Monthly Archives: August 2024

Blink Twice

Blink Twice. No spoilers. Just a few hints.

A rich guy Slater King (Channing Tatum) has a private island and likes to throw extravagant days-long events there. Unlike at Jeffrey Epstein’s place, all the guests here appear to be adults. But as Epstein famously did, King casts his net wide with his invitations.

Among the invitees are characters played by Geena Davis, Christian Slater, Haley Joel Osment and Kyle Maclachlan, among others.

Tatum’s co-star Naomi Ackie as Frida does the movie’s heavy lifting, moving the story along and maintaining the mystery. First time director Zoe Kravitz (who also co-wrote the movie) took a big leap of faith in casting the less-than-well-known Ackie in the lead role. Lucky for both women, Ackie does good work in what could be a star-making turn.

As is revealed in the trailer, all guests have to give up their phones. Even if they could get a signal, it is preferred that guests not take pics. (Christian Slater’s character Vic snaps lots of Polaroid photos.) The island getaway consists mainly of eating, drinking, drugs and pool time. While sexual tension simmers, it doesn’t appear to go far. The guests seem to have fun mainly by teasing one another, sharing booze and blunts and outrageous meals.

Google says: “‘Blinking twice’ implies that someone can’t believe what they’re seeing, so they blink again to make sure they’re not imagining it.” And in the drug and drink addled minds of the participants in Slater King’s island party, what’s real and what’s imagined is sometimes blurred.

Zoe Kravitz has crafted a suspenseful tale but my guess is that since she’s a rookie helmer, the studio had “final cut.” Blink Twice feels as if much more movie was shot but, as often happens, was trimmed here and there to speed things up. Should there have been more mystery? More exposition? More resolution? Or… was the film’s hour and forty minutes run time just about right? “Always leave ‘em wanting more” is a timeless showbiz adage and maybe it applies here.

The opening shot of Blink Twice has Frida doom scrolling through social media posts until she gets to a Slater King video. Here’s hoping that the folks who see Blink Twice and then jump onto TikTok, Instagram, X, Facebook, etc. will respect the folks who made the movie AND the folks who will see it in the next few weeks and think twice about sharing any spoilers. If you are a social media user, be careful where you click.

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Sing Sing

Who knew prison could be this much fun? Okay, not really FUN but Sing Sing begins with a light mood. Men in prison in a repertory theater company. Workshopping ideas together and coming up with an amalgam of a show to be written by their leader Brent (Paul Raci) who comes from outside the walls.

It’s prison but it appears more orderly and civilized than prison is often depicted in films. The men stay in units that look more like dorm rooms than cells. They chat amiably at meals and in the yard—with a few exceptions.

What makes Sing Sing special is these prisoners in the film are, for the most part, formerly incarcerated men. They bring a special level of reality and humanity in their portrayals of prison inmates. Yes, they have been convicted of serious crimes but they are real, generally likable, people.

Divine G (Colman Domingo) is the alpha of the rep company. He’s also working to get his conviction overturned. G is cool and calm in his clemency hearing. But the pressure of being behind bars slowly builds. Domingo, who was an Oscar nominee for his portrayal of civil rights activist Bayard Rustin, is a compelling presence onscreen.

Also meriting special mention is Clarence Maclin, a former inmate, whose work on Hamlet’s “To Be Or Not To Be” soliloquy during the film goes from ludicrous to powerful. This is not the last time you’ll see him onscreen.

While the mood of Sing Sing is not as intense as that of some prison movies, there are reminders that the men are isolated from society. The frequent shots of men looking out at the Hudson River and of the trains traveling right next to the prison make that point clear. (The lyrics to Johnny Cash’s Folsom Prison Blues came to my mind each time the train rolls by.)

Sing Sing is likely to be in conversations in a few months when awards season kicks in. Not just for Domingo and Maclin but for the film’s director Greg Kwedar who co-wrote the script with Clint Bentley. It is one of the best movies to be released so far this year. Rated R for language.

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It Ends With Us

It Ends With Us, the new film adapted from Colleen Hoover’s 2016 best selling novel, is a cautionary tale. For some, it may even be instructive.

The “it” in the title is the cycle of spousal abuse which sometimes continues through generations. The movie does have many light moments and some semi-steamy romance but there’s also a dark undercurrent. 

Lily Bloom (Blake Lively) is a thirtysomething Bostonian who returns home to Maine after her father’s death. At his funeral when she is asked to say a few words about him, she has nothing. Why? It is soon revealed that her father was physically abusive to her mom.

Lily meets Ryle Kincaid (Justin Baldoni) a Boston surgeon and a slowly simmering romance ensues. Lily gets signs that Ryle has a temper. In fact the first thing she sees him do is kick a chair in anger. 

Lily opens a flower shop and her first employee Allyssa (Jenny Slate) just happens to be Ryle’s sister who shares insight into her brother’s behavior.

Meanwhile, Lily’s old boyfriend from her hometown Atlas (Brandon Sklenar) reappears in her life when she and Ryle dine in his (Atlas’s) new restaurant. When Lily shows up later at Atlas’s joint with a bit of a shiner, the result of an overreaction by Ryle to a kitchen disaster, Atlas confronts Ryle. When Ryle later discovers that Atlas has given her his phone number in case of trouble, he gets upset again.

Lily has flashbacks to life back in Maine and the tension in her household. She also recalls her early times with Atlas. Young Lily (Isabela Ferrer) and young Atlas (Alex Neustaedter) also experience her dad’s volatile temper.

It Ends With Us maintains a simmering level of tension from start to finish. Lily’s mom tells her daughter that she loved her husband despite his abuse. Lily offers Ryle forgiveness for his transgressions. But how far will that go? What role will Atlas play in her encounters with him now that they are both adults? 

Blake Lively carries the film in a role that has her portrayal of Lily cover a spectrum of character types ranging from a sexy babe to a hustling business owner to an assertive woman who takes control of her life. She’s good!

Coleen Hoover has said that the story is based on the relationship of her mother and father. And that it was hard for her to write. Its success has spawned a sequel book and helped make Hoover a fan favorite.

A best-selling novel that generates a lot conversation should deliver a built-in audience for the film version. But since more people see movies than read books, the word-of-mouth opinions from early movie goers will determine if It Ends With Us has legs. I’m guessing it will. 

Rated R. Directed by the guy who plays Ryle, Justin Baldoni.

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