Black Bag

Black Bag is compact. Tight. Succinct. Slick. Director Steven Soderbergh does not waste a frame in this 90-minute spy thriller. 

Plus it has a cool percussion heavy soundtrack from David Holmes who did those wonderful soundtracks for Soderbergh’s Ocean’s movies (11, 12 & 13.) Black Bag’s music has more of a 60s-70s feel to my ear.

From the opening shot of George Woodhouse (Michael Fassbender) walking through a boisterous nightclub for a meeting to the quieter setting of the dinner he serves his guests in his home, the story keeps you guessing as to what’s next and who’s the transgressor. Which is the point, right?

Woodhouse is charged with figuring out which of a list of intelligence operatives is sharing secrets with the other side. His methods include an uncomfortable game played with his dinner guests which takes a surprisingly violent turn.

Those guests from the spy agency include his wife Kathryn (Cate Blanchett), Freddie Smalls (Tom Burke), Clarissa Dubose (Marisa Abela), Col. James Stokes (Regé-Jean Page) and Dr. Zoe Vaughn (Naomie Harris). All of them, as well an agency guy played by Pierce Brosnan, are flawed and some of their missteps are known (or become known) to Woodhouse and to the film’s audience.

Revelations occur in sessions with therapist Dr. Vaughn, in interactions at agency HQ, via lie detector tests, via long distance observation of Kathryn’s visit to Geneva and even on a quiet lake in a fishing boat. And, of course, in private conversations between George and Kathryn.

Though marketing for Black Bag has stressed the issue of the married couple having to keep secrets from one another AND the issue of their not being able to completely trust the other partner, there’s more to the movie than that simple element.

Fassbender and Blanchett are both excellent in their roles and the other players make up a compelling ensemble. Soderbergh and writer David Koepp toss in Black Bag’s various narrative points at an occasionally rapid pace so don’t take a long potty break once the show starts.

Black Bag is rated R.

The November Man

 

The November Man is a decent enough spy thriller but it may seem like others you’ve seen before. Interestingly, even before its release, word is already out that the film will have a sequel.

In The November Man, Peter Devereaux (Pierce Brosnan) is an ex-CIA agent who is recruited come back and help bring down the Russian Federov (Lazar Ristovski) who is in line to become the country’s next president. Devereaux’s first step, getting a woman out of Russia, fails, thanks to the bullets of another CIA team.

Turns out that the unfriendly fire came from a group led by young David Mason (Luke Bracey), an agent who trained under Devereaux and years before was chastised by Devereaux for screwing up a mission and killing a child.

Devereaux goes to Belgrade to protect Alice Fournier (Olga Kurylenko) from nasty Russian assassin Alexa (Amila Terzimehic). Alice has the goods on Federov and his mistreatment of civilians during the Chechen war versus Russia.

Pierce Brosnan is a likeable actor who still carries some heft at age 61. And Luke Bracey, an Aussie who’s had little exposure on U.S. screens, is solid enough for the role as Brosnan/Devereaux’s CIA ally/rival.

Some of the film’s plot elements may leave you scratching your head and wondering, “why did they do that?” But it all comes together—sort of—at the end and good overcomes evil once more.

Whether you want to see The November Man depends on how big a Pierce Brosnan fan you are. This is not quite as iconic a role as Bond, but, presuming this film and its sequel do okay, it could become a trademark role for the sexegenerian.