Blink Twice

Blink Twice. No spoilers. Just a few hints.

A rich guy Slater King (Channing Tatum) has a private island and likes to throw extravagant days-long events there. Unlike at Jeffrey Epstein’s place, all the guests here appear to be adults. But as Epstein famously did, King casts his net wide with his invitations.

Among the invitees are characters played by Geena Davis, Christian Slater, Haley Joel Osment and Kyle Maclachlan, among others.

Tatum’s co-star Naomi Ackie as Frida does the movie’s heavy lifting, moving the story along and maintaining the mystery. First time director Zoe Kravitz (who also co-wrote the movie) took a big leap of faith in casting the less-than-well-known Ackie in the lead role. Lucky for both women, Ackie does good work in what could be a star-making turn.

As is revealed in the trailer, all guests have to give up their phones. Even if they could get a signal, it is preferred that guests not take pics. (Christian Slater’s character Vic snaps lots of Polaroid photos.) The island getaway consists mainly of eating, drinking, drugs and pool time. While sexual tension simmers, it doesn’t appear to go far. The guests seem to have fun mainly by teasing one another, sharing booze and blunts and outrageous meals.

Google says: “‘Blinking twice’ implies that someone can’t believe what they’re seeing, so they blink again to make sure they’re not imagining it.” And in the drug and drink addled minds of the participants in Slater King’s island party, what’s real and what’s imagined is sometimes blurred.

Zoe Kravitz has crafted a suspenseful tale but my guess is that since she’s a rookie helmer, the studio had “final cut.” Blink Twice feels as if much more movie was shot but, as often happens, was trimmed here and there to speed things up. Should there have been more mystery? More exposition? More resolution? Or… was the film’s hour and forty minutes run time just about right? “Always leave ‘em wanting more” is a timeless showbiz adage and maybe it applies here.

The opening shot of Blink Twice has Frida doom scrolling through social media posts until she gets to a Slater King video. Here’s hoping that the folks who see Blink Twice and then jump onto TikTok, Instagram, X, Facebook, etc. will respect the folks who made the movie AND the folks who will see it in the next few weeks and think twice about sharing any spoilers. If you are a social media user, be careful where you click.

Tusk

 

Tusk is an odd amusement. This is NOT a movie for everyone.

The story comes from a podcast featuring writer/director Kevin Smith and fellow podcaster Scott Mosier. Their brainstorm evolved into a tale about a man who is held hostage and turned into a walrus. When the film’s first trailer was released this summer, no hints were given that the film might be funny.

Tusk is funny. It’s also (at various points) weird, clever, dumb, frightening, gross, off-putting and lovable. But, as noted, this is not a movie for everyone.

Wallace (Justin Long) and Teddy (Haley Joel Osment) are L.A.-based podcasters who talk about a kid in Manitoba who injured himself severely with a sword. Video of the injury goes viral. Wallace goes to Canada to interview the kid, but finds that he is dead.

Wallace finds a curious note on the wall of a Winnipeg men’s room and, wanting some good audio for his podcast, heads out to find the note’s writer, Howard Howe (Michael Parks). Howe shares his story of being rescued at sea by a walrus. Wallace is drugged and awakens to discover just how disturbed Howe is.

Wallace manages to leave voicemails for his girlfriend Ally (Genesis Rodriguez) and Teddy. They go to Canada to find and rescue Wallace. Along the way, they encounter an investigator named Guy LaPointe (Johnny Depp in an uncredited role) who provides a few of the film’s comedic highlights.

Tusk has some silly jokes about American/Canadian culture. (A convenience store is named “Eh-2-Zed.”) Stick around during credits for an audio clip of the podcast that spawned this bit of wackiness.

Kevin Smith is known for taking risks in his moviemaking. His Dogma is one I watch any time I flip by it. Tusk is strange enough that it’s likely to be embraced as genius by certain of Smith’s devotees. It is entertaining enough for me—I appreciate this film’s strangeness—but, as noted above, Tusk is not for everyone.