Her

How many movies have given us artificial intelligence entities (computers, robots, machines) taking on human characteristics, including emotions? Way too many to mention.

Such a fantasy may have been fueled in the past couple of decades by voices that give GPS directions, function as Apple’s Siri and check us out at the grocer’s. (I prefer checking out in Spanish because el hombre sounds friendlier than the woman who guides us in English.)

In Her, filmmaker Spike Jonze, most famous for 1999’s Being John Malkovich, takes the fantasy even further. Set in the near future, hopeless romantic Theodore Twombly (Joaquin Phoenix) falls in love with his computer operating system, Samantha (voiced by Scarlett Johansson, who is never seen in the movie). “You seem like a person but you’re just a voice in a computer,” he says.

Phoenix shows his acting range by following up his powerfully crazed performance in The Master by playing this nerdy writer of love letters. That’s his job: low-tech work in a high-tech world—he writes letters for people who have outsourced this personal task. (By the way, the URL of his fictional company, beautifulhandwrittenletters.com, appears to be non-functional in our real world if you want to claim it.)

Theodore is heartbroken when he meets (or installs) Samantha because he is in the midst of a divorce from childhood sweetheart Catherine (Rooney Mara). He has a platonic female friend Amy (Amy Adams, looking pale, wearing minimal makeup) with whom he shares some of his woes.

His relationship with Samantha goes through many of the stages and episodes that real life relationships have: sharing of personal details, sex (virtual), the honeymoon period, trips to the beach, double dates, jealousy and disappointment.

Because several scenes in the film consist of conversations between Theodore and Samantha, the film is often visually tedious. On the other hand, the vision of Los Angeles created by Jonze is amazing to see: clean and modern with shiny high rise buildings and a dazzling public rail system that takes Theodore everywhere, even to the beach. (Some exterior scenes were shot in Shanghai.) Also, for some reason, the film’s costume designer has put all the men in pants with no belts.

Her is not for everyone. Its weirdness, coupled with its slow pace, may turn some moviegoers off. But adventurous movie lovers should give it a shot. Joaquin Phoenix’s performance is worth seeing and Scarlet Johansson’s is worth hearing. You might like the cool soundtrack by Arcade Fire.

Her is clever and creative and will receive more nominations and awards. It is certainly not your run-of-the-mill romantic comedy/drama.

Skyfall

“Skyfall” is the best of the James Bond movies starring Daniel Craig and one of the better Bond films of the entire 50-year series. The action, the locations and the characters are engaging from the first frame to the last.

It starts with an incredible chase scene that involves motorbikes on Istanbul rooftops and hand-to-hand combat atop a moving train. Bond is trying to grab a computer drive that contains the identities of several agents who have infiltrated terrorist gangs. He fails.

He goes to Shanghai—which looks gorgeous in an establishing shot—to get the drive and gets into more hand-to-hand combat. In a stylistic shot from director Sam Mendes, part of the battle is fought in the upper stories of a high rise, in silhouette against the night sky.

Next on the Bond “Skyfall” tour is Macau, in coastal China, near Hong Kong. Here he meets a mysterious woman who takes him to meet Raoul Silver, played with panache by a blonde-haired Javier Bardim. Silver may be the first gay Bond villain. Turns out he’s a former British agent who was captured by the Chinese and has now become a cyber terrorist.

Bond returns Silva to London but, dang it, he escapes and more bad things happen. Bond retreats to his boyhood home in Scotland. He purposely leaves a trail to lure Silva for their ultimate face off.

Among the film’s other characters and actors: The great Judi Dench as M; a new Q, a young geek of a guy, played by Ben Whishaw; Albert Finney as the gamekeeper of the Scottish estate; Ralph Fiennes as a British government official with authority over the spy agency.

There are a couple of nods to the Bond of days gone by, including the use of a classic sports car with special weaponry. And, Miss Moneypenny is back. And while we don’t hear Bond proscribe his preferred technique, we do hear him tell the bartender, “Perfect,” when his drink is poured from… a shaker.

“Skyfall” lacks a classic Bond babe but introduces an attractive, flirty woman we can hope to see in future 007 films.

Despite being a tad too long, “Skyfall” will thrill you and entertain you. If you are a Bond fan to any degree, this is a “must-see.”