Conclave

Conclave is an excellent movie, one of the year’s best. Compelling story, stellar cast, deft directing. It’s a winner, a “must see.” But… be careful!

There are people who will reveal certain key plot points. And not just on social media platforms. Because Conclave is a story about the election of a pope, some Catholics—church leaders and church members—may not care for the less-than-flattering depictions of certain cardinals.

Conclave is fiction but it considers the real life conflicts within the Catholic religion between its progressive and conservative elements. The election of a new pope is a political process with similarities to governmental elections: divisions into factions, surprise disclosures, accusations and denials, downright dishonesty. 

Cardinal Lawrence (Ralph Fiennes) is tasked with leading the election process. It’s a portrayal that will net him awards. Fiennes was Oscar nominated for The English Patient and Schindler’s List. This may be the one that gets him the trophy.

His speech to his fellow cardinals at the conclave just before the first balloting is a classic scene that he nails beautifully. As revealed in the trailer, he says, “If there was only certainty, and no doubt, there would be no mystery. And, therefore, no need for faith.” Not sure if the source of this monologue is the screenwriter Peter Staughan or book author Robert Harris but it is impactful.

Others who play key roles are Cardinal Bellini (Stanley Tucci), Cardinal Tremblay (John Lithgow), Italian Cardinal Tedesco (Sergio Castellito), African Cardinal Adeyemi (Lucian Msamati), Cardinal Benitez (Carlos Diehz), and Sister Agnes (Isabelli Rossellini). Also, as Lawrence’s assistant O’Malley, Brian F. O’Byrne. Quite a lineup and they all get to shine.

Conclave is in some ways an old-fashioned movie. No nudity, no sex. No profanity. No superheroes. A story that unfolds in chronological order without flashbacks. A killer soundtrack from Volker Bertelmann that amplifies the tension and suspense. And multiple memorable visuals from director Edward Berger and his crew.

The warning posted at the top of this review bears repeating. Beware of spoilers. Conclave will generate conversation and beans are likely to be spilled. Be cautious where you click.

How will Conclave play among Catholics? My guess is that reactions will cover a wide spectrum from warm embrace to dismissive putdown. On one hand, it’s a deep and illuminating dive into the pope choosing process that may be appreciated by some church members. On the other hand, it deals with backstage maneuvers in church headquarters that some folks just don’t care to know about. The responses could get interesting. Stay tuned.

Conclave is rated PG.

Piece By Piece

Hey, gang, here’s a way to spice up a tired storytelling format: Go Lego!

The new film Piece By Piece has those familiar elements seen time after time in documentary biopics: archival footage plus soundbites from associates/family/observers, tied together with narration and/or onscreen text. But this story of musical polymath Pharrell Williams has that big difference. It is told… via Legos!

The movie is colorful, musical, kinetic and full of cool images that would not be seen had the story been told in the traditional way.

Does the Lego innovation/gimmick work? Yes, to an extent. But after a while, it gets a bit tedious. And it is a bit dishonest. Do the projects in Virginia Beach where Pharrell grew up look like they’re presented in this film? Is his high school where he met many of his first musical chums similar to its cartoon representation here? 

Among the people who contribute soundbites to Piece By Piece are Pharrell’s parents. After about their third appearance onscreen—as Legos—I wanted to see what his folks really look like, not just their cartoon images. Also, I wonder if all the musical folk who contributed comments are pleased with their Lego depictions? 

Interestingly, when Pharrell’s story gets to 2013, one of the three gigantic hit songs he was involved in that year gets just a brief mention. Blurred Lines, performed with Robin Thicke and rapper T.I., has since been cancelled in popular culture because of its lyrical content. To have ignored the song, a monster hit, would’ve left fans wondering WTF. But acknowledgement of the tune, set between more screen time for the two others, is appropriate.

Pharrell’s part in Daft Punk’s Get Lucky was his first 2013 mega hit. Then, in summer, as Blurred Lines was ruling the charts, his song Happy was heard as the closing theme of the film Despicable Me 2. Toward the end of the year, the song began ascending the charts and in early 2014 the song and its video were making people everywhere… happy! Positive responses from the song’s fans get good play in this new movie.

For those who know Pharrell Williams mainly for his time as a judge on The Voice or from his song Happy, Piece By Piece delivers a good opportunity to learn more about the man. His love of music from childhood when he was a Stevie Wonder fan. His involvement with many of music’s giants including Justin Timberlake, Snoop Dogg, Gwen Stefani, Jay-Z. His family life including not just his parents but also his wife and his grandmother. 

The Lego innovation/gimmick offers parents a reason to bring their kids along to the theater. Even if they don’t care for the story, the Lego images and the creative animation should keep them amused. Or even, as the song title says, happy.

Piece By Piece runs just over 90 minutes. Rated PG.