocks in at two hours and forty minutes. But there’s a lot of stuff going on here! Could it have been more tightly edited? Maybe, but you can say that about most any long movie. (Would Titanic have been better as a two-hour movie instead of a three-hour film?)

Does one need to have seen Wicked on stage to appreciate the movie? Absolutely not. You may want to sample some of the show’s songs on Spotify or Youtube before you go to the theater. But it’s also possible that you’ll be humming a song like the catchy tune Popular afterward even if you’ve never heard it before.

Is Wicked too much of a girlie movie for a guy to enjoy it? There’s no denying its female appeal but Wicked is a fun movie that a male can dig as well and still hang on to his man card.

When will Wicked be available to stream? Not soon. The guess here is that Wicked fandom will generate multiple repeat viewings of the film on the big screen, delaying its appearance until deep into 2025. (Unless Universal gets desperate for a Peacock subscriber bump.)

Is Wicked okay for little kids? Ah, that’s where the parental guidance comes into play! There are a couple of intense bits that may be rough for the youngest.

As for awards, expect several for costuming, art direction and other tech categories. Director John Chu is likely to receive serious consideration for his vision and guidance.

The decision was made months ago to slot Cynthia Erivo in the Best Actress category and Ariana Grande in the Best Supporting Actress category. The guess here is that Grande is more of a sure bet for a nomination. (FWIW, she goes by Ariana Grande-Butera in the closing credits.)

Sometimes a film comes with huge hype and huge expectations and falls short. The tedious Deadpool and Wolverine movie last summer, for instance. Wicked lives up to its expectations and it delivers… with a big wallop!

Oz the Great and Powerful

Oz the Great and Powerful is a stroke of genius. The movie and its entry into the entertainment marketplace are beautifully conceived.

Congrats to director Sam Raimi for assembling a movie that pays respectful homage to the 74-year-old classic The Wizard of Oz, without infringing on its copyright. Oz the Great and Powerful is pure escapism for young and old alike.

Congrats to Disney for producing a film that will generate sequels, theme park rides, video games and much more. Disney stock, trading near all-time highs recently, may soar to greater heights in the wake of Oz’s release.

Wicked has sparked new interest in the Oz saga during its 8 year run on Broadway (and via road companies in the US and abroad). But a Wicked movie won’t come until 2014 at the earliest. So Oz the Great and Powerful gets to reap all the Oz love for now.

From its seemingly low-tech black and white opening credits to its similar color closing credits, Oz the Great and Powerful brings one delightful element after another to the screen. Many scenes, characters and costumes seem fresh and new, filled with color and creativity.

But, on closer inspection, we note the similarities to The Wizard of Oz. The movie begins in black-and-white and transitions to color after a tornado. Characters from the “real life” part of the movie appear in the fantasy part, though in different guises. There are witches (good and bad), munchkins, even flying monkeys. (You’ll love flying monkey Finley, voiced by Zach Braff.)

James Franco, it turns out, was a terrific choice to play Oz. The character refuses to take himself too seriously until circumstances demand that he shoulder some responsibility. Franco is obviously having fun with the role.

The witches are portrayed with wholesome sexiness—nothing sleazy, but certainly some eye candy for the guys. Mila Kunis shows up in black leather pants, wearing an outrageous red hat with an enormous brim. Her sister witch is Rachel Weisz whose claw-like black and white manicure gives a clue to her disposition. Michelle Williams looks positively angelic in white.

The film’s climax reprises yet another bit that we’ve enjoyed since 1939 in that other Oz movie. It may seem that I’m regarding OTGAP almost as a remake when I mention that the two main things that are missing from the original The Wizard of Oz are Dorothy and classic songs. (Speaking of derivative, a couple of the witchy catfights may make you think of Harry Potter versus Valdemort faceoffs.)

Despite its just-a-bit-too-long runtime of 2:10, Oz the Great and Powerful maintains a good pace and loses its energy only a time or two. Don’t wait for the DVD or Netflix. This is a film to see in the theater, in 3-D, on the biggest screen you can find. Don’t miss it!