Nuremberg

Nuremberg. Powerful drama. Excellent film!

You’d be correct to presume that the two lead actors would deliver knockout performances in this new movie. Hermann Goring (Russell Crowe) and U.S. Army shrink Douglas Kelley (Rami Malek) have a compelling relationship before, during and after the trial of the highest ranking surviving Nazi and several of his henchmen.

A surprise is Michael Shannon’s acting. He plays U.S. Supreme Court Justice Robert Jackson. Shannon’s a solid actor but his work here is a few notches above his normal level. It’s a juicy role for him and he brings it home.

Goring is captured after the war has ended. Should the allies just shoot him and move on? Justice Jackson suggests an international tribunal would allow the world to know the details of the German’s horrific acts. Jackson meets the pope to seek the pontiff’s sanction for such a trial. He becomes the lead prosecutor.

Yes, Nuremberg is a courtroom drama. But much of the film’s narrative occurs outside the courtroom. Kelley meets newswoman Lila (Lydia Peckham) on his train ride to Nuremberg. Her appearance later in the film leads to a key development.

Kelley is assigned to evaluate the Nazis as they await trial. His conversations with Goring lead him to have a level of respect—almost an admiration—for the Nazi murderer. He even serves as a go-between, taking missives from Goring to his wife.

Kelley is joined along the way by Dr. Gustav Gilbert (Colin Hanks) who tries to provide input and assistance to Kelley but they clash. Prosecution teammate Brit Sir David Maxwell-Fyfe (Richard E. Grant) helps justice Jackson in his courtroom face-off with Goring. Kelley’s translator Howie Triest (Leo Woodall) adds an important viewpoint.

Nuremberg has several scenes of the Nazi death camps, offering visual evidence of the mass killings of Jews, showing piles of human bodies and evidence of abuse of those still alive. Even if you’ve seen some of these images before, their effect is still gut wrenching eighty years later. Obviously this film montage of Nazi terror was a vital element of the case that led to the conviction and sentencing of Goring and his associates.

James Valentine wrote and directed Nuremberg. He does a nice job of balancing all the story’s parts and not getting bogged down in its focus on Goring or on the drama inside the courtroom. Bravo, Mr. Valentine!

There are those who will (and have already) compare what happened in Nazi Germany to our recent political history in the United States. But equating a president who works to consolidate executive power and punish his political enemies with a regime that slaughtered six million humans is ridiculous. 

Could what happened in Germany a century ago happen here? Could it happen anywhere? Is our species prone to evil behavior if unchecked? Is there a lesson for the world from the Nuremberg trial? Yes. This new film reiterates that lesson and reminds us of what happened then and should never be forgotten.

Nuremberg is rated R. It runs just under two-and-a-half hours.

Oppenheimer

It’s too early to pencil in Oscar winners’ names but it’s easy to imagine Oppenheimer pulling down a few next March. Starting with Christopher Nolan who wrote and directed this epic film. Is it his best film to date? Maybe. Among his top three, for sure.

Two weird trends this summer: baseball games have gotten shorter and movies have gotten longer. Oppenheimer is a three hour movie but screenwriter Nolan delivers huge amounts of narrative in those 180 minutes. And director Nolan maintains a fierce pace with multiple time jumps to tell that story. A clever device he employs is purposeful shifts between color and black-and-white sequences.

What about Cillian Murphy as Robert Oppenheimer? He’s been great in smaller movie roles and in the TV series Peaky Blinders. Although Murphy’s is not a household name, Nolan made a wise choice in giving Murphy the mantle of carrying this film. Not unlike the way the U.S. Army’s Leslie Groves (Matt Damon) chooses Oppenheimer to run the Manhattan Project despite the physicist’s baggage. 

Part of that baggage is his alcoholic wife Kitty (Emily Blunt) who is a Communist. As is Robert’s brother Frank (Dylan Arnold). A needy lover, Jean Tatlock (Florence Pugh), also has red connections. Is Oppenheimer himself a Communist sympathizer? He contributed to revolutionaries in Spain. He tried to organize a faculty union at Cal. But his work as a physicist makes him the right man to head the development of the atomic bomb at Los Alamos.

The role of Lewis Strauss includes some of the best Oscar-bait dialogue since Jack Nicholson took the trophy with his “you can’t handle the truth” speech in A Few Good Men (which took Best Picture in 1992.) Robert Downey Jr. is up to the task of portraying a complex individual who is less well-known than the film’s title character. 

Much of Strauss’s screen time revolves around hearings for his nomination to be U.S. Commerce Secretary during Ike’s second term. He also recruited Oppenheimer at Princeton and later was head of the Atomic Energy Commission. 

Jason Clarke as AEC attorney Roger Robb has another role that  allows for some scenery chewing. His confrontations with Oppenheimer and others during an inquiry into Oppenheimer’s fitness for continued security clearance are forceful and direct.

Among the films large cast, players include Kenneth Branagh, Alden Ehrenreich, James D’Arcy, Matthew Modine, Josh Hartnett, Casey Affleck, Dean DeHaan and Rami Malek. Tom Conti appears as Albert Einstein and Gary Oldman portrays Harry Truman.

Sound plays a major role in Oppenheimer. The dynamic range between ear-splitting loudness and calming silence is finessed beautifully by Nolan and the film’s sound crew. Expect a few awards nods to the craftspersons who make the movie sound good. Ludwig Goransson’s music provides momentum and adds to the intensity of numerous scenes. 

Because of Vladimir Putin’s invasion of Ukraine and saber rattling by both the U.S. and Russia, Oppenheimer is not just entertainment but also a timely movie. Although the film is a dramatization of real events, there’s a foundation of truth here that provides useful information for all Americans, especially younger citizens. 

Twenty-first century perspectives have revised our views of much of our nation’s history including our participation in wars. The paradox of the atom bomb’s being a good thing (ending hostilities with Japan) and a horrible thing (killing thousands of civilians) is one that has been and will be constantly examined. Oppenheimer is now part of that discussion. 

The movie is likely to make Cillian Murphy a genuine star for his strong performance. If you’re going to be onscreen for that much of a movie, you’d better be good. He is. Will he receive awards consideration? Bet on it.

Oppenheimer will bring fresh individual accolades to Nolan and Downey, among others. And the film itself is a likely Best Picture nominee. It is, as they say, a MAJOR motion picture!

Bohemian Rhapsody

Bohemian

The musical performances in Bohemian Rhapsody are brilliant. Exciting. Thrilling. The biopic that surrounds the music is okay but not as special as trailers might have suggested.

Freddie Mercury’s (Rami Malek) story follows that familiar showbiz path: obscurity, success, excess, debauchery, downfall and, finally, redemption. Whether it’s vital that an actor resemble the real-life person he/she is portraying can be debated, but Malek does look like Mercury, especially with the moustache.

But his prosthetic teeth eventually become distracting, almost like the ones Mike Myers wore in the Austin Powers movies.

Speaking of Myers, he plays a record exec who snubs the song Bohemian Rhapsody because of its length. Interestingly, the song is not performed in its entirety in the movie. Too long, maybe? (Snippets are heard.) The depiction of the recording of the song is one of the film’s highlights.

Myers’ casting appears to be payback for his giving the song new life in the 90s by using it in Wayne’s World.

I like Queen. I played their music on radio. I appreciated that they delivered a variety of sounds and styles in their tunes. The song Bohemian Rhapsody stands tall among the mostly tired and overplayed music genre known as “classic rock.”

Hardcore Queen fans will find much to like here. Boomers and Gen-Xers who thrived on Queen’s music will enjoy the nostalgia and may pick up unknown or unremembered tidbits about the band’s time in the sun. Millenials and Gen-Zers who adore Malek in Mr. Robot will want to check him out in this role.

With all those constituencies already titillated by the preview trailers, Bohemian Rhapsody should be a gorilla at the box office. Enjoy the music!